Halloween

The night he came home!

Release Date 1978-10-24
Runtime 91 minutes
Status Released
Watch

Overview

Fifteen years after murdering his sister on Halloween Night 1963, Michael Myers escapes from a mental hospital and returns to the small town of Haddonfield, Illinois to kill again.

Budget $325,000
Revenue $70,260,597
Vote Average 7.6/10
Vote Count 5856
Popularity 7.6715
Original Language en

Backdrop

Available Languages

English US
Title:
"The night he came home!"
Français FR
Title: La Nuit des masques
"Cette nuit là, « il » est revenu…"
Italiano IT
Title: Halloween - La notte delle streghe
"La notte che Lui tornò a casa."
Deutsch DE
Title: Halloween - Die Nacht des Grauens
"Die Nacht, in der er nach Hause kam..."
Español ES
Title: La noche de Halloween
"Un Film de John Carpenter"
Português PT
Title: Halloween - O Regresso do Mal
""

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Cast

Crew

Reviews

Cat Ellington
None/10
Once upon a time, during a long ago (but certainly not forgotten) era, a horror film's radio trailer would feature the chilling voice-over of a male commentator, whom, after presenting a teaser synopsis for the slasher film's plot (over intimations of both sound and speech from the movie of course), would conclude the radio spot with the following words: 'Coming soon to a theater near you.' And, 'Rated R. Under 17 not admitted without a parent.' (Laughs) ... Those classic horror film radio trailers used to scare the weebie-jeebies out of me! But boy, did I love them wholeheartedly. (Pondering ... in remembrance) Where John Carpenter's independent cult opus "Halloween" is concerned, the radio trailer had been no less terrifying. In fact, it made my blood run ice cold. . . Though Halloween, one of my most beloved horror films in cinematic history, debuted (theatrically) in 1978, it would not be until October of 1980 that my family and I would spend our "Movie Date Night" at what had been a gorgeous movie theater in Gurnee, IL., buying hot dogs, Raisinettes, popcorn, and drinks from its state-of-the-art concession areas, and bracing ourselves for the terror which we were about to watch on one of the theater's humongous screens. Even from that time, I had cover and poster love: Book covers, album covers, and yes, movie posters. It was the artwork. Cover and poster art has always fascinated me. And upon seeing the poster art for Halloween, I fell smitten. For it had been one of the most unique movie posters that I'd ever seen at that time ... And I never forgot it. The artwork, featuring a man's hand wrapped around the handle of a butcher's knife, its pointed tip shown to be in alignment with the face of a Jack O' Lantern, was some of the most creative - not to mention original - movie poster art that my eyes had ever beheld at that time. To this day, it STILL reverberates. I can remember my reaction to it so well, what just standing in that beautiful lobby and staring at the poster for Halloween as it hung in its frame on the movie house wall. Too good. Too good. 'The Night He Came Home!' ... If there is one horror film antagonist who has left a permanent emboss of the word "terror" on my psyche, it's Michael Myers. From the moment Halloween opened on the screen, fear came along to take up its abode within my entire being. The score, titled "Halloween Theme", which is also the (Main Title), was so eerily distinctive that the entire theater audience fell into silence - every patron hanging on to every piercing chord of it ... Perhaps me, especially, considering my own gift of music. The incredible John Carpenter not only directed and co-wrote (with Debra Hill) the screenplay for Halloween, but he also composed the entire soundtrack. . .himself. Carp is a badass for sure! Moving on. . . Set in the fictive town of Haddonfield, IL., this legendary cult film opens to a crowd of children out trick-or-treating on Halloween night. And these candy revelers include a six-year-old boy named Michael, whose choice of costume is a clown suit with a mask. All is well; a seemingly fun-filled All Hollows' Eve night ... Until Michael returns home from his evening of candy collecting, walks, almost mechanically, into his family's kitchen, selects a butcher's knife from the cutlery set, waits until his older sister's boyfriend (who's just finished having sexual relations with her) leaves, then walks, mechanically, upstairs to that same sister's bedroom - catching her unawares. When she turns around (still naked after her sexual escapade) to address him as her younger brother, Michael begins to take his turn penetrating her. . .with the sharp point of the knife. And he doesn't stop his blade puncturing until his sister collapses. He then walks back downstairs and goes out in the front yard to wait. Their parents soon return home to find Michael just standing outside - his face