Aliens

This time it's war.

Release Date 1986-07-18
Runtime 137 minutes
Status Released
Watch

Overview

Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met with skepticism, she agrees to accompany a team of Colonial Marines back to LV-426.

Budget $18,500,000
Revenue $183,316,455
Vote Average 7.954/10
Vote Count 10242
Popularity 12.6318
Original Language en

Backdrop

Available Languages

English US
Title:
"This time it's war."
Français FR
Title: Aliens, le retour
"Cette fois c'est la guerre."
Deutsch DE
Title: Aliens - Die Rückkehr
"Es gibt Orte im Universum, wo man nicht allein hingeht."
Italiano IT
Title: Aliens - Scontro finale
"Questa volta è guerra!"
Slovenčina SK
Title: Votrelci
""
Pусский RU
Title: Чужие
"«В некоторых местах Вселенной вы не одиноки...»"

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Cast

Crew

Reviews

Rob
8.5/10
One of my all time favorites. It still contains some of the drama and suspense of the first but with far more action leading to what I find a far more appealing storyline. As with Cameron's movies he makes you feel for the core characters from the start rather than just a bunch of 'bad ass' marines (Although they are). The progression of Ripley was really defined by this movie the 'brave but scared' Ripley of Alien is gone and a more determined, meaner Ripley emerges with elements of the older nurturing character kept in check with a young girl called Newt. It definitely stands out miles compared to all the other 80's alien-type movies of that decade.
Patrick E. Abe
8.0/10
"Ripley and the Soldiers" can be found in two versions: the short version that cuts from Midway station directly to the Weyland-Yutani hearing, and the "director's cut" which cuts to a waiting room with a wall size "scenery channel" display. When I first saw the short version, I wondered how Ripley was able to make an immediate connection with Newt. "Sister solidarity" sounded bogus, and the "director's cut" cleared up that mystery. The more interesting "director's cut" reveals Newt's family on LV-426, a long discussion on what the surviving Marines are facing, and an action sequence featuring the deadly Sentry units. As Ripley suggested, I.Q.s did drop sharply among the Weyland-Yutani brass, with Carter Burke sending a deadly directive to "Hadley's Hope." In short: Ripley is living the blue collar life by day and experiencing a recurrent "Alien birth" nightmare at night. Carter Burke and Colonial Marine Lt. Gorman visit her, saying contact has been lost with LV-426. Signing a devil's deal with Weyland-Yutani, Ripley boards the "Sulaco" with a "company" of Colonial Marines. To her horror, an android, "Bishop" is part of the crew, recalling the murderous "Nostromo" science officer, Ash. The trash-talking Colonial Marines give Ripley's tale short shrift, as they prepare for the "Bug Hunt." The armed-to-the-teeth party finds no colonists, but evidence of a battle to the death. Then something streaks out of hiding, pursued by Ripley. "Mewt" is the sole survivor of "Hadley's Hope" who views the soldiers with a disdainful "it won't make any differene." A computer search finds the colonists clustered deep below the power plant. The Marines descend into the sub-sub-basement level and find out how true Ripley's tale is. After retreating from Hell, the survivors seal themselves off from the "Xenomorphs" as best as they can, dispatching "Bishop" to bring down the other drop ship. The Aliens attack and the soldiers fall one after another, leading to an abduction and a face off in an egg-filled chamber. This sequel is superior to the first movie, and leads to "Ripley and the Convicts." 8/10.
Charles Dance
4.0/10
**The Disney film of the franchise** A basic shoot 'em up that comes complete with soldiers greasing up and watching each others muscles and also added an annoying kid straight out of Oliver Twist. Cameron took everything Ridley Scott slowly built up and tossed it in the trash can to make a cheap shot Stallone/ Schwarzenegger style action fiasco. People who like this one tend to not be fans of horror movies as they complain about the _dark nature_ of the horror film Alien 3 - LOL - and this is precisely the reason Aliens fails as part of the horror franchise that is Alien. - Charles Dance
John Chard
10.0/10
My mommy always said there were no monsters - no real ones - but there are. Ripley has been found in deep space by a salvage ship and brought back to a space station to be awoken from her 57 year sleep. Here she is mortified to find that the planet on which herself and her now deceased Nostromo crew found the Alien, LV-426, has been colonised by Weyland-Yutani Company. Suffice to say that when The Company representative, Burke, tells her that all contact is lost, she's not in the least bit surprised. Unable to get anyone to believe her about what happened to the Nostromo crew, Ripley is cajoled into going back to LV-426 with a crack team of space marines to seek, destroy or rescue... How do you make a sequel to one of the finest, most loved modern era films ever? This was something that director James Cameron must have pondered on many a dark night once he had agreed to make Aliens. The answer was to rightly not copy the format so brilliantly laid down by Ridley Scott and his team for Alien, but to embrace its mood and enhance it with thrills spills and exhilaration. This was only Cameron's third feature length movie, and here he was working with the crew who had made Scott's movie so special. Also writing as well as directing, this could have gone very wrong indeed, but Cameron rose to the challenge admirably and set up his marker on how his film would succeed. Keep the premise simple and seamlessly connected to Scott's film, and lets have more. Not just one bad ass acid bleeding alien, but an army of them, and their mother too! They mostly come at night - mostly. Where Alien was a splicing of sci-fi wonderment and basic horror terrors, Aliens is a blend of war film staples to compliment both of those earlier picture things. Thus in keeping with Cameron's more is more work in progress skeleton. Another thing that Cameron instinctively called right was to make Aliens about Ripley (Sigorney Weaver simply brilliant), it's her story. Be it a parental thread or a feminist heroine fighting off the phallic hoards, cinema got in Ripley's extension one of its finest and strongest female characters ever (Weaver was nominated for Best Actress but lost out to Marlee Matlin for Children of a Lesser God). Thematically Aliens has been pored over in regards to metaphors about Vietnam, foreign policy and corporate greed at any cost, and rest assured that Aliens isn't merely one big excuse for a shoot them up bonanza. But realistically, and explaining why it was such a huge box office success, it's with the thrills and terror that Aliens most succeeds. The action scenes are slick and at times breath taking, and the tension is often palpable. None more so as we enter the film at the half way point, because here we realise that we have characters to care about. Blood, brains and brawn, all led by a heroine of considerable guile and guts. 10/10
