Fargo

A homespun murder story.

Release Date 1996-03-08
Runtime 98 minutes
Status Released
Watch

Overview

Jerry, a small-town Minnesota car salesman is bursting at the seams with debt... but he's got a plan. He's going to hire two thugs to kidnap his wife in a scheme to collect a hefty ransom from his wealthy father-in-law. It's going to be a snap and nobody's going to get hurt... until people start dying. Enter Police Chief Marge, a coffee-drinking, parka-wearing - and extremely pregnant - investigator who'll stop at nothing to get her man. And if you think her small-time investigative skills will give the crooks a run for their ransom... you betcha!

Budget $7,000,000
Revenue $60,611,975
Vote Average 7.851/10
Vote Count 8512
Popularity 8.1371
Original Language en

Backdrop

Available Languages

English US
Title:
"A homespun murder story."
Deutsch DE
Title:
"Es kann viel passieren mitten im Nirgendwo."
Italiano IT
Title:
"Molte cose possono capitare nel bel mezzo del nulla."
Français FR
Title:
"Aurez‐vous le courage d’en rire ?"
Český CZ
Title:
"Malé město. Velký zločin. Vražedná zima."
Pусский RU
Title: Фарго
"«Обычное место, экстраординарный триллер»"

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Cast

Crew

Reviews

Kamurai
None/10
Great watch, could watch again, and can recommend. It is very sad that this happened to people, but the way the story is told is so good that I felt like that sadness melted away fairly quickly. This movie holds up after 25 years, and it is dated, but with cellphones the story would change dramatically, and that would be a good alternative history subject for a different movie. A great cast, excellent deliveries, an amazing story, and the cinematography is a favorite on this one. The setting of a snowy Minnesota really allows for some great isolation scenes and highlights the "coldness" of the motivations in the story. I think they even summarize the events at one point as "all over a little money", and it's spot on. I can't say that any one thing is spectacular, but everything is done so well, I honestly think this is a great example of how to shoot a movie.
r96sk
8.0/10
I didn't enjoy is as much as I thought I would, but 'Fargo' is still very good and something I'd obviously recommend. I like the cast here, even if it is a bit of a Frances McDormand carryjob to be honest - she is terrific all the way through, absolutely nailing the role. Steve Buscemi is the star away from McDormand, while I've seen a few glimpses of William H. Macy elsewhere but this is his best showing that I've watched thus far. Peter Stormare is good too. It's an entertaining story, that's for certain! Around 98 minutes was a wise run time call, also. I didn't get that extra little something from it, yet it's a film that I'd more than happily rewatch - largely thanks to McDormand, and Buscemi.
Filipe Manuel Neto
8.0/10
**An excellent film, although the comedy is so watered down and so sarcastic that it's not funny to most people.** When I saw this movie for the first time, a few years ago, I didn't understand it, and it annoyed me a lot. However, I've always heard good things about it, and after seeing several Cohen films that I liked, I realized the film's potential and decided to rewatch it. I did it at a good time: the film is better than I thought, and I just didn't know how to evaluate it as it deserved. The film begins with a note indicating that it is based on real events. It's a joke, actually, as it's entirely fictional. The story, however, can be based on several crimes, because it's nothing that we haven't seen on some TV news: a man who desperately needs money decides to hire two criminals and fake the kidnapping of his own wife, in order to convince his wealthy father-in-law to pay a fat ransom. It turns out that, as is so often the case in Cohen Brothers movies, things don't go as planned, the criminal duo's control gets out of hand and people start to die, as the local authorities, which practically boil down to a pregnant sheriff and a few colleagues, try to investigate what is going on. The film made a huge sensation among critics and at festivals. It was nominated for several Oscars, but only won two statuettes (Best Original Screenplay and Best Actress). It was also considered by many to be the best film by the Cohen Brothers, a highly relative consideration, which largely depends on the personal taste of the person who claims it. Anyway, it's a good movie, quite tense and dramatic, and where the comedy is in the brutally ironic way in which things happen. Frances McDormand is an actress who deserves particular attention in this film. She's not the kind of law enforcement officer we'd expect to see, because she appears to have a friendliness and sweetness that goes hand in hand with uncompromising law enforcement or even the use of firearms. However, her character does that and is actually very good at following her lead. Another actor to be congratulated is Steve Buscemi. He gives a huge performance, perhaps one of the best of his career so far. Next to him, Peter Stormare gives us the image of a cold and few-spoken criminal, who exerts brutal violence when he gets angry. William Macy is convincing in the role of the car salesman, with a slimy overdose of hypocritical politeness and cowardice. Technically, the film has excellent cinematography, where snow and gray tones are the dominant accent. Interestingly, it seems that a lot of artificial snow was used in the film in order to achieve the icy and inhospitable look that the directors wanted. The sets and costumes are very good, particularly McDormand's costume and her hairstyle. The film uses a lot of very good visual and special effects, particularly in the more violent scenes, like the one where the killer tries to tear his victim apart in a shredder. The soundtrack has one of the most interesting main themes in the Cohens' filmography.
CinemaSerf
7.0/10
Saw this again recently for it's anniversary, or 4k conversion, - who cares what the reason was, it was just great to see it up on the bg screen again. In my view, it's easily the best of efforts from both the Coen brothers and from the formidable Frances McDormand. Here, she is a pregnant local cop who must deal with a sudden spate of crimes in her magnificently named town "Brainerd". William H. Macy ("Jerry") and the usually under-rated Steve Buscemi ("Carl") add loads to value to this drama that offers an almost perfect mix of sharp and wittily written dialogue, some clever and poignant performances and a storyline that does border on the surreal at times, but then again we are in Minnesota so is it all that surreal at all? The deliberately staccato nature of the dialogue cannot help raise a smile and a cringe - but that is how it is meant to come across. It takes skill to act like these folks do here, dumbing up and dumbing down to order whilst keeping an eye to a vaguely serious series of underlying plot lines... You won't like all of the characters, indeed some people get their well deserved comeuppance but this is still one of the best films from the 1990s and well worth a watch on a big screen if you can.

Famous Conversations

CARL: Ophhem ma fuchem gaphe!

ATTENDANT: May I have your ticket, please?

ATTENDANT: You, uh... I'm sorry, sir, but -

CARL: I decided not to - I'm, uh, not taking the trip as it turns out.

ATTENDANT: I'm sorry, sir, we do have to charge you the four dollars.

CARL: I just pulled in here. I just fucking pulled in here!

ATTENDANT: Well, see, there's a minimum charge of four dollars. Long-term parking charges by the day.