still covered by his mask - with the bloodied knife in his young hand. One of his parents lifts the mask, and we get our first glimpse at the six-year-old face of Michael Myers. The year was 1963. That was just the opening. It would be fifteen years later (in 1978) before the now 21-year-old Michael, escaped from the Smith's Grove Sanitarium, could return to Haddonfield for the purpose of laying claim on his former childhood home: Sitting unsold since the time he murdered his sister, ended up at Smith's Grove as the result of it, and succumbed to the abandonment of his parents. When Michael Myers returned to Haddonfield, all Hell broke loose ... Literally. A phenomenally directed cinematic ouvre, Halloween stars Jamie Lee Curtis as Laurie Strode, the teenaged protagonist who becomes the hunted of Michael Myers; Donald Pleasence, who portrays Michael's psychiatrist, Dr. Sam Loomis; Brian Andrews, who was cast to play Tommy Doyle; and Nancy Loomis as Annie Brackett, one of Laurie's two best friends, respectively. Shot on a $325,000.00 budget, Halloween would go on to earn over $71 million worldwide ... For a reason. A true cult legend is this Carpenter masterpiece. It is sheer filmmaking ingenuity, a landmark of cinema, and more than worthy of each one of its five stars.
Gimly
6.0/10
_Halloween's_ a classic movie. No doubt about it. One of the seminal films of the slasher genre, and a more-than-worthy inclusion to any Halloween season horror movie marathon. But I think people give it a reputation in terms of quality that it doesn't fully deserve. The opening ten minutes, and the closing ten minutes, are both **brilliant**. But everything in between? It's kind of... Somehow, both boring and annoying. The kills are good if that's your sort of thing, but everything in the meat of _Halloween_ is old hat. Now of course it wasn't at the time, but when I've spent my formative years watching other movies doing it better (and acting it better), it doesn't really matter who did it first. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Wuchak
6.0/10
_**The Boogeyman cometh**_ A soulless killer, Michael Myers, escapes from the asylum and returns to the Illinois town where he murdered his sister 15 years earlier to wreak havoc on Halloween night. Donald Pleasence is on hand as Myers’ seriously concerned doctor. John Carpenter’s “Halloween” (1978) is hailed as the progenitor and blueprint for the slasher craze of the 80s with staples like the unstoppable masked killer, fake scares, the final girl and the undead dead. Of course, “Halloween” was influenced by earlier slashers or quasi-slashers, like “Psycho” (1960), “Dementia 13” (1963), “A Bay of Blood” (1971) “Torso (1973), “The Texas Chainsaw Massacre” (1974) and “Black Christmas” (1974). “Friday the 13th” (1980) and its sequels took the “Halloween” template and added other elements, like the summer camp setting and a devolving supernatural killer. Whilst I prefer the “Friday” films, “Halloween” has more class than many slashers that followed, like the unimaginatively blunt “The Slumber Party Massacre” (1982). It also keeps the proceedings deadly serious unlike ones that added humor and campiness, such as “Friday the 13th Part 3” (1982). The film establishes some quality atmosphere with the raining sanitarium escape and the Halloween night sequences. The creepy ambiance is helped by the moody score composed and performed by Carpenter. Although the story takes place in a fictional Illinois town, the film was shot in the Los Angeles area (South Pasadena and Hollywood, etc.), which is okay since the neighborhood scenes could be Anytown, USA. What’s NOT okay is how the trees clearly reveal that it’s not late October. Other problems include a tedious lack of drive and some weak dialogue, like the girls’ conversation walking home from school, which doesn’t ring true. Speaking of the girls, they’re decent, but not nearly as good as the “Friday” films. Nancy Kyes (Loomis) is arguably the best as Annie, followed by Jamie Lee Curtis as the main protagonist (whose mother, Janet, starred in “Psycho”). Flighty, but likable PJ Soles is also on hand. Another dubious part is the doctor hiding in the bushes by the abandoned Myers’ abode speaking portentously. I appreciate “Halloween” because it’s classy, atmospheric and it’s a flick pick for the fall season; it also holds an eminent place in horror history. But, in light of the above flaws, it’s a tad overrated by gushing fans. GRADE: B-
GenerationofSwine
10.0/10