AmazoniaNOTAmazon
4.0/10
How Disappointing ! This movie, Aliens (1986) is a real fiasco. Especially compared to Alien (1979). James Cameron ruined the spirit and soul of Alien for several reasons. The first one, according to me, is that, unlike Alien, he is using too many characters. Almost all of the actors are lacking of charism, even Sigourney Weaver. The soldiers show more muscles than intelligence and this is not reality, it is almost ridiculous. I do not understand why Cameron did that. It's unbelievable for a director who made in 1984 Terminator and in 1991 Terminator 2. The second one, is the length of the movie : about 2h20mn. Too long, much too long. The third one is the lack of entertainment. I'm sorry, but, compared to Alien, this film cannot hold the comparison. It lacks of depth, and sometimes, it is better not to shoot a second part of a blockbuster. I recently watched Chinatown (1974), Rosemary's Baby (1968), Alien (1979), Fatal Attraction (1987) and all of them were great, but not Aliens.
Repo Jack
10.0/10
How do you do a followup to a classic like Alien? GIve it to James Cameron to amp it up to 10 with a bazillion aliens and a fantastic performance by Sigourney Reaver.
r96sk
8.0/10
A better sequel to 'Alien' than I was expecting. 'Aliens' - love the creativity, guys! - is a minute jot off the original but it remains a thoroughly enjoyable film - despite a slightly longer run time, which pleasantly doesn't hamper events. Sigourney Weaver is terrific again; I can see why these films launched her career. I will say parts of this 1986 flick are a tad repetitive from the original and a few bits are predictable, e.g. the arcs of Lance Henriksen's Bishop and Paul Reiser's Carter, but when judged overall it's another entertaining release from this franchise. I look forward to seeing if they made it a hat-trick with 'Alien³'.
The Movie Mob
10.0/10
**Overall : Aliens is an unparalleled essential that any sci-fi or horror fan needs to see.** The original Alien (1979) set a new standard for sci-fi horror due to the fantastic vision and directing of the legendary director Ridley Scott. How could a green rookie director with just a handful of directing credits hope to top that? James Cameron found a way! Aliens improves on its predecessor in every way. Instead of a crew of civilian pilots fighting to survive a single alien, Cameron pits a squad of hardened space marines against an alien infestation. The experience, training, and advanced weaponry fail to protect them from the onslaught of alien xenomorphs, increasing the horror and hopelessness of the film. Cameron's camera work and perspective increase the tension, regularly showing the struggling survivors from the viewpoint of the stalking alien predator. The special effects, the action, the scale, the cast, the directing, the horror, and every other element of Aliens improve on the masterpiece of the original and result in the absolute gold standard of sci-fi horror.
Wuchak
9.0/10
**_One of the best monster movies_** I prefer James Cameron's "Aliens" (1986) to its predecessor, Ridley Scott's "Alien" (1979), mainly because the story is more compelling. People often say "Aliens" is more of an action film than "Alien," but it's not a mindless action film and, in fact, the action doesn't even start until a FULL HOUR into its 2 hour and 18 minutes runtime (the extended cut runs about 16 minutes longer). The best horror/action movies take this route -- taking their time to build character and suspense before unleashing the horrific mayhem. Some complain about the screaming little girl, Newt, but -- hey -- she's a little girl and I think the situation calls for this sort of response. Others complain that Bill Paxton is too whiny as one of the Marines, but isn't this the way SOME people respond when facing overwhelming defeat -- even hardened militarists -- particularly by hideous extraterrestrial monsters? Another complaint is that the Marines are depicted as dumb, arrogant "oo-rah" types, but I used to be a Marine and this was the way the over-the-top ones acted and, furthermore, these are the kinds of Marines that would qualify for such a dangerous mission -- the (over)confident wackjobs who would get the job done and done right. The initial confrontation with the aliens at the hour mark is one of the most horrific sequences in cinematic history; and the Marines are thoroughly humbled. The rest of the film shows the surviving group literally sweating-it-out trying to figure out how to get off the planet alive where annihilating the creatures becomes a secondary objective. Ripley's motherly love for Newt is a good addition and it humanizes Ripley (Sigourney Weaver). The sequences with the alien Queen make for a dynamic and extended climax. Also, Lance Henriksen is notable as the "artificial human" and Paul Reiser as an effective love-to-hate quasi-villain. On the downside, the film is noticeably setbound, but that's par for the course for these types of sci-fi films, e.g. Star Trek. Another negative -- for me at least -- is that the film features no curvy babes, but this was the case with the first film as well, so it's to be expected. Besides, I think the female crew is more believable without someone like Juno Temple or Megan Fox aboard, lol. The bottom line is that "Aliens" is easily one of the greatest monster films of all time, surpassing even the first film in the series and leagues better than the next two. GRADE: A
BryceSpencer
10.0/10