ATTENDANT: ...What do you mean, you decided not to park here?

CARL: Yeah, I just came in. I decided not to park here.

CARL: ...Is this a fucking joke?

WADE: Unghh... oh, geez...

CARL: Who the fuck are you? Who the fuck are you?

WADE: I got your goddamn money, you little punk. Now where's my daughter?

CARL: I am through fucking around! Drop that fucking briefcase!

WADE: Where's my daughter?

CARL: Fuck you, man! Where's Jerry? I gave SIMPLE FUCKING INSTRUCTIONS -

WADE: Where's my damn daughter? No Jean, no money!

CARL: Drop that fucking money!

WADE: No Jean, no money!

CARL: Is this a fucking joke here?

CARL: ...So maybe the best thing would be to take care of that, right here in Brainerd.

TROOPER: What's this, sir?

CARL: That's my license and registration. I wanna be in compliance.

TROOPER: This is a new car, then, sir?

CARL: It certainly is, officer. Still got that smell!

TROOPER: You're required to display temporary tags, either in the plate area or taped inside the back window.

CARL: Certainly -

TROOPER: Can I see your license and registration please?

CARL: Certainly.

CARL: ... What is he, deaf?... So, uh, how long have you been with the escort service?

WOMAN: I don't know. Few munce.

CARL: Ya find the work interesting, do ya?

WOMAN: ...What're you talking about?

CARL: Just in town on business. Just in and out. Ha ha! A little of the old in-and-out!

WOMAN: Wuddya do? Carl looks around.

CARL: Have ya been to the Celebrity Room before? With other, uh, clients?

WOMAN: I don't think so. It's nice.

CARL: Yeah, well, it depends on the artist. You know, Jose Feliciano, ya got no complaints. Waiter!

GRIMSRUD: One of us pays the other for half.

CARL: HOLD ON! NO FUCKIN' WAY! YOU FUCKIN' NOTISH ISH? I GOT FUCKIN' SHOT INNA FAISH! I WENT'N GOTTA FUCKIN' MONEY! I GET SHOT FUCKIN' PICKIN' IT UP! I BEEN UP FOR THIRTY-SHIKSH FUCKIN' HOURZH! I'M TAKIN' THAT FUCKIN' CAR! THAT FUCKERZH MINE!

CARL: ...You c'n'ave my truck. I'm takin' a Shiera.

GRIMSRUD: We split that.

GRIMSRUD: She started shrieking, you know.

CARL: Jezhush.

GRIMSRUD: Clear him off the road.

CARL: Yeah.

GRIMSRUD: You'll take care of it. Boy, you are smooth smooth, you know.

CARL: Whoa, Daddy.

GRIMSRUD: Shut the fuck up or I'll throw you back in the trunk, you know.

CARL: Geez. That's more'n I've heard you say all week.

GRIMSRUD: Unguent.

CARL: Huh? Grimsurd looks at his thumb.

GRIMSRUD: I need ...unguent.

CARL: ...Look at that. Twin Cities. IDS Building, the big glass one. Tallest skyscraper in the Midwest. After the Sears, uh, Chicago... You never been to Minneapolis?

GRIMSRUD: No.

CARL: ...Would it kill you to say something?

GRIMSRUD: I did.

CARL: "No." First thing you've said in the last four hours. That's a, that's a fountain of conversation, man. That's a geyser. I mean, whoa, daddy, stand back, man. Shit, I'm sittin' here driving, man, doin' all the driving, whole fuckin' way from Brainerd, drivin', tryin' to, you know, tryin' to chat, keep our spirits up, fight the boredom of the road, and you can't say one fucking thing just in the way of conversation.

CARL: ...Come on, man. Okay, here's an idea. We'll stop outside of Brainerd. I know a place there we can get laid. Wuddya think?

GRIMSRUD: I'm fuckin' hungry now, you know.

CARL: Yeah, yeah, Jesus - I'm sayin', we'll stop for pancakes, then we'll get laid. Wuddya think?

GRIMSRUD: Where is Pancakes Hause?

CARL: What?

GRIMSRUD: We stop at Pancakes Hause.

CARL: What're you, nuts? We had pancakes for breakfast. I gotta go somewhere I can get a shot and a beer - and a steak maybe. Not more fuckin' pancakes. Come on.

GRIMSRUD: Or your fucking wife, you know.

CARL: Or your fucking wife, Jerry.

JERRY: Yah, I got the money, but, uh -

CARL: Don't you fucking but me, Jerry. I want you with this money on the Dayton- Radisson parking ramp, top level, thirty minutes, and we'll wrap this up.

JERRY: Yah, okay, but, uh -

CARL: You're there in thirty minutes or I find you, Jerry, and I shoot you, and I shoot your fucking wife, and I shoot all your little fucking children, and I shoot 'em all in the back of their little fucking heads. Got it?

JERRY: ...Yah, well, you stay away from Scotty now -

CARL: GOT IT?

JERRY: Okay, real good, then.

CARL: ...Blood has been shed.

JERRY: What the heck d'ya mean?

CARL: Three people. In Brainerd.

JERRY: Oh, geez.

CARL: That's right. And we need more money.

JERRY: The heck d'ya mean? What a you guys got yourself mixed up in?

CARL: We need more -

JERRY: This was s'posed to be a no-rough stuff-type deal -

CARL: DON'T EVER INTERRUPT ME, JERRY! JUST SHUT THE FUCK UP!

JERRY: Well, I'm sorry, but I just - I -

CARL: Look. I'm not gonna debate you, Jerry. The price is now the whole amount. We want the entire eighty thousand.

JERRY: Oh, for Chrissakes here -

CARL: Blood has been shed. We've incurred risks, Jerry. I'm coming into town tomorrow. Have the money ready.

JERRY: Now we had a deal here! A deal's a deal!

CARL: IS IT, JERRY? You ask those three pour souls up in Brainerd if a deal's a deal! Go ahead, ask 'em!

JERRY: ...The heck d'ya mean?

CARL: I'll see you tomorrow.

CARL: ...Who's Jean?

JERRY: My wife! What the - how's -

CARL: Oh, Jean's okay. But there's three people up in Brainerd who aren't so okay, I'll tell ya that.

JERRY: What the heck're you talkin' about? Let's just finish up this deal here -

CARL: Blood has been shed, Jerry.

JERRY: Well, it's all just part of this - they don't know I need it, see. Okay, so there's that. And even if they did, I wouldn't get it. So there's that on top, then. See, these're personal matters.

