Days of Being Wild
Overview
Yuddy, a Hong Kong playboy known for breaking girls' hearts, tries to find solace and the truth after discovering the woman who raised him isn't his mother.
Backdrop
What makes this movie Worth Watching
Days of Being Wild is the first film in Wong Kar-wai's informal trilogy, followed by In the Mood for Love and 2046. It reflects a period of rapid change and uncertainty in Hong Kong just before the handover to China, exploring anxieties about identity and the future through its characters' restless search for meaning.
- Leslie Cheung's charismatic and enigmatic performance as Yuddy is captivating and considered one of his best roles.
- Wong Kar-wai's signature visual style, characterized by stunning cinematography, evocative use of light and shadow, and dreamlike sequences, creates a mesmerizing atmosphere.
- The film explores complex themes of identity, belonging, unrequited love, and the search for meaning in a fragmented and transient world.
- The nonlinear narrative and ambiguous ending encourage introspection and allow viewers to interpret the characters' motivations and desires in their own way.
Fun Facts
- The ending scene with Tony Leung Chiu-wai meticulously grooming himself was originally intended to be the opening scene of a sequel, which was ultimately never made, leaving the scene as a tantalizing glimpse into another story.
- The film features a star-studded cast of some of Hong Kong's most celebrated actors, including Andy Lau, Maggie Cheung, and Carina Lau, all relatively early in their careers, solidifying its status as a classic of Hong Kong cinema.
Available Languages
English
US
Title: Days of Being Wild
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Italiano
IT
Title: Days of Being Wild
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Português
PT
Title:
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普通话
CN
Title: 阿飞正传
"世界上有一种鸟是没有脚的,它只可以一直的飞呀飞 ,飞得累了便在风中睡觉,这种鸟儿一辈子只可以下地一次,那一次就是它死的时候"
Español
ES
Title: Días salvajes
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Deutsch
DE
Title: Days of Being Wild
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Where to Watch
Cast
Crew
Reviews
I suppose you might call the dashingly handsome "Yuddy" (Leslie Cheung) a bit of a Lothario. He has good looks and charm, and he sails through life thinking only of himself. His ideal existence comes to a bit of an abrupt halt, though, when his alcoholic courtesan of a mother "Rebecca" (Rebecca Pan) reveals to him in a drunken stupor that she isn't actually his mother at all. The rug has now been pulled from under his cocky feet and he now embarks on a rather self destructive journey to find out just who the real woman is. After an initial relationship with "Su Li-zhen" (Maggie Cheung) he finds himself hooked up with dancer "Mimi" (Carina Lau) but no nearer his ultimate goal. It's only when "Rebecca" decides to set off with her newest beau for a new life that she dispatches "Yuddy" to the Philippines where his answer lies. Meantime, "Su Li-zhen" has again found herself alone after her boyfriend decides to leave his police job and become a sailor. Is it all possible that the two might reconcile? Now, there is definitely something of the episodic - even soap opera - about this film. An unlikable and frankly selfish character seeking his own truth for his own reasons, but to be fair to the director and the writers, they manage to elevate it from the more tabloid and gradually develop the characters into creatures with whom we can, to an extent, empathise. There are façades all over the place, truth and honesty and trust are near, but in shadows - and the use of the dark, rainy, Hong Kong scenarios provides ample locations for all of those to hide - and from which to be discovered. Not my favourite of Wong Kar-wai's films - it is just a little predicable - but still, he packs lots into ninety minutes and the cast deliver well - especially Maggie Cheung - and I did enjoy it.
Oscar Awards
Wins
Haven't Won A Oscar
Nominations
Haven't Nominated for Oscar
Media
Featurette
Days of Being Wild Video Essay
Trailer
DAYS OF BEING WILD - Theatrical Trailer