It really doesn't look like Illinois does it? Sorry, just had to say that, it's where I'm from and all... ...but still, leaves on the ground and green leaves in the trees. Not at all Illinois, probably because it was a low budget film, but it works. It gives it a very, I don't know, Nightmare on Elm Street surreal feel? And I think, if memory serves this is the start of the virgins survive sex is punished horror-slasher staple. Anyway, it's one of my oldest and dearest friends favorite slasher films and I can see why. It is most atmospheric. It is the one that has the most paranoid and bone chilling feel to it. It really is the ultimate slasher film, it's even better than my favorite...but that's neither here nor there. The fact is, this is the film that defines the slasher genre of horror and has often been imitated but has yet to be replicated. It is, in short, a masterpiece in its genre.
CinemaSerf
7.0/10
I really enjoyed seeing this on the big screen again, 40-odd years after John Carpenter introduced us to his brand of slasher-horror with Jamie Lee Curtis great as the flighty young girl "Laurie" who finds herself caught up in the revenge antics of the faceless "Michael Myers" that perhaps only Donald Pleasence ("Loomis") can save her from. The pace and tension build really well - helped by some good use of sound and light (I didn't much care for the over-synthesised score), the supporting screams from PJ Soles and Nancy Kyes and the occasional intervention from Pleasence. The sequels never reached the heights of this, original psychological horror - there are precious few special effect to laugh at or even speak of, really - and if you get a chance to catch up with it as intended on 35mm then you should certainly give it a go.
Filipe Manuel Neto
5.0/10
**A competent film, with a killer who doesn't seem that ferocious when we read what's in the daily newspapers.** Well, before writing a review of this film I have to make a declaration of interest that I think is appropriate: I absolutely hate Halloween, it's one of the days of the year that I can't stand. It's not a festival that belongs to my culture, it's completely foreign to the Portuguese tradition, and a poor excuse for stray teenagers to go to strangers' houses, at inappropriate hours, to bother those who are calmly in their own business. I've already had to expel a group with some rudeness and I have no doubt that, one day, I'll still have problems because of this stupidity. Furthermore, for Catholics, the feast day is the following day, November 1st, when the Church celebrates All Saints. In any case, it's a good time to watch horror films on TV, and yesterday I happened to watch the film that brings me here today. Directed by John Carpenter, a director who became an icon of classic horror cinema, the low-budget film became a success, raised a real fortune and, over time, became a slasher classic, a type of horror that I confess I don't particularly appreciate. Carpenter directs with his renowned skill and does an excellent job of creating and shaping suspense and atmospheric tension. The director made judicious use of lighting and cinematography, and the visual and sound effects have a truly intelligent and pragmatic effect. The sets are convincing, as are the costumes, and the soundtrack is atmospheric and iconic. Even those who have never seen the film will easily recognize the soundtrack associated with it. Unfortunately, I don't think the film works that well in terms of pacing: the first half isn't strictly interesting, there are many scenes that don't seem to be of much interest to me and that only serve to stretch the overall length of the film. Although Michael is the indestructible villain and the central character of the entire plot, it is not a challenging role that deserves an accredited actor. Hiding behind a mask, he is a villain who doesn't need good actors, he just needs to seem unbeatable. Jamie Lee Curtis thus ends up being the main actress in the cast, making young Laurie a minimally credible teenager who doesn't just scream and run away hysterically whenever she can, even though she does so often. Donald Pleasance was less lucky: the actor is competent, but the character is a hysterical doctor who seems to believe that his escaped patient is a kind of Antichrist. The histrionic reaction is not received seriously by the authorities, and rightly so, but the actor is good enough to make the character somewhat solid. The big problem with this film is the script: Michael tried to kill his sister in a very cold way when he was six years old. He was unsuccessful, but he was still locked up in a mental institution for a decade, and the doctor began to consider him Evil incarnate? Let's face it, this doesn't convince anyone. Just a few days ago, we saw a man who killed eighteen people in Maine and committed suicide. If he were alive right now, wouldn't he be more fearsome than Michael Myers? The Vampire of Düsseldorf, Peter Kürten carried out sixty-eight crimes and raped, mutilated and killed more than a dozen teenage girls, with extreme cruelty. Wouldn’t it be much more credible as “Evil”? Honestly, the story of this film falls far short of what we see in the newspapers.