**Even BETTER Than The First!** I LOVED this movie! The intense action, the gripping horror, the characters, the aliens, the ascetic...everything. And it takes its time to give us all the little hints and clues from the first film as we venture into this thrilling ride. Though I have much respect for Ridley Scott's first Alien film, this one just takes it to a whole new level in a way the first never could. THIS is how it's done.
BryceSpencer
10.0/10
I LOVED this movie! I honestly rank this movie even higher than the first. The intense action, the gripping horror, the characters, the aliens, the ascetic...everything. And it takes its time to give us all the little hints and clues from the first film as we venture into this thrilling ride. Though I have much respect for Ridley Scott's first Alien film, this one just takes it to a whole new level in a way the first never could. THIS is how it's done.
GenerationofSwine
10.0/10
I have a simple policy: if the movie entertains like it's supposed to, I give it 10 stars... ...That being said: I'm going to give you two words: "Space Marines" That's right, "space marines" I can almost see the pitch for this. We are going to take the Alien movie, the classic horror movie in space...and we are going to turn it into an action movie in space and completely change the direction of the franchise to the point where people are going to be hesitant to go back to the horror in space formula that worked for alien. And that is kind of what happened. The Alien franchise kind of lost its horror movie cred with Aliens to the point where Alien 3 got a lot of hate for trying to bring back the successful merger of horror and science fiction. Aliens turned the franchise into a typical science fiction series...and that kind of hurts. HOWEVER You still have Ripley and Ripley is still a super cool hero. And Aliens doubles down on her character and brings her from the tough survivor to a tough as nails warrior. And then you have a great addition of characters that quickly become beloved. And even if it changed from a horror movie to a basic science fiction movie with space marines, it was still a stellar science fiction movie. It was still stylistic and fun. So part of me hates Aliens for making that turn from horror to straight science fiction. But the other part of me recognizes it as a a very good movie for what it is with a great cast. So I'm going to give it 10 out of 10 despite wanting it to be the same kind of film that Alien was. And, at the same time, I want to praise the risk it took for taking the franchise in a new direction.
Filipe Manuel Neto
9.0/10
**A sequel on par with the first film, and one that helped cement the Alien franchise.** I really liked the movie Alien, the first of this franchise. There is no doubt that it is one of the best and most remarkable horror films ever made, and one of the “fathers” of contemporary sci-fi cinema. This film was thought to give logical continuity to the story started in that film, and I think it couldn't be better than it is. There are many people who consider the film to be excessively dated, with sets and effects that look old. I strongly disagree. It's true that digital and CGI are not here, but if you think about the amount of bad CGI and bad effects that we have to swallow in today's movies, it's really nice to see a movie with effects that work well and look amazing fifty years later. . When Ripley is saved over fifty years have passed since the events of the initial film. She arrives in a world that has continued to spin while she sleeps, and which does not believe her account. Still, they ask him to return to space when a colony, newly created on the planet where the first Alien was found, suddenly stops communicating. It's pretty clear that someone knows more than they're saying, and that there are, again, very strong interests from a financial point of view. But Ripley will figure it all out in due time. The film is extraordinary and is completely at the level of its direct predecessor: the script has an excellent development, knows how to involve and capture the public's attention. Okay, there's a similar story, with the return to that planet and the return of the aliens, but the premise that leads to the return is the best and most convincing, and we don't feel tired or downtime. There's a pleasant tension, which deepens as the threat grows, and even when we don't see the xenomorphs, the fact that we know they're around increases that tension and the feeling of threat. Cameron continues to prove his genius as a director, and manages to extract the best from everyone involved in his project. In particular, the actors. Sigourney Weaver is at the highest level and gives us an anthology work, which will open doors for her as an actress and which will mark her for life. The rest of the cast does not stand out so much, but we can praise the efforts of actors like Michael Biehn, Lance Henriksen, William Hope, Jenette Goldstein and Al Matthews. Carrie Hen, in part, is the weakest link in this cast, as her character only appears to arouse empathy and for us to connect more intensely with what we are seeing. The truth is that the way her character – a child – survives in that situation is frankly implausible, almost an authentic miracle. Technically, the film is fantastic. It even seems like a new and relatively recent film, if you don't know what you're watching and that it was released in 1986. The cinematography is clean, sharp and there is an excellent filming and editing job. The effects are done the old-fashioned way, without the overwhelming appeal of digital, and they work amazingly well. See, for example, how the droid cut in half looks, how believable and authentic it looks. The alien is effective, menacing and fearsome, it looks like a weapon come to life and not a normal living being.
emre
8.0/10
While Cameron masterfully balances tension and action, he also deepens the film by focusing on character development. Watching Ripley's transformation is a testament to his impressive direction. Additionally, the creature designs and military costumes bring a sense of realism that surpasses its time, drawing the audience into the film's dark and dangerous world. In these aspects, *Aliens* stands as a masterpiece not just for sci-fi fans, but for cinema enthusiasts as well.

