Close Encounters of the Third Kind
We are not alone.
Overview
After an encounter with UFOs, an electricity linesman feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen.
Backdrop
Available Languages
English
US
Title:
"We are not alone."
Deutsch
DE
Title: Unheimliche Begegnung der dritten Art
"Wir sind nicht allein"
Français
FR
Title: Rencontres du troisième type
"Nous ne sommes pas seuls."
Italiano
IT
Title: Incontri ravvicinati del terzo tipo
"Noi non siamo soli."
Pусский
RU
Title: Близкие контакты третьей степени
""
Türkçe
TR
Title: Tehlikeli İlişkiler
"Yalnız değiliz."
Where to Watch
Cast
Crew
Reviews
**Do the mashed potato!**
Roy Neely is a gas repair man who has a close encounter with an alien craft and begins having strange visions of mashed potatoes, shaving cream and mud mountains. This all leads to Needy's marriage breaking up and he sets out to find the truth about his mashed potato visions. The climax at a mountain is breathtaking when Neely comes face to face with his destiny.
One of Spielberg's best with a nice cameo by French director Francois Truffaut.
I always remember as a child hoping/praying that if extra terrestrials ever did come to visit us, that they wouldn't arrive in America. Think "The Day the Earth Stood Still" (1951) or most other sci-fi stories: the first things they would see when they opened their door would be guns, tanks, missiles, soldiers... This film takes a far more sophisticated approach to how we might engage with an alien species, and together with some super effects and a far more nuanced storyline leaves us with room for optimism that we might not just try to shoot first and ask questions afterwards - should anyone ever do arrive. Spielberg was still, in my view anyway, learning his craft when he wrote/directed this and that shows in the real paucity of pace for the first hour. Richard Dreyfuss is adequate, but the constantly amazed/perplexed looks on his face start to become annoying after a while. François Truffaut features now and again - largely as part of a parallel storyline - but really, this only begins to engage in the last thirty minutes when the threads all knit together giving us a clever denouement as the scientists discover an innovative, musical, way to communicate that doesn't involved threats and bullets. Oddly enough, even when I first saw this at the age of 9, I never got any sense of menace from our travellers and the absence of any substantial physical form for us to identify with seems to help keep the magic working. Not John Williams' finest work, I thought the score suffered from the slow rate of progress with the plot but the symbolism and curiosity of spirit this film engenders makes it still, just about, worth sticking though...
Oscar Awards
Wins
CINEMATOGRAPHY - 1977
Vilmos Zsigmond
SPECIAL ACHIEVEMENT AWARD (Sound Effects Editing) - 1977
Frank E. Warner
Nominations
ACTRESS IN A SUPPORTING ROLE - 1977
Melinda Dillon
ART DIRECTION - 1977
Joe Alves, Dan Lomino, Phil Abramson
DIRECTING - 1977
Steven Spielberg
FILM EDITING - 1977
Michael Kahn
MUSIC (Original Score) - 1977
John Williams
SOUND - 1977
Robert Knudson, Robert J. Glass, Don MacDougall, Gene S. Cantamessa
VISUAL EFFECTS - 1977
Roy Arbogast, Douglas Trumbull, Matthew Yuricich, Gregory Jein, Richard Yuricich
Media
Teaser
Fathom Events Spot
Featurette
Steven Spielberg Discusses His Iconic Sci-Fi Film CLOSE ENCOUNTERS OF THE THIRD KIND | TCMFF 2024
Trailer
Close Encounters of the Third Kind (1977) - Trailer HD 1080p