Famous Conversations

BRACKETT: You're going to be late!

ANNIE: He shouts, too.

BRACKETT: You're going to be late at the Doyles, Annie.

ANNIE: Huh?

BRACKETT: Hi, Annie, Laurie...

ANNIE: Hi, Dad. What happened?

BRACKETT: What?

ANNIE: What happened?

BRACKETT: Someone broke into the hardware store. Probably kids.

ANNIE: You blame everything on kids.

BRACKETT: The only things missing were some Halloween masks, rope, a set of knives. What does that sound like to you?

ANNIE: What time?

LYNDA: I don't know yet. I have to get out of taking my stupid brother trick-or- treating.

ANNIE: Saving the treats for Bob?

LYNDA: Fun-ny. See you.

LYNDA: Well, are we still on for tonight?

ANNIE: I wouldn't want to get you in deep trouble, Lynda.

LYNDA: Come on, Annie. Bob and I have been planning on it all week.

ANNIE: All right. The Wallaces leave at seven.

LYNDA: It's been totally charted.

ANNIE: We just talked.

LYNDA: Sure.

ANNIE: Old jerko got caught throwing eggs and soaping windows. His parents grounded him for the weekend. He can't come over tonight.

ANNIE: Why didn't you wait for me?

LYNDA: We did. Fifteen minutes. You totally never showed up.

ANNIE: That's not true. Here I am.

LAURIE: Wait a minute here...

ANNIE: If you watch her, I'll CONSIDER talking to Ben Tramer in the morning.

LAURIE: Deal. Hey, I thought Paul was grounded.

ANNIE: He was. Old jerko found a way to sneak out. Listen, I'll call you in an hour or so.

LAURIE: Fancy.

ANNIE: This has not been my night. My clothes are in the wash, I spilled butter down the front of me, I got stuck in a window...

LAURIE: I'm glad you're here because I have something I want you to do. I want you to call up Ben Tramer and tell him you were just fooling around.

ANNIE: I can't.

LAURIE: Yes, you can.

ANNIE: He went out drinking beer with Mike Godfrey and he won't be back until late. YOU'LL have to call him tomorrow. Besides, I'm on my way to pick up Paul.

ANNIE: You'll have to. He's calling you tomorrow to find out what time to pick you up.

LAURIE: Annie!

ANNIE: I hate that dog. I'm the only person in the world he doesn't like.

LAURIE: What's this big, big news?

ANNIE: What would you say if I told you that you were going to the Homecoming Dance tomorrow night?

LAURIE: I'd say you must have the wrong number.

ANNIE: Well, I just talked with Ben Tramer and he got real excited when I told him how attracted you were to him.

LAURIE: Annie, you didn't. Tell me you didn't.

ANNIE: You guys will make a fabulous couple.

ANNIE: What's the pumpkin for?

LAURIE: I brought it for Tommy. I figured making a Jack-O-Lantern would keep him occupied.

ANNIE: I always said you'd make a fabulous girl scout.

LAURIE: Thanks.

ANNIE: For that matter, I might as well be a girl scout tonight. I plan on making popcorn and watching Doctor Dementia. Six straight hours of horror movies. Little Lindsey Wallace won't know what hit her.

ANNIE: You still spooked?

LAURIE: I wasn't spooked.

ANNIE: Lies.

LAURIE: I saw someone standing in Mr. Riddle's back yard.

ANNIE: Probably Mister Riddle.

LAURIE: He was watching me.

ANNIE: Mister Riddle was watching you? Laurie, Mister Riddle is eighty-seven.