Famous Conversations

HUDSON: Movement!

APONE: Position?

HUDSON: Can't lock up...

APONE: Talk to me, Hudson.

HUDSON: Uh, seems to be in front and behind.

HUDSON: Hey, 'Top.' What's the op?

APONE: Rescue mission. There's some juicy colonists' daughters we gotta rescue from virginity.

HUDSON: Whoooah! No shit? I'm impressed.

APONE: Let's go...let's go. Cycle through!

HUDSON: This floor's freezing.

APONE: Christ. I never saw such a buncha old women. You want me to fetch your slippers, Hudson?

HUDSON: Would you, Sir?

GORMAN: Uh,...Apone, I want you to lay down a suppressing fire with the incinerators and fall back by squads to the APC, over.

APONE: Say again? All after incinerators?

GORMAN: Flame-units only. I want rifles slung.

APONE: Let's go. Pull 'em out.

GORMAN: First squad up, on line. Hicks, get yours in a cordon. Watch the rear.

APONE: Vasquez, take point. Let's move.

GORMAN: Set down sixty meters this side of the telemetry mast. Immediate dust off on my 'clear,' then stay on station.

APONE: Ten seconds, people. Look sharp!

GORMAN: Okay, let's do it.

APONE: Awright! I want a nice clean dispersal this time.

GORMAN: ...that's better. Pan it around a bit.

APONE: Awright. Fire-team A. Gear up. Let's move. Two minutes. Somebody wake up Hicks.

RIPLEY: You did okay, Bishop.

BISHOP: Well, thanks, I --

BISHOP: Ripley...

RIPLEY: She's alive. They brought her here and you know it.

BISHOP: In seventeen minutes this place will be a cloud of vapor the size of Nebraska.

RIPLEY: HOW MUCH TIME?

BISHOP: PLENTY! TWENTY-SIX MINUTES!

RIPLEY: WE'RE NOT LEAVING!

RIPLEY: It's going to be closer. You better get going.

BISHOP: See you soon.

BISHOP: I'll go.

RIPLEY: What?

BISHOP: I'm really the only one qualified to remote-pilot the ship anyway. Believe me, I'd prefer not to. I may be synthetic but I'm not stupid.

RIPLEY: All right. Let's get on it. What'll you need?

RIPLEY: And it's too late to shut it down?

BISHOP: I'm afraid so. The crash did too much damage. The overload is inevitable, at this point.

BISHOP: That's it. See it? Emergency venting.

RIPLEY: How long until it blows?

BISHOP: I'm projecting total systems failure in a little under four hours. The blast radius will be about thirty kilometers. About equal to ten megatons.

RIPLEY: Which would mean lots of those parasites, right? One for each person...over a hundred at least.

BISHOP: Yes. That follows.

RIPLEY: But these things come from eggs...so where are all the eggs coming from.

BISHOP: That is the question of the hour. We could assume a parallel to certain insect forms who have hivelike organization. An ant of termite colony, for example, is ruled by a single female, a queen, which is the source of new eggs.

RIPLEY: You're saying one of those things lays all the eggs?

BISHOP: Well, the queen is always physically larger then the others. A termite queen's abdomen is so bloated with eggs that it can't move at all. It is fed and tended by drone workers, defended by the warriors. She is the center of their lives, quite literally the mother of their society.

RIPLEY: Could it be intelligent?

BISHOP: Hard to say. It may have been blind instinct...attraction to the heat of whatever...but she did choose to incubate her eggs in the one spot where we couldn't destroy her without destroying ourselves. That's if she exists, of course.

BISHOP: I've isolated a neuro-muscular toxin responsible for the paralysis. It seems to be metabolizing. He should wake up soon.

RIPLEY: Now let me get this straight. The aliens paralyzed the colonists, carried them over there, cocooned them to be hosts for more of those...

BURKE: I expected more of you, Ripley. I thought you would be smarter than this.

RIPLEY: Sorry to disappoint you.

RIPLEY: You sent them out there and you didn't even warn them, Burke. Why didn't you warn them?

BURKE: Look, maybe the thing didn't even exist, right? And if I'd made it a major security situation, the Administration would've stepped in. Then no exclusive rights, nothing.

BURKE: Those specimens are worth millions to the bio-weapons division. Now, if you're smart we can both come out of this heroes. Set up for life.