CARL: Personal matters.

JERRY: Yah. Personal matters that needn't, uh -

CARL: Okay, Jerry. You're tasking us to perform this mission, but you, you won't, uh, you won't - aw, fuck it, let's take a look at that Ciera.

CARL: ...You-my point is, you pay the ransom- what eighty thousand bucks? - I mean, you give us half the ransom, forty thousand, you keep half. It's like robbing Peter to play Paul, it doesn't make any -

JERRY: Okay, it's - see, it's not me payin' the ransom. The thing is, my wife, she's wealthy - her dad, he's real well off. Now, I'm in a bit of trouble -

CARL: What kind of trouble are you in, Jerry?

JERRY: Well, that's, that's, I'm not go inta, inta - see, I just need money. Now, her dad's real wealthy -

CARL: So why don't you just ask him for the money?

JERRY: ...So I guess that's it, then. Here's the keys -

CARL: No, that's not it, Jerry.

JERRY: Huh?

CARL: The new vehicle, plus forty thousand dollars.

JERRY: Yah, but the deal was, the car first, see, then the forty thousand, like as if it was the ransom. I thought Shep told you -

CARL: Shep didn't tell us much, Jerry.

JERRY: Well, okay, it's -

CARL: Except that you were gonna be here at 7:30.

JERRY: Yah, well, that was a mix-up, then.

CARL: Yeah, you already said that.

JERRY: Yah. But it's not a whole pay-in- advance deal. I give you a brand-new vehicle in advance and -

CARL: I'm not gonna debate you, Jerry.

JERRY: Okay.

CARL: I'm not gonna sit here and debate. I will say this though: what Shep told us didn't make a whole lot of sense.

JERRY: Oh, no, it's real sound. It's all worked out.

CARL: You want your own wife kidnapped?

JERRY: Yah.

JERRY: Yah, ya got yer, this loaded here, this has yer independent, uh, yer slipped differential, uh, yer rack- and-pinion steering, yer alarm and radar, and I can give it to ya with a heck of a sealant, this TruCoat stuff, it'll keep the salt off -

CUSTOMER: Yah, I don't need no sealant though.

JERRY: Yah, you don't need that. Now were you thinking of financing here? You oughta be aware a this GMAC plan they have now, it's really super -

JERRY: One hunnert's the best we can do here.

CUSTOMER: Oh, for Christ's sake, where's my goddamn checkbook. Let's get this over with.

JERRY: Well, he never done this before, but seein' as it's special circumstances and all, he says I can knock one hunnert off that TruCoat.

CUSTOMER: One hundred! You lied to me, Mr. Lundegaard. You're a bald-faced liar!

CUSTOMER: We sat here right in this room and went over this and over this!

JERRY: Yah, but that TruCoat -

CUSTOMER: I sat right here and said I didn't want no TruCoat!

JERRY: Yah, but I'm sayin', that TruCoat, you don't get it and you get oxidization problems. It'll cost you a heck of lot more'n five hunnert -

CUSTOMER: You're sittin' here, you're talkin' in circles! You're talkin' like we didn't go over this already!

JERRY: Yah, but this TruCoat -

CUSTOMER: We had us a deal here for nineteen- five. You sat there and darned if you didn't tell me you'd get this car, these options, WITHOUT THE SEALANT, for nineteen-five!

JERRY: Okay, I'm not sayin' I didn't -

CUSTOMER: You called me twenty minutes ago and said you had it! Ready to make delivery, ya says! Come on down and get it! And here ya are and you're wastin' my time and you're wastin' my wife's time and I'm payin' nineteen- five for this vehicle here!

JERRY: Well, okay, I'll talk to my boss...

DETECTIVE SIBERT: Both of these.

MARGE: Oh, no, I can't let you do that.

DETECTIVE SIBERT: Oh, don't be silly.

MARGE: Well, okay - thank you, Detective.

DETECTIVE SIBERT: Oh, don't be silly.

DETECTIVE SIBERT: I thought you'd never ask. The older one is Janet, she's nine, and the younger one is Morgan.

MARGE: Oh, now he's adorable.

DETECTIVE SIBERT: He's three now. Course, not in that picture.

MARGE: Oh, he's adorable.

DETECTIVE SIBERT: Yah, he -

MARGE: Where'd you get him that parka?

DETECTIVE SIBERT: Ah, well, we haven't had to run around like you. When're you due?

MARGE: End a April.

DETECTIVE SIBERT: Any others?

MARGE: This'll be our first. We've been waiting a long time.

DETECTIVE SIBERT: That's wonderful. Mm-mm. It'll change your life, a course.

MARGE: Oh, yah, I know that!

DETECTIVE SIBERT: They can really take over, that's for sure.

MARGE: You have children?

MAN: ...So, I'm tendin' bar there at Ecklund & Swedlin's last Tuesday and this little guy's drinkin' and he says, 'So where can a guy find some action - I'm goin' crazy down there at the lake.' And I says, 'What kinda action?' and he says, 'Woman action, what do I look like,' And I says 'Well, what do I look like, I don't arrange that kinda thing,' and he says, 'I'm goin' crazy out there at the lake' and I says, 'Well, this ain't that kinda place.'

GARY: Uh-huh.

MAN: So he says, 'So I get it, so you think I'm some kinda jerk for askin',' only he doesn't use the word jerk.

GARY: I unnerstand.

MAN: And then he calls me a jerk and says the last guy who thought he was a jerk was dead now. So I don't say nothin' and he says, 'What do ya think about that?' So I says, 'Well, that don't sound like too good a deal for him then.'

GARY: Ya got that right.

MAN: And he says, 'Yah, that guy's dead and I don't mean a old age.' And then he says, 'Geez, I'm goin' crazy out there at the lake.'

GARY: White Bear Lake?

MAN: Well, Ecklund & Swedlin's, that's closer ta Moose Lake, so I made that assumption.

GARY: Oh sure.

MAN: So, ya know, he's drinkin', so I don't think a whole great deal of it, but Mrs. Mohra heard about the homicides out here and she thought I should call it in, so I called it in. End a story.

GARY: What'd this guy look like anyways?

MAN: Oh, he was a little guy, kinda funny- lookin'.

GARY: Uh-huh - in what way?

MAN: Just a general way.

GARY: Okay, well, thanks a bunch, Mr. Mohra. You're right, it's probably nothin', but thanks for callin' her in.

MAN: Oh sure. They say she's gonna turn cold tomorrow.

GARY: Yah, got a front movin' in.

MAN: Ya got that right.

