An American in Paris
What a joy! It's M-G-M's Technicolor musical!
Overview
Jerry Mulligan is an exuberant American expatriate in Paris trying to make a reputation as a painter. His friend Adam is a struggling concert pianist who's a long time associate of a famous French singer, Henri Baurel. A lonely society woman, Milo Roberts, takes Jerry under her wing and supports him, but is interested in more than his art.
Backdrop
What makes this movie Worth Watching
Released in the post-World War II era, the film reflected America's growing fascination with Europe and the desire for escapism. It offered a romanticized view of Paris, suggesting a place of artistic freedom and new beginnings, far removed from the recent hardships of war.
- The breathtaking musical numbers, particularly the 17-minute ballet sequence, are visually stunning and innovative for their time.
- Gene Kelly's charismatic performance and exceptional dance skills are a major draw.
- The Gershwin score is iconic and filled with memorable tunes that perfectly complement the film's romantic atmosphere.
- The vibrant Technicolor cinematography captures the beauty and romance of postwar Paris.
Fun Facts
- The 17-minute ballet sequence reportedly cost nearly $500,000 to produce, a significant sum for the time.
- Leslie Caron, who played Lise, was only 19 years old and a renowned ballerina when she was cast, marking her film debut.
- Gene Kelly was heavily involved in the choreography and creative direction of the film, giving him significant artistic control.
Available Languages
English
US
Title:
"What a joy! It's M-G-M's Technicolor musical!"
Deutsch
DE
Title: Ein Amerikaner in Paris
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Italiano
IT
Title: Un americano a Parigi
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Français
FR
Title: Un Américain à Paris
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Português
PT
Title: Um Americano em Paris
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Español
ES
Title: Un americano en París
"¡Que alegria! Es un musical en Technicolor de la M.G.M."
Where to Watch
Cast
Crew
Reviews
No Reviews Found !
Oscar Awards
Wins
ART DIRECTION (Color) - 1951
Cedric Gibbons, Preston Ames, Edwin B. Willis, Keogh Gleason
CINEMATOGRAPHY (Color) - 1951
Alfred Gilks, John Alton
COSTUME DESIGN (Color) - 1951
Orry-Kelly, Walter Plunkett, Irene Sharaff
MUSIC (Scoring of a Musical Picture) - 1951
Johnny Green, Saul Chaplin
BEST MOTION PICTURE - 1951
Arthur Freed
WRITING (Story and Screenplay) - 1951
Alan Jay Lerner
Nominations
DIRECTING - 1951
Vincente Minnelli
FILM EDITING - 1951
Adrienne Fazan
Media
Featurette
‘An American in Paris’ Play by Play with Dave Karger | TCM Musical Matinee
Trailer
An American in Paris (1951) - trailer