Detroit
It's time we knew
Overview
A police raid in Detroit in 1967 results in one of the largest citizens' uprisings in the history of the United States.
Backdrop
What makes this movie Worth Watching
Detroit (2017) arrives at a time of heightened awareness and debate surrounding police misconduct and racial inequality in America. The film serves as a stark reminder of historical injustices and prompts reflection on how far society has, or hasn't, progressed in addressing these issues. It's a deliberately uncomfortable film meant to provoke conversation and critical analysis of the present through the lens of the past.
- The performances, especially from John Boyega, Algee Smith, and Will Poulter, are powerful and emotionally resonant.
- Kathryn Bigelow's direction is gripping and immersive, creating a palpable sense of tension and claustrophobia.
- The film tackles important themes of racial injustice, police brutality, and systemic racism that remain relevant today.
- The historical accuracy of the Algiers Motel incident and the broader context of the 1967 Detroit riots are meticulously recreated.
Fun Facts
- The film uses very little CGI, relying on practical effects and real locations to create an authentic and immersive experience.
- Some of the actors portraying victims stayed in the actual Algiers Motel location (albeit renovated) to better understand the atmosphere and emotional weight of the events.
- Kathryn Bigelow is known for her meticulous research and dedication to factual accuracy in her films, consulting with historians and witnesses of the 1967 Detroit riots.
Available Languages
English
US
Title:
"It's time we knew"
Português
BR
Title: Detroit em Rebelião
""
Français
FR
Title:
"La vérité sur une tragédie de l'histoire américaine."
ελληνικά
GR
Title: Detroit: Μια Οργισμένη Πόλη
"Ήρθε η ώρα να μάθουμε."
български език
BG
Title: Детройт
""
Deutsch
DE
Title:
"Zeit für die Wahrheit"
Where to Watch
Cast
Crew
Reviews
An important story to tell no doubt, but as a film it's a disappointment in my opinion.
Of course I cared for the characters from the first second due to the obvious subject matter, but that's as far as I ever got. It's a long 143 minutes, with one scene in particularly lasting an age without really doing much; except the final act of it. A film needs to do more, if this was a documentary - even a docudrama - then fair enough but it isn't.
It also wastes a pretty top notch cast. John Boyega is in this, portraying Melvin Dismukes. The amount of times he's just there standing around doing nothing is frustrating, he has a few moments where he gets to act and you can see his phenomenal talent - especially one time where you see the effect of events on Melvin - but that's about it. A waste.
Similar can be said for Anthony Mackie, star of one of my favourite films in 'The Adjustment Bureau'. He plays such a minor role, you cast someone like Mackie you gotta use him more surely?
Will Poulter gets most of the screen time. He's good I guess, not sure we need to see quite as much of him as we do - given his character is an open/shut case. Elsewhere, you have other familiar faces like Tyler James Williams (shoutout Noah) and John Krasinski.
I don't intend to crap on this film. It's clearly well made, has great intentions and relays a notable story. I'm just disappointed with the end product, I judge films as films and 'Detroit' is rather underwhelming.
Based on a true story, and on the facts - insofar as they will ever actually be known - this is a gritty and quite depressing depiction from Kathryn Bigelow of one traumatic night in the city. It was during a night of rioting that a squad of police officers respond to reports of gunshots at a city hotel. Upon entering they discover a group of black youths, a couple of white girls - and what follows is a potent mix of racial hatred, bigotry and violence as the boys in blue leave what integrity they might have had at the door and leave again with three dead bodies and nine others savagely beaten to show for their policing efforts. Will Poulter sheds his nice but dim "Harry Potter" image and is really effective as the lead officer bent off exacting his own stye of justice, Ben O'Flynn also works well as his complicit sidekick and there are strong performances from Anthony Mackie, Algee Smith and from John Boyega as the state policeman trying to do his best to tread the very perilous line between law enforcer and African American. It shies not from presenting us with a ghastly human face for the spontaneous and plausible attitudes of superiority and disdain held by the polices and depicts with some menace how their captives are terrified and humiliated by the people they ought to heave been able to trust - and that extends to the "slutty" two white girls too. It's really one ensemble effort, the direction is taut and at time the whole thing just has a relentlessness that does make you wonder (I am not an American) how the hell this could ever have happened in a land that purported to be civilised and free (in 1967). Not an easy watch, but the events in Detroit 50-odd years ago still resonate with issues of policing and racism just a potently now, as when this is set.
Oscar Awards
Wins
Haven't Won A Oscar
Nominations
Haven't Nominated for Oscar