MAN: How ya doin'?

GARY: Mr. Mohra?

MAN: Yah.

GARY: Officer Olson.

MAN: Yah, right-o.

GARY: The numbers y'asked for, calls made from the lobby pay phone at the Blue Ox. Two to Minneapolis that night.

MARGE: Mm.

GARY: First one's a trucking company, second one's a private residence. A Shep Proudfoot.

MARGE: Uh-huh... A what?

GARY: Shep Proudfoot. That's a name.

MARGE: Uh-huh.

GARY: Yah.

MARGE: ...Yah, okay, I think I'll drive down there, then.

GARY: Oh, yah? Twin Cities?

GARY: Hiya, Norm. How ya doin', Margie? How's the fricassee?

MARGE: Pretty darn good, ya want some?

GARY: No, I gotta - hey, Norm, I thought you were goin' fishin' up at Mile Lacs?

HOOKER ONE: They said they were goin' to the Twin Cities?

MARGE: Oh, yah?

HOOKER ONE: Well, the little guy, he was kinda funny-looking.

MARGE: In what way?

HOOKER ONE: I dunno. Just funny-looking.

MARGE: Can you be any more specific?

HOOKER ONE: I couldn't really say. He wasn't circumcised.

MARGE: Was he funny-looking apart from that?

HOOKER ONE: Yah.

MARGE: So you were having sex with the little fella, then?

HOOKER ONE: Uh-huh.

MARGE: Is there anything else you can tell me about him?

HOOKER ONE: No. Like I say, he was funny-looking. More'n most people even.

MARGE: And what about the other fella?

MARGE: Where you girls from?

HOOKER ONE: Chaska.

HOOKER TWO: He was a little older. Looked like the Marlboro man.

MARGE: Yah?

HOOKER TWO: Yah. Maybe I'm sayin' that cause he smoked Marlboros.

MARGE: Uh-huh.

HOOKER TWO: A subconscious-type thing.

MARGE: Yah, that can happen.

HOOKER TWO: Yah.

HOOKER TWO: LeSeure. But I went to high school in White Bear Lake.

MARGE: Okay, I want you to tell me what these fellas looked like.

SCOTT: ...What's the big deal? It's an hour -

JEAN: Hold on.

JEAN: I'm talkin' about your potential.

SCOTT: Uh-huh.

JEAN: You're not a C student.

SCOTT: Uhn.

JEAN: And yet you're gettin' C grades. It's this disparity there that concerns your dad and me.

SCOTT: Uh-huh.

JEAN: You know what a disparity is?

SCOTT: Yeah!

JEAN: Okay. Well, that's why we don't want ya goin' out fer hockey.

SCOTT: Oh, man!

STAN: Wade's got a point there. I'll handle the call if you want, Jerry.

JERRY: No, no. See - they, no, see, they only deal with me. Ya feel this, this nervousness on the phone there, they're very - these guys're dangerous -

JERRY: Ya know, they said no one listenin' in, they'll be watchin', ya know. Maybe it's all bull, but like you said, Stan, they're callin' the shots.

STAN: Okay. And Scotty, is he gonna be all right?

JERRY: Yah, geez, Scotty. I'll go talk to him.

STAN: Okay. We'll get the money together. Don't worry about it, Jerry. Now, d'you want anyone at home, with you, until they call?

JERRY: No, I - they don't want - they're just s'posed to be dealin' with me, they were real clear.

STAN: Yah.

STAN: We're not horse-trading here, Wade, we just gotta bite the bullet on this thing.

JERRY: Yah!

STAN: What's the next step here, Jerry?

JERRY: They're gonna call, give me instructions for a drop. I'm supposed to have the money ready tomorrow.

JERRY: No, see, I don't need a finder's fee, I need - finder's fee's, what, ten percent, heck that's not gonna do it for me. I need the principal.

STAN: Jerry, we're not just going to give you seven hundred and fifty thousand dollars.

STAN: Jerry - we thought you were bringin' us an investment.

JERRY: Yah, right -

STAN: You're sayin' - what're you sayin'?

STAN: The financials are pretty thorough, so the only thing we don't know is your fee.

JERRY: ...My fee? Wade, what the heck're you talkin' about?

STAN: Good to see ya again, Jerry. If these numbers are right, this looks pretty sweet.

JERRY: Oh, those numbers are all right, bleemee.

JERRY: So you're goin' to the Gophers on Sunday?

SALESMAN: You bet.

JERRY: You wouldn't have an extra ticket there?

SALESMAN: They're playin' the Buckeyes!

JERRY: Yah.

SALESMAN: Ya kiddin'!

SCOTT: Dad, I really think we should call the cops.

JERRY: No! We can't let anyone know about this thing! We gotta play ball with these guys - you ask Stan Grossman, he'll tell ya the same thing!

SCOTT: Yeah, but -

JERRY: We're gonna get Mom back for ya, but we gotta play ball. Ya know, that's the deal. Now if Lorraine calls, or Sylvia, you just say that Mom is in Florida with Pearl and Marty...

JERRY: ...How ya doin' there, Scotty?

SCOTT: Dad! What're they doing? Wuddya think they're doin' with Mom?

JERRY: It's okay, Scotty. They're not gonna want to hurt her any. These men, they just want money, see.

SCOTT: What if - what if sumpn goes wrong?

JERRY: No, no, nothin's goin' wrong here. Grandad and I, we're - we're makin' sure this gets handled right.

JERRY: ...Yah, okay...

SCOTT: Look, Dad, there is no fucking way -

JERRY: ...If it's so damned important to ya!

MARGE: I'm sorry, sir, I -

JERRY: Okay, I'll do a damned lot count!

MARGE: Sir? Right now?

JERRY: Sure right now! You're darned tootin'!

MARGE: ... I'm sorry, sir?

JERRY: Ma'am, I answered your question. I answered the darn - I'm cooperating here, and I...

MARGE: Sir, you have no call to get snippy with me. I'm just doin' my job here.

JERRY: I'm not, uh, I'm not arguin' here. I'm cooperating... There's no, uh - we're doin' all we can...

MARGE: Yah, it's this vehicle I asked you about yesterday. I was just wondering -

JERRY: Yah, like I told ya, we haven't had any vehicles go missing.

MARGE: Okay, are you sure, cause, I mean, how do you know? Because, see, the crime I'm investigating, the perpetrators were driving a car with dealer plates. And they called someone who works here, so it'd be quite a coincidence if they weren't, ya know, connected.

JERRY: Yah, I see.