RIPLEY: You just try getting a dangerous organism past ICC quarantine. Section 22350 of the Commerce Code.

BURKE: You've been doing your homework. Look, they can't impound it if they don't know about it.

RIPLEY: But they will know about it, Burke. From me. Just like they'll know how you were responsible for the deaths of one hundred and fifty-seven colonists here --

BURKE: Now, wait a second --

RIPLEY: You sent them to that ship. I just checked the colony log... directive dates six-twelve-seventy-nine. Signed Burke, Carter J.

RIPLEY: You son of a bitch.

BURKE: Don't make me pull rank, Ripley.

RIPLEY: What rank? I believe Corporal Hicks has authority here.

BURKE: Corporal Hicks!?

RIPLEY: This operation is under military jurisdiction and Hicks is next in chain of command. Right?

BURKE: Well, I mean...I know this is an emotional moment, but let's not make snap judgments. Let's move cautiously. First, this physical installation had a substantial dollar value attached to it --

RIPLEY: They can bill me. I got a tab running. What's second?

BURKE: This is clearly an important species we're dealing with here. We can't just arbitrarily exterminate them --

RIPLEY: Bullshit!

RIPLEY: No good. How do we know it'll effect their biochemistry? I say we take off and nuke the entire site from orbit. It's the only way to be sure.

BURKE: Now hold on a second. I'm not authorizing that action.

RIPLEY: Why not?

RIPLEY: They're right under the primary heat exchangers.

BURKE: Yeah? Maybe the organisms like the heat, that's why they built...

RIPLEY: That's not what I mean. Gorman, if your men have to use their weapons in there, they'll rupture the cooling system.

BURKE: She's right.

RIPLEY: That the atmosphere processor?

BURKE: Uh-hunh. One of thirty or so, all over the planet. They're completely automated. We manufacture them, by the way.

RIPLEY: I hope you're right. I really do.

BURKE: I suggest you study the disks Ripley has been kind enough to prepare for you.

RIPLEY: You never said anything about an android being here! Why not?

BURKE: Well, it didn't occur to me. It's been policy for years to have a synthetic on board.

BURKE: Yello? Oh, Ripley. Hi...

RIPLEY: Burke, just tell me one thing. That you're going out there to kill them. Not study. Not bring back. Just burn them out...clean ...forever.

BURKE: That's the plan. My word on it.

BURKE: Yes, and I've read it. You wake up every night, sheets soaking, the same nightmare over and over...

RIPLEY: No! The answer is no. Now please go. I'm sorry. Just go, would you.

RIPLEY: Yeah, yeah. I saw the commercial.

BURKE: I heard you were working in the cargo docks.

RIPLEY: That's right.

BURKE: Running loaders, forklifts, that sort of thing?

RIPLEY: It's all I could get. Anyway, it keeps my mind off of... everything. Days off are worse.

BURKE: What if I said I could get you reinstated as a flight officer? And that the company has agreed to pick up your contract?

RIPLEY: If I go.

BURKE: If you go. It's a second chance, kiddo. And it'll be the best thing in the world for you to face this fear and beat it. You gotta get back on the horse...

RIPLEY: Spare me, Burke. I've had my psych evaluation this month.

RIPLEY: What about you? What's your interest in this?

BURKE: Well, the corporation co-financed that colony with the Colonial Administration, against mineral rights. We're getting into a lot of terraforming...'Building Better Worlds.'

RIPLEY: No. There's no way!

BURKE: Hear me out...

RIPLEY: I was reamed, steamed and dry-cleaned by you guys...and now you want me to go back out there? Forget it.

BURKE: You had them eating out of your hand, kiddo.

RIPLEY: They had their minds made up before I even went in there. They think I'm a head case.

BURKE: You are a head case. Have a donut.

RIPLEY: You read my deposition...it's complete and accurate.

BURKE: Look, I believe you, but there are going to be some heavyweights in there. You got Feds, you got interstellar commerce commission, you got colonial administration, insurance company guys...

RIPLEY: I get the picture.

BURKE: Just tell them what happened. The important thing is to stay cool and unemotional.

RIPLEY: Amy.

BURKE: Cancer. Hmmmm. They still haven't licked that one. Cremated. Interred Parkside Repository, Little Chute, Wisconsin. No children.

RIPLEY: Is she...?

BURKE: Amanda Ripley-McClaren. Married name, I guess. Age: sixty-six ...at time of death. Two years ago. I'm sorry.

RIPLEY: Have they located my daughter yet?

BURKE: Well, I was going to wait until after the inquest...

RIPLEY: Fifty-seven...oh, Christ...

BURKE: You'd drifted right through the core systems. It's blind luck that deep-salvage team caught you when they...are you all right?

BURKE: We're talking thermonuclear explosion.

GORMAN: Shit. Apone, collect magazines from everybody. We can't have any firing in there.

BURKE: What's he scanning for?

GORMAN: PDT'S. Personal-Data Transmitters. Every adult colonist had one surgically implanted.

GORMAN: Looks like you company can write off its share of this colony.

BURKE: It's insured.

