Big Deal on Madonna Street
The Story of a Perfect Crime ... Perfectly Hilarious!
Overview
Best friends Peppe and Mario are thieves, but they're not very good at it. Still, Peppe thinks that he's finally devised a master heist that will make them rich. With the help of some fellow criminals, he plans to dig a tunnel from a rented apartment to the pawnshop next door, where they can rob the safe. But his plan is far from foolproof, and the fact that no one in the group has any experience digging tunnels proves to be the least of their problems.
Backdrop
What makes this movie Worth Watching
Released in post-war Italy, 'Big Deal on Madonna Street' reflects the economic hardships and desperation that many faced while also satirizing the glorification of crime often seen in Hollywood films. The film's humor and portrayal of incompetence served as a cathartic release and a commentary on the often-ineffective systems in place.
- The film is a brilliant example of Italian neorealist comedy, subverting the genre's usual serious tone with lighthearted humor and satire.
- The ensemble cast delivers outstanding performances, each actor embodying their character's flaws and aspirations with comedic timing and charm. Totò's portrayal of the hapless Antonio is particularly memorable.
- The plot, while seemingly simple, is a clever commentary on societal ineptitude, poverty, and the dreams of ordinary people in post-war Italy.
- It masterfully blends slapstick comedy with social commentary, offering a lighthearted yet insightful look at the struggles and aspirations of the working class.
Fun Facts
- The film's original Italian title, 'I soliti ignoti,' translates to 'The Usual Unknowns,' a clever pun on the more common phrase 'I soliti noti' ('The Usual Suspects').
- The film's success spawned numerous remakes and homages, solidifying its place as a classic of Italian cinema and inspiring similar comedic crime capers worldwide.
- Mario Monicelli won the Silver Shell for Best Director at the San Sebastián International Film Festival in 1958 for his work on this film.