MARGE: So how do you - have you done any kind of inventory recently?

JERRY: The car's not from our lot, ma'am.

MARGE: but do you know that for sure without -

JERRY: Well, I would know. I'm the Executive Sales Manager.

MARGE: Yah, but -

JERRY: We run a pretty tight ship here.

MARGE: I know, but - well, how do you establish that, sir? Are the cars, uh, counted daily or what kind of -

JERRY: Ma'am, I answered your question.

JERRY: Yah, no, I'm kinda - I'm kinda busy -

MARGE: I unnerstand. I'll keep it real short, then. I'm on my way out of town, but I was just - Do you mind if I sit down? I'm carrying a bit of a load here.

JERRY: No, I -

MARGE: ...Mr. Lundegaard?

JERRY: ...Brainerd?

MARGE: Yah. Yah. Home a Paul Bunyan and Babe the Blue Ox.

JERRY: ...Babe the Blue Ox?

MARGE: Yah, ya know we've got the big statue there. So you haven't had any vehicles go missing, then?

JERRY: No. No, ma'am.

MARGE: Okey-dokey, thanks a bunch. I'll let you get back to your paperwork, then.

MARGE: ...You're the owner here, Mr. Lundegaard?

JERRY: Naw, I... Executive Sales Manager.

MARGE: Well, you can help me. My name's Marge Gunderson -

JERRY: My father-in-law, he's the owner.

MARGE: Uh-huh. Well, I'm a police officer from up Brainerd investigating some malfeasance and I was just wondering if you've had any new vehicles stolen off the lot in the past couple of weeks - specifically a tan Cutlass Ciera?

MARGE: Mr. Lundegaard?

JERRY: Huh? Yah?

MARGE: I wonder if I could take just a minute of your time here -

JERRY: What... What is it all about?

MARGE: Huh? Do you mind if I sit down - I'm carrying quite a load here.

VOICE: ...Dad?

JERRY: It's okay, Scotty.

VOICE: Where're you going?

JERRY: Be back in a minute. If Stan calls you, just tell him I went to Embers. Oh, geez -

JERRY: Yah!

VOICE: Jerome Lundegaard?

JERRY: Yah!

VOICE: This is Reilly Deifenbach at GMAC. Sir, I have not yet received those vehicle IDs you promised me.

JERRY: Yah! I... those are in the mail.

VOICE: Mr. Lundegaard, that very well may be. I must inform you, however, that absent the receipt of those numbers by tomorrow afternoon, I will have to refer this matter to our legal department.

JERRY: Yah.

VOICE: My patience is at an end.

JERRY: Yah.

VOICE: Good day, sir.

JERRY: ...Yah.

JERRY: Jerry Lundegaard.

VOICE: All right, Jerry, you got this phone to yourself?

JERRY: Well... yah.

VOICE: Know who this is?

JERRY: Well, yah, I got an idea. How's that Ciera workin' out for ya?

VOICE: Circumstances have changed, Jerry.

JERRY: Well, what do ya mean?

VOICE: Things have changed. Circumstances, Jerry. Beyond the, uh... acts of God, force majeure..

JERRY: What the - how's Jean?

JERRY: Yah, real good. How you doin'?

VOICE: Pretty good, Mr. Lundegaard. You're damned hard to get on the phone.

JERRY: Yah, it's pretty darned busy here, but that's the way we like it.

VOICE: That's for sure. Now, I just need, on these last, these financing documents you sent us, I can't read the serial numbers of the vehicles on here, so I -

JERRY: But I already got the, it's okay, the loans are in place, I already got the, the what, the -

VOICE: Yeah, the three hundred and twenty thousand dollars, you got the money last month.

JERRY: Yah, so we're all set.

VOICE: Yeah, but the vehicles you were borrowing on, I just can't read the serial numbers on your application. Maybe if you could just read them to me -

JERRY: But the deal's already done, I already got the money -

VOICE: Yeah, but we have an audit here, I just have to know that these vehicles you're financing with this money, that they really exist.

JERRY: Yah, well, they exist all right.

VOICE: I'm sure they do - ha ha! But I can't read their serial numbers here. So if you could read me -

JERRY: Well, but see, I don't have 'em in front a me - why don't I just fax you over a copy -

VOICE: No, fax is no good, that's what I have and I can't read the darn thing -

JERRY: Yah, okay, I'll have my girl send you over a copy, then.

VOICE: Okay, because if I can't correlate this note with the specific vehicles, then I gotta call back that money -

JERRY: Yah, how much money was that?

VOICE: Three hundred and twenty thousand dollars. See, I gotta correlate that money with the cars it's being lent on.

JERRY: Yah, no problem, I'll just fax that over to ya, then.

VOICE: No, no, fax is -

JERRY: I mean send it over. I'll shoot it right over to ya.

VOICE: Okay.

JERRY: Okay, real good, then.

JERRY: Hon? Got the growshries.

VOICE: Thank you, hon. How's Fargo?

JERRY: Yah, real good.

VOICE: Dad's here.

JERRY: Yah, Shep Proudfoot said -

YOUNGER MAN: Shep said you'd be here at 7:30. What gives, man?

JERRY: Shep said 8:30.

YOUNGER MAN: We been sitting here an hour. I've peed three times already.

JERRY: I'm sure sorry. I - Shep told me 8:30. It was a mix-up, I guess.

YOUNGER MAN: Ya got the car?

JERRY: Yah, you bet. It's in the lot there. Brand-new burnt umber Ciera.

YOUNGER MAN: Yeah, okay. Well, siddown then. I'm Carl Showalter and this is my associate Gaear Grimsrud.

JERRY: Yah, how ya doin'. So, uh, we all set on this thing, then?

YOUNGER MAN: Sure, Jerry, we're all set. Why wouldn't we be?

JERRY: Yah, no, I'm sure you are. Shep vouched for you and all. I got every confidence in you fellas.

SCOTT'S VOICE: Are you calling Stan?

JERRY: Well... I'm goin' ta bed now.

SCOTT'S VOICE: ...Dad?

JERRY: Yah.

SCOTT'S VOICE: Stan Grossman called.

JERRY: Yah, okay.

SCOTT'S VOICE: Twice.

JERRY: Okay.

SCOTT'S VOICE: ...Is everything okay?

JERRY: Yah.

WADE: All the more reason! I don't want you - with all due respect, Jerry - I don't want you mucking this up.

JERRY: The heck d'ya mean?

WADE: They want my money, they can deal with me. Otherwise I'm goin' to a professional. He points at a briefcase.