BURKE: Still nothing from the colony?

GORMAN: Dead on all channels.

BURKE: Look, we don't know what's going on out there. It may just be a down transmitter. But if it's not, I want you there...as an advisor. That's all.

GORMAN: You wouldn't be going in with the troops. I can guarantee your safety.

BURKE: These Colonial Marines are some tough hombres, and they're packing state-of-the-art firepower. Nothing they can't handle...right, Lieutenant?

GORMAN: We're trained to deal with these kinds of situations.

RIPLEY: How do you feel?

GORMAN: All right, I guess. One hell of a hangover. Look, Ripley... I...

RIPLEY: Forget it.

GORMAN: I told them to fall back...

RIPLEY: They're but off! Do something!

RIPLEY: GET THEM OUT OF THERE! DO IT NOW!

GORMAN: Shut up. Just shut up!

GORMAN: So.

RIPLEY: So...then the fusion containment shuts down.

GORMAN: So? So?

GORMAN: What is it?

RIPLEY: I don't know.

GORMAN: Proceed inside.

GORMAN: Where are your parents? You have to try...

RIPLEY: Gorman! Give it a rest would you.

RIPLEY: One of us?

GORMAN: Apone...where are your people? Anybody in D-Block?

GORMAN: Hold at forty. Slow circle of the complex.

RIPLEY: The structure seems intact. They have power.

RIPLEY: How may drops is this for you, Lieutenant?

GORMAN: Thirty-eight...simulated.

GORMAN: We're not making that out too well. What is it?

HUDSON: You tell me. I only work here.

HUDSON: Hah! Stop your grinnin' and drop your linen! Found 'em.

GORMAN: Alive?

HUDSON: Unknown. But, it looks like all of them. Over at the processing station...sublevel 'C' under the south tower.

HUDSON: Sir, the CPU is on-line.

GORMAN: Okay, stand by in operations. Let's go.

GORMAN: All right, the area's secured. Let's go in and see what their computer can tell us. First team head for operations. Hudson, see if you can get their CPU on line. Hicks, meet me at the south lock by the up-link tower...

GORMAN: ...We're coming in.

HUDSON: He's coming in. I feel safer already.

GORMAN: Are there any questions? Hudson?

HUDSON: How do I get out of this chicken-shit outfit?

GORMAN: At ease. I'm sorry we didn't have time to brief before we left Gateway but...

HUDSON: Sir?

GORMAN: Yes, Hicks?

HUDSON: Hudson, Sir. He's Hicks.

GORMAN: What's the question?

HUDSON: Is this going to be a stand-up fight, Sir, on another bug-hunt?

GORMAN: All we know is that there's still no contact with the colony and that a xenomorph may be involved.

HUDSON: Let's go! Let's go!

HICKS: Fuckin' A!

HICKS: Well you're not reading it right!

HUDSON: Six meters. Five. What the fu --

HUDSON: Seventeen meters.

HICKS: Let's get these things lit.

HICKS: The corner! Ready?

HUDSON: Do it!

HUDSON: Maybe we got 'em demoralized.

HICKS: I want you two walking the perimeter. I know we're all in strung out shape but stay frosty and alert. We've got to stop any entries before they get out of hand.

HICKS: We got problems.

HUDSON: I don't fucking believe this. Do you believe this?

HICKS: Outstanding. Then all we need's a deck of cards. All right, let's move like we got a purpose.

HUDSON: Aye-firmative.

HUDSON: Well that's great! That's just fucking great, man. Now what the fuck are we supposed to do, man? We're in some real pretty shit now!

HICKS: Are you finished? You okay?

HUDSON: Let's get the fuck out of here!

HICKS: Not that tunnel, the other one!

HICKS: Save it.

HUDSON: Sure, Hicks.

RIPLEY: Ellen.

HICKS: Don't be long, Ellen.

RIPLEY: Hicks, don't let him leave.

HICKS: We ain't going anywhere.

RIPLEY: No! No! She's alive! We have to --

HICKS: All right! She's alive. I believe it. But we gotta get moving! Now!

RIPLEY: Locked.

HICKS: Stand back.

RIPLEY: They learned. They cut the power and avoided the guns. They must have found another way in, something we missed.

HICKS: We didn't miss anything.

HICKS: It's game time.

RIPLEY: Get back here, both of you. Fall back to Operations.

RIPLEY: You know, Burke, I don't know which species is worse. You don't see them screwing each other over for a fucking percentage.

HICKS: Let's waste him. No offense.

HICKS: Wait a minute. We'd know about it.

RIPLEY: The only way it would work is if he sabotaged certain freezers on the trip back. Then he could jettison the bodies and make up any story he liked.

RIPLEY: What's this?

HICKS: Well, that's the grenade launcher ...you probably don't want to mess with that.

RIPLEY: Look, you started this. Now show me everything. I can handle myself.

HICKS: Yeah. I've noticed.

RIPLEY: They'll get us.

HICKS: Maybe. Maybe not.

RIPLEY: Hicks, I'm not going to wind up like those others. You'll take care of it won't you, it if comes to that?