LAURIE: He can still watch.

ANNIE: That's probably all he can do.

LAURIE: Hello?

ANNIE: Why did you hang up on me?

LAURIE: Annie, was that you?

ANNIE: Of course.

LAURIE: Why didn't you say anything? You scared me to death.

ANNIE: I had my mouth full. Couldn't you hear me?

LAURIE: I thought it was an obscene phone call.

ANNIE: Now you hear obscene chewing. You're losing it, Laurie.

LAURIE: I've already lost it.

ANNIE: I doubt that. Listen, my mother is letting me use her car. I'll pick you up. 6:30.

LAURIE: Sure, see you later.

ANNIE: Bye.

ANNIE: Well, home sweet home. I'll see you later.

LAURIE: Okay. Bye.

ANNIE: It's tragic. You never go out. You must have a small fortune stashed from babysitting so much.

LAURIE: The guys think I'm too smart.

LAURIE: He was standing right here.

ANNIE: Poor Laurie. You scared another one away.

LAURIE: Cute.

ANNIE: I don't see anything.

LAURIE: That man who drove by so fast, the one you yelled at.

ANNIE: Subtle, isn't he? Hey creep!

LAURIE: Look.

ANNIE: Look where?

LAURIE: Behind that bush there.

LAURIE: I'M baby sitting for the Doyles. It's only three houses away. We can keep each other company.

ANNIE: Terrific. I've got three choices. Watch the kid sleep, listen to Lynda screw, or talk to you.

LAURIE: Shit!

ANNIE: I have a place for that.

LAURIE: I forgot my chemistry book.

LAURIE: What's wrong, Annie? You're not smiling.

ANNIE: I'm never smiling again. Paul dragged me into the boys' locker room to tell me...

LAURIE: Exploring uncharted territory?

LINDSEY: Yes.

ANNIE: Come with me.

LINDSEY: I'm scared.

ANNIE: Then why are you sitting here with half the lights off?

LINDSEY: I don't know.

ANNIE: Well, come on, get your coat. We're going to pick up Paul.

LINDSEY: I don't want to.

ANNIE: Look, Lindsey, I thought we understood each other...

LINDSEY: I want to stay here and watch this.

LINDSEY: You locked yourself in.

ANNIE: I know. Pull my legs. I'm stuck.

LINDSEY: Annie, Paul's on the phone!

ANNIE: Lindsey, open the door! I'm locked in the laundry room!

ANNIE: Lindsey, Lester's barking again and getting on my nerves again.

LINDSEY: No, he's not.

ANNIE: Get him out of here!

LINDSEY: Here, Lester.

LYNDA: Fantastic. Totally.

BOB: Yeah.

LYNDA: Want a beer?

BOB: Yeah.

LYNDA: Is that all you say?

BOB: Yeah.

LYNDA: Go get me a beer.

BOB: I thought you were gonna get one for me.

LYNDA: YEAH?

LYNDA: That's great. Now you'll be too drunk to...

BOB: Just answer the damn phone.

LYNDA: I can't. What if it's the Wallaces!? We'd get Annie in trouble.

BOB: I can't help it. It just keeps ringing.

LYNDA: And I can't keep you interested?

BOB: I wonder where they went.

LYNDA: Annie probably took Lindsey out or something. Let's look for a note.

LYNDA: You idiot!

BOB: ...Then you rip my clothes off. Then we rip LYNDSEY'S clothes off. I think I've got it.

LYNDA: Totally...

LYNDA: Now... First we'll talk a little, then Annie will distract Lindsey and we sneak quietly up the stairs to the first bedroom on the left. Got it?

BOB: Okay. First I rip your clothes off...

BOYFRIEND: I gotta go.

SISTER: Will you call me tomorrow?

BOYFRIEND: Yeah, sure.

SISTER: Promise?

BOYFRIEND: Yeah.

BOYFRIEND: We're all alone, aren't we?

SISTER: Michael's around someplace...

SISTER: My parents won't be back till ten.

BOYFRIEND: Are you sure?

BRACKETT: Where were you? I went back to the Myers house...

LOOMIS: I found the car