WADE: ...There's a million dollars here!

JERRY: No, see -

WADE: Look, Jerry, you're not sellin' me a damn car. It's my show here. That's that.

WADE: Dammit! I wanna be a part a this thing!

JERRY: No, Wade! They were real clear! They said they'd call tomorrow, with instructions, and it's gonna be delivered by me alone!

WADE: It's my money, I'll deliver it - what do they care?

WADE: ... Stan, I'm thinkin' we should offer 'em half a million.

JERRY: Now come on here, no way, Wade! No way!

JERRY: You're darned tootin'!

WADE: Ah, dammit!

WADE: - All's I know is, ya got a problem, ya call a professional!

JERRY: No! They said no cops! They were darned clear on that, Wade! They said you call the cops and we -

WADE: Well, a course they're gonna say that! But where's my protection? They got Jean here! I give these sons a bitches a million dollars, where's my guarantee they're gonna let her go.

JERRY: Well, they -

WADE: A million dollars is a lot a damn money! And there they are, they got my daughter!

JERRY: Yah, but think this thing through here, Wade. Ya give 'em what they want, why wont' they let her go? You gotta listen to me on this one, Wade.

WADE: Heck, you don't know! You're just whistlin' Dixie here! I'm sayin', the cops, they can advise us on this! I'm sayin' call a professional!

JERRY: No! No cops! That's final! This is my deal here, Wade! Jean is my wife here!

WADE: What the heck were you thinkin'? Heck, if I'm only gettin' bank interest, I'd look for complete security. Heck, FDIC. I don't see nothin' like that here.

JERRY: Yah, but I - okay, I would, I'd guarantee ya your money back.

WADE: I'm not talkin' about your damn word, Jerry. Geez, what the heck're you?... Well, look, I don't want to cut you out of the loop, but his here's a good deal. I assume, if you're not innarested, you won't mind if we move on it independently.

WADE: You're sayin' that we put in all the money and you collect when it pays off?

JERRY: No, no. I - I'd, I'd - pay you back the principal, and interest heck, I'd go - one over prime -

WADE: Stan and I're okay.

JERRY: Yah.

WADE: We're good to loan in.

JERRY: Yah.

WADE: But we never talked about your fee for bringin' it to us.

JERRY: No, but, Wade, see, I was bringin' you this deal for you to loan me the money to put in. It's my deal here, see?

JERRY: Yah, thanks, Stan, it's a pretty -

WADE: What kind of finder's fee were you looking for?

JERRY: ...Huh?

JERRY: How ya doin', Wade?

WADE: What's goin' on there?

JERRY: Oh, nothing, Wade. How ya doin' there?

WADE: Stan Grossman looked at your proposal. Says it's pretty sweet.

JERRY: No kiddin'?

WADE: We might be innarested.

JERRY: No kiddin'! I'd need the cash pretty quick there. In order to close the deal.

WADE: Come by at 2:30 and we'll talk about it. If your numbers are right, Stan says its pretty sweet. Stan Grossman.

JERRY: Yah.

WADE: 2:30.

JERRY: Wade, have ya had a chance to think about, uh, that deal I was talkin' about, those forty acres there on Wayzata?

WADE: You told me about it.

JERRY: Yah, you said you'd have a think about it. I understand it's a lot of money -

WADE: A heck of a lot. What'd you say you were gonna put there?

JERRY: lot. It's a limited -

WADE: I know it's a lot.

JERRY: I mean a parking lot.

WADE: Yah, well, seven hundred and fifty thousand dollars is a lot - ha ha ha!

JERRY: Yah, well, it's a chunk, but -

WADE: I thought you were gonna show it to Stan Grossman. He passes on this stuff before it gets kicked up to me.

JERRY: Well, you know Stan'll say no dice. That's why you pay him. I'm asking you here, Wade. This could work out real good for me and Jean and Scotty -

WADE: Jean and Scotty never have to worry.

WADE: Yah, pretty good.

JERRY: Whatcha watchin' there?

WADE: Norstars.

JERRY: ...Who they playin'?

WADE: OOOoooh! His reaction synchronizes with a reaction from the crowd.

JERRY: Say, Shep, how ya doin' there?

SHEP: Mm.

JERRY: Say, ya know those two fellas ya put me in touch with, up there in Fargo?

SHEP: Put you in touch with Grimsrud.

JERRY: Well, yah, but he had a buddy there. He, uh -

SHEP: Well, I don't vouch for him.

JERRY: Well, that's okay, I just -

SHEP: I vouch for Grimsrud. Who's his buddy?

JERRY: Carl somethin'?

SHEP: Never heard of him. Don't vouch for him.

JERRY: Well, that's okay, he's a buddy of the guy ya vouched for, so I'm not worryin'. I just, I was wonderin', see, I gotta get in touch with 'em for, I might not need it anymore, sumpn's happenin', see -

SHEP: Call 'em up.

JERRY: Yah, well, see, I did that, and I haven't been able to get 'em, so I thought you maybe'd know an alternate number or what have ya.

SHEP: Nope.

MARGE: How we doin' on that vehicle?

LOU: No motels registered any tan Ciera last night. But the night before, two men checked into the Blue Ox registering a Ciera and leavin' the tag space blank.

MARGE: Geez, that's a good lead. The Blue Ox, that's that trucker's joint out there on I-35?

LOU: Yah. Owner was on the desk then, said these two guys had company.

MARGE: Oh, yah?

LOU: ...Geez.

MARGE: Yah. Say, Lou, ya hear the one about the guy who couldn't afford personalized plates, so he went and changed his name to J2L 4685?

LOU: Yah, that's a good one.

MARGE: Yah.

LOU: ...Last vehicle he wrote in was a tan Ciera at 2:18 a.m. Under the plate number he put DLR - I figure they stopped him or shot him before he could finish fillin' out the tag number.

MARGE: Uh-huh.

LOU: So I got the state lookin' for a Ciera with a tag startin' DLR. They don't got no match yet.

MARGE: I'm not sure I agree with you a hunnert percent on your policework, there, Lou.

LOU: Yah?

MARGE: Yah, I think that vehicle there probly had dealer plates. DLR?

LOU: Oh...

MARGE: You look in his citation book?

LOU: Yah...

MARGE: Somebody shut his lights. I guess the little guy sat in there, waitin' for his buddy t'come back.

LOU: Yah, woulda been cold out here.

MARGE: Heck, yah. Ya think, is Dave open yet?

LOU: You don't think he's mixed up in -

MARGE: No, no, I just wanna get Norm some night crawlers.