HICKS: If it comes to that, I'll do us both. Let's see that it doesn't Here, I'd like to introduce you to a close personal friend of mine.

HICKS: Newt time then can walk right up and knock.

RIPLEY: But they don't know that. They're probably looking for other ways to get in. That'll take them awhile.

RIPLEY: Now many?

HICKS: Can't tell. Lots. D gun's down to twenty. Ten. It's out.

HICKS: They're in the approach corridor.

RIPLEY: On my way.

RIPLEY: All right. There's a fire door at this end. The first thing we do is put a remote sentry in the tunnel and seal that door.

HICKS: We gotta figure on them getting into the complex.

RIPLEY: That's right. So we put up welded barricades at these intersections... ...and seal these ducts here and here. Then they can only come at us from these two corridors and we create a free field of fire for the other two sentry units, here.

RIPLEY: How long after we're declared overdue can we expect a rescue?

HICKS: About seventeen days.

RIPLEY: Removed surgically before embryo implantation. Subject: Marachuk, John L. Died during procedure. They killed him getting it off.

HICKS: Poor bastard.

HUDSON: It's inside the complex.

VASQUEZ: You're just reading me.

HUDSON: No. No! It ain't you. They're inside. Inside the perimeter. They're in here.

HUDSON: Oh, man. And I was gettin' short, too! Four more weeks and out. Now I'm gonna buy it on this fuckin' rock. It ain't half fair, man!

VASQUEZ: Hudson, give us a break.

VASQUEZ: Yeah, bullshit. Watch us.

HUDSON: Maybe you haven't been keeping up on current events, but we just got out asses kicked, pal!

VASQUEZ: All right, we can't blow the fuck out of them...why not roll some canisters of CN-20 down there. Nerve gas the whole nest?

HUDSON: Look, man, let's just bug out and call it even, okay?

HUDSON: Somebody said alien...she thought they said illegal alien and signed up.

VASQUEZ: Fuck you.

HUDSON: Anytime. Anywhere.

HUDSON: Hey, Vasquez...you ever been mistaken for a man?

VASQUEZ: No. Have you?

HUDSON: Nine meters. Eight.

RIPLEY: Can't be. That's inside the room!

HUDSON: It's readin' right. Look!

HUDSON: Twelve meters. Man, this is a big fucking signal. Ten meters.

RIPLEY: They're right on us. Vasquez, how you doing?

HUDSON: Fifteen meters.

RIPLEY: I don't know, an acid hole in a duct. Something under the floors, not on the plans. I don't know!

HUDSON: Range twenty meters.

RIPLEY: Seal the door.

HUDSON: This signal's weird...must be some interference or something. There's movement all over the place...

RIPLEY: Just get back here!

RIPLEY: They cut the power.

HUDSON: What do you mean, they cut the power? How could they cut the power, man? They're animals.

RIPLEY: Well then somebody's just going to have to go out there. Take a portable terminal and go out there and plug in manually.

HUDSON: Oh, right! Right! With those things running around. No way.

RIPLEY: We need the other drop-ship. The on one the Sulaco. We have to bring it down on remote, somehow.

HUDSON: How? The transmitter was on the APC. It's wasted.

RIPLEY: I don't care how! Think of a way. Think of something.

HUDSON: Think of what? We're fucked.

RIPLEY: What about the colony transmitter? That up-link tower down at the other end. Why can't we use that?

RIPLEY: Thanks.

HUDSON: Uh, what's next?

RIPLEY: This service tunnel is how they're moving back and forth.

HUDSON: Yeah, right, it runs from the processing station right into the sublevel here.

HUDSON: Man, we're not going to make it seventeen hours! Those things are going to come in here, just like they did before, man... they're going to come in here and get us, man, long before...

RIPLEY: She survived longer than that with no weapons and no training.

RIPLEY: You can't help them. Right now they're being cocooned just like the others.

HUDSON: Oh, God. Jesus. This ain't happening.

RIPLEY: Looks like it stung him.

HUDSON: Hey...hey! Look, Crowe and Dietrich aren't dead, man.

HUDSON: Sounds like you, Hicks.

RIPLEY: The embryo, the second form, hosts in the victim's body for several hours. Gestating. Then it... ...then it...emerges. Moults. Grows rapidly --

LYDECKER: You remember you sent some wildcatters out to that plateau, out past the Ilium range, a couple days ago?

SIMPSON: Yeah. What?

LYDECKER: There's a guy on the horn, mom-and-pop survey team. Says he's homing on something and wants to know if his claim will be honored.

SIMPSON: Christ. Some honch in a cushy office on Earth says go look at a grid reference in the middle of nowhere, we look. They don't say why, and I don't ask. I don't ask because it takes two weeks to get an answer out here and the answer's always 'don't ask.'

LYDECKER: So what do I tell this guy?

SIMPSON: Tell him, as far as I'm concerned, he finds something it's his.

MED-TECH: Bad dreams again? Do you want something to help you sleep?

RIPLEY: No.. I've slept enough.

MED-TECH: And how are we today?

RIPLEY: Terrible.

MED-TECH: Just terrible? That's better than yesterday at least.

RIPLEY: How long have I been on Gateway station?

MED-TECH: Just a couple of days. Do you feel up to a visitor?

NEWT: Are we going to sleep now?

RIPLEY: That's right.

NEWT: Can we dream?

RIPLEY: Yes, honey. I think we both can.

NEWT: Mommy...Mommy?

RIPLEY: Right here, baby. Right here.

NEWT: I knew you'd come.

RIPLEY: Newt, I want you to hang on, now. Hang on tight.

NEWT: This way. Come on, we're almost there!

RIPLEY: Newt, wait!

NEWT: Come on. Crawl faster.

RIPLEY: DO you know how to get to the landing field from here?

NEWT: Sure. Go left.

RIPLEY: Burke! Open the door!

NEWT: Look!

NEWT: Mommy...I mean, Ripley...I'm scared.

RIPLEY: I know, honey. Me too.

RIPLEY: Newt. Newt, wake up.

NEWT: Wah...? Where are...?

RIPLEY: Sssh. Don't move. We're in trouble.

NEWT: Don't go! Please.

RIPLEY: I'll be right in the other room, Newt. And look...I can see you on that camera right up there.

RIPLEY: I don't know, Newt. That's the truth.

NEWT: Isn't that how babies come? I mean people babies...they grow inside you?

RIPLEY: No, it's different, honey.

NEWT: Did you ever have a baby?

RIPLEY: Yes. A little girl.

NEWT: Where is she?

RIPLEY: Gone.

NEWT: You mean dead.

RIPLEY: Well, some kids can't handle it like you can.

NEWT: Did one of those things grow inside her?

RIPLEY: Yes, there are, aren't there.

NEWT: Why do they tell little kids that?

NEWT: Ripley...she doesn't have bad dreams because she's just a piece of plastic.

RIPLEY: Oh. Sorry, Newt.

NEWT: My mommy always said there were no monsters. No real ones. But there are.

RIPLEY: Now you just lie here and have a nap. You're exhausted.

NEWT: I don't want to...I have scary dreams.

NEWT: I guess we're not leaving, right?

RIPLEY: I'm sorry, Newt.

NEWT: You don't have to be sorry. It wasn't your fault.

NEWT: I was the best at the game. I knew the whole maze.

RIPLEY: The 'maze'? You mean the air ducts?

NEWT: Yeah, you know. In the walls, under the floor. I was the ace. I could hide better than anybody.

RIPLEY: You're really something, ace.

RIPLEY: They'd be here if they could, honey. I know they would.

NEWT: They're dead.

RIPLEY: Newt. Look at me...Newt. I won't leave you. I promise.

NEWT: You promise?

RIPLEY: Cross my heart.

NEWT: And hope to die?

NEWT: I don't want you for a friend.

RIPLEY: Why not?

NEWT: Because you'll be gone soon, like the others. Like everybody. You'll be dead and you'll leave me alone.

NEWT: Casey. She's my only friend.

RIPLEY: What about me?

RIPLEY: What did you say?

NEWT: Newt. My n-name's Newt. Nobody calls me Rebecca except my dork brother.

RIPLEY: How many colonists?

VAN LEUWEN: Sixty, maybe seventy families.

RIPLEY: Sweet Jesus.

RIPLEY: Why won't you check out LV-426?

VAN LEUWEN: Because I don't have to. The people who live there checked it out years ago and they never reported and 'hostile organism' or alien ship. And by the way, they call it Acheron now.

RIPLEY: What are you talking about. What people?

RIPLEY: Look, I can see where this is going. But I'm telling you those things exist. Back on that planetoid is an alien ship and on that ship are thousands of eggs. Thousands. Do you understand? I suggest you find it, using the flight recorder's data. Find it and deal with it -- before one of your survey teams comes back with a little surprise...

VAN LEUWEN: Thank you, Officer Ripley. That will be...

RIPLEY: ...because just one of those things managed to kill my entire crew, within twelve hours of hatching...

VAN LEUWEN: The analysis team which went over your shuttle centimeter by centimeter found no physical evidence of the creature you describe...

RIPLEY: That's because I blew it out the Goddamn airlock! Like I said.

RIPLEY: Look, I told you...

VAN LEUWEN: It did not, however, contain any entries concerning the hostile life form you allegedly picked up.

Oscar Awards

Wins

SOUND EFFECTS EDITING - 1986 Don Sharpe
VISUAL EFFECTS - 1986 Robert Skotak, Stan Winston, John Richardson, Suzanne Benson

Nominations

ACTRESS IN A LEADING ROLE - 1986 Sigourney Weaver
ART DIRECTION - 1986 Peter Lamont, Crispian Sallis
FILM EDITING - 1986 Ray Lovejoy
MUSIC (Original Score) - 1986 James Horner
SOUND - 1986 Graham V. Hartstone, Nicolas Le Messurier, Michael A. Carter, Roy Charman

Media

Featurette
Aliens. 1986 - EXTRA, Deleted Footages
Trailer
Modern Trailer
Featurette
Aliens 30th Anniversary | Live Fan Q&A Highlights