LOU: How's it look, Marge?

MARGE: Well, he's got his gun on his hip there, and he looks like a nice enough guy. It's a real shame.

LOU: Yah.

MARGE: You haven't monkeyed with his car there, have ya?

LOU: No way.

MARGE: There's two of 'em, Lou!

LOU: Yah?

MARGE: Yah, this guy's smaller than his buddy.

LOU: Oh, yah?

MARGE: ...Well, that passed.

LOU: Yah?

MARGE: Yah. Now I'm hungry again.

LOU: You had breakfast yet, Margie?

MARGE: Oh, yah. Norm made some eggs.

LOU: Yah? Well, what now, d'ya think?

MARGE: Let's go take a look at that trooper.

LOU: Ya see something down there, Chief?

MARGE: Uh - I just, I think I'm gonna barf.

LOU: Geez, you okay, Margie?

MARGE: I'm fine - it's just morning sickness.

MARGE: Okay, so we got a state trooper pulls someone over, we got a shooting, and these folks drive by, and we got a high-speed pursuit, ends here, and this execution-type deal.

LOU: Yah.

MARGE: I'd be very surprised if our suspect was from Brainerd.

LOU: Yah.

MARGE: Where is everybody?

LOU: Well - it's cold, Margie.

MARGE: Yah, thanks a bunch. So what's the deal, now? Gary says triple homicide?

LOU: Yah, looks pretty bad. Two of'm're over here.

MARGE: Hiya, Lou.

LOU: Margie. Thought you might need a little warm-up.

MAN: ...I'll fix ya some eggs.

MARGE: Aw, Norm.

MAN: I'll fix ya some eggs.

MARGE: That's okay, hon. I gotta run.

MAN: Gotta eat a breakfast, Marge. I'll fix ya some eggs.

MARGE: Aw, you can sleep, hon.

MAN: Ya gotta eat a breakfast...

MARGE: ...You can sleep, hon. It's early yet.

MAN: Gotta go?

MARGE: Yah.

MIKE: ...I'm sorry... I shouldn't a done this... I thought we'd have a really terrific time, and now I've...

MARGE: It's okay...

MIKE: You were such a super lady... and then I... I been so lonely...

MARGE: It's okay, Mike...

MARGE: Better times.

MIKE: I was so... I been so... and then I saw you on TV, and I remembered, ya know... I always liked you...

MARGE: Well, I always liked you, Mike.

MIKE: I always liked ya so much...

MARGE: It's okay, Mike - Should we get together another time, ya think?

MIKE: No - I'm sorry! It's just - I been so lonely - then I saw you, and...

MIKE: ...I was married to Linda Cooksey -

MARGE: No, I - Mike - wyncha sit over there, I'd prefer that.

MIKE: Huh? Oh, okay, I'm sorry.

MARGE: No, just so I can see ya, ya know. Don't have to turn my neck.

MIKE: Oh, sure, I unnerstand, I didn't mean to -

MARGE: No, no, that's fine.

MIKE: Yah, sorry, so I was married to Linda Cooksey - ya remember Linda? She was a year behind us.

MARGE: I think I remember Linda, yah. She was - yah. So things didn't work out, huh?

MIKE: And then I, and then I been workin' for Honeywell for a few years now.

MARGE: Well, they're a good outfit.

MIKE: Yah, if you're an engineer, yah, you could do a lot worse. Of course, it's not, uh, it's nothin' like your achievement.

MARGE: It sounds like you're doin' really super.

MIKE: Yah, well, I, uh... it's not that it didn't work out - Linda passed away. She, uh...

MARGE: I'm sorry.

MIKE: Yah, I, uh... She had leukemia, you know...

MARGE: No, I didn't...

MIKE: It was a tough, uh... it was a long - She fought real hard, Marge...

MARGE: I'm sorry, Mike.

MIKE: Oh, ya know, that's, uh - what can I say?...

MARGE: ...This is a nice place.

MIKE: Yah, ya know it's the Radisson, so it's pretty good.

MARGE: You're livin' in Edina, then?

MIKE: Oh, yah, couple years now. It's actually Eden Prarie - that school district. So Chief Gunderson, then! So ya went and married Norm Son-of- a-Gunderson!

MARGE: Oh, yah, a long time ago.

MIKE: Great. What brings ya down - are ya down here on that homicide - if you're allowed, ya know, to discuss that?

MARGE: Oh, yah, but there's not a heckuva lot to discuss. What about you, Mike? Are you married - you have kids?

MIKE: Well, yah, I was married. I was married to - You mind if I sit over here?

MIKE: ...What can I get ya?

MARGE: Just a Diet Coke.

MIKE: Geez! You look great!

MARGE: Yah - easy there - you do too! I'm expecting, ya know.

MIKE: I see that! That's great!

MARGE: Yah, yah, course I remember. How are ya? What time is it?

MIKE: Oh, geez. It's quarter to eleven. I hope I dint wake you.

MARGE: No, that's okay.

MIKE: Yah, I'm down in the Twin Cities and I was just watching on TV about these shootings up in Brainerd, and I saw you on the news there.

MARGE: Yah.

MIKE: I thought, geez, is that Margie Olmstead? I can't believe it!

MARGE: Yah, that's me.

MIKE: Well, how the heck are ya?

MARGE: Okay, ya know. Okay.

MIKE: Yah?

MARGE: Yah - how are you doon?

MIKE: Oh, pretty good.

MARGE: Heck, it's been such a long time, Mike. It's great to hear from ya.

MIKE: Yah... Yah, yah. Geeze, Margie!

MARGE: ...I know you don't want to be an accessory to something like that.

SHEP: Nope.

MARGE: So you think you might remember who those folks were who called ya?

MARGE: ...Now, I know you've had some problems, struggling with the narcotics, some other entanglements, currently on parole -

SHEP: So?

MARGE: Well, associating with criminals, if you're the one they talked to, that right there would be a violation of your parole and would end with you back in Stillwater.

SHEP: Uh-huh.

MARGE: Now, I saw some rough stuff on your priors, but nothing in the nature of a homicide...

SHEP: Nope.

MARGE: Well, you do reside their at 1425 Fremont Terrace?

SHEP: Yep.

MARGE: Anyone else residing there?

SHEP: Nope.

MARGE: Well, Mr. Proudfoot, this call came in past three in the morning. It's just hard for me to believe you can't remember anyone calling.

VOICE: ...Chief Gunderson?

MARGE: Copy. Yah, send me back-up!

VOICE: Yes, ma'am. Are we the closest PD?

MARGE: Yah, Menominie only has Chief Perpich and he takes February off to go to Boundary Waters.

VOICE: Whose car?

MARGE: My car! My car! Tan Ciera!

VOICE: Don't go in! Wait for back-up!

MARGE: Oh, I'm almost back - I'm driving around Moose Lake.

VOICE: Oh. Gary's loudmouth.

MARGE: Yah, the loudmouth. So the whole state has it, Lundegaard and Gustafson?

VOICE: Yah, it's over the wire, it's everywhere, they'll find 'em.

MARGE: Copy.

VOICE: We've got a -

MARGE: There's the car! There's the car!

MARGE: And this guy is...

VOICE: Lundegaard's father-in-law's accountant.

MARGE: Gustafson's accountant.

VOICE: Yah.

MARGE: But we still haven't found Gustafson.

VOICE: - looking.

MARGE: Sorry - didn't copy.

VOICE: Still missing. We're looking.

MARGE: Copy. And Lundegaard too.

VOICE: Yah. Where are ya, Margie?

VOICE: His wife. This guy says she was kidnapped last Wednesday.

MARGE: The day of our homicides.

VOICE: Yah.

MARGE: No, I'm leavin' this mornin', back up to Brainerd.

VOICE: Well, I'm sorry I won't see ya.

MARGE: Mm. But ya think he's all right? saw him last night and he's -

VOICE: What'd he say?

MARGE: Well, it was nothin' specific he said, it just seemd like it all hit him really hard, his wife dyin' -

VOICE: His wife?

MARGE: Linda.

VOICE: No.

MARGE: Linda Cooksey?

VOICE: No. No. No. They weren't - he, uh, he was bothering Linda for about, oh, for a good year. Really pestering her, wouldn't leave her alone.

MARGE: So... they didn't...

VOICE: No. No. They never married. Mike's had psychiatric problems.

MARGE: Oh. Oh, my.

VOICE: Yah, he - he's been struggling. He's living with his parents now.

MARGE: Oh. Geez.

VOICE: Yah, Linda's fine. You should call her.

MARGE: Geez. Well - geez. That's a suprise.

VOICE: ...Hello?

MARGE: Norm?

MARGE: Hello?

VOICE: Yah, is this Marge?

MARGE: Yah?

VOICE: Margie Olmstead?

MARGE: ...Well, yah. Who's this?

VOICE: This is Mike Yanagita. Ya know - Mike Yanagita. Remember me?

MARGE: ...Mike Yanagita!

NORM: I love you, Margie.

MARGE: I love you, Norm.

NORM: It's just the three cent.

MARGE: It's terrific!

NORM: Hautman's blue-winged teal got the twenty-nine cent. People don't much use the three-cent.

MARGE: Oh, for Pete's - a course they do! Every time they raise the darned postage, people need the little stamps!

NORM: Yah.

MARGE: When they're stuck with a bunch a the old ones!

NORM: Yah, I guess.

MARGE: That's terrific.

MARGE: ...So?

NORM: Three-cent stamp.

MARGE: Your mallard?

NORM: Yah.

MARGE: Norm, that's terrific!

MARGE: They announced it?

NORM: Yah.

NORM: Yah, okay. How's the hotel?

MARGE: Oh, pretty good. They bitin'?

NORM: Yeah, couple a muskies. No pike yet. How d'you feel?

MARGE: Oh, fine.

NORM: Not on your feet too much?

MARGE: No, no.

NORM: You shouldn't be on your feet too much, you got weight you're not used too. How's the food down there?

MARGE: Had dinner at a place called the King's Table. Buffet style. It was pretty darn good.

NORM: Was it reasonable?

MARGE: Yah, not too bad. So it's nice up there?

NORM: Yah, it's good. No pike yet, but it's good.

MARGE: ...How's the paintin' goin'?

NORM: Pretty good. Found out the Hautmans are entering a painting this year.

MARGE: Aw, hon, you're better'n them.

NORM: They're real good.

MARGE: They're good, Norm, but you're better'n them.

NORM: Yah, ya think?

MARGE: Yah.

NORM: Thanks, hon.

MARGE: You bet. Thanks for lunch. What do we got here, Arbie's?

NORM: Uh-huh.

MARGE: Hon?

NORM: Yah?

MARGE: Prowler needs a jump.

MARGE: Thanks, hon. Time to shove off.

NORM: Love ya, Margie.

MARGE: Uh-huh.

WOMAN: We called his house; his little boy said he hadn't been there.

MARGE: And his wife?

WOMAN: She's visiting relatives in Florida. Now his boss, this guy Gustafson, he's also disappeared. Nobody at his office knows where he is.

MARGE: Geez. Looks like this thing goes higher than we thought. You call his home?

WOMAN: His wife's in the hospital, has been for a couple months. The big C.

MARGE: Oh, my.

WOMAN: And this Shep Proudfoot character, he's a little darling. He's now wanted for assault and parole violation. He clobbered a neighbor of his last night and another person who could be one of your perps, and he's at large.

MARGE: Boy, this thing is really... geez.

WOMAN: Well, they're all out on the wire. Well, you know...

MARGE: Yah. Well, I just can't thank you enough, Detective Sibert, this cooperation has been outstanding.

STAN: I'm tellin' ya.

WADE: Well... Why don't we...

STAN: I gotta tell ya, Wade, I'm leanin' to Jerry's viewpoint here.

WADE: Well -

STAN: We gotta protect Jean. These - we're not holdin' any cards here, Wade, they got all of 'em. So they call the shots.

WADE: What the heck, Jerry, if I wanted bank interest on seven hunnert'n fifty thousand I'd go to Midwest Federal. Talk to Bill Diehl.

STAN: He's at Norstar.

WADE: He's at -

WADE: This is do-able.

STAN: Congratulations, Jerry.

Oscar Awards

Wins

ACTRESS IN A LEADING ROLE - 1996 Frances McDormand
WRITING (Screenplay Written Directly for the Screen) - 1996 Ethan Coen, Joel Coen

Nominations

ACTOR IN A SUPPORTING ROLE - 1996 William H. Macy
CINEMATOGRAPHY - 1996 Roger Deakins
DIRECTING - 1996 Joel Coen
FILM EDITING - 1996 Roderick Jaynes
BEST PICTURE - 1996 Ethan Coen

Media

Trailer
Official Trailer #2
Trailer
FARGO 25th Anniversary Official Trailer [1996]
Trailer
25th Anniversary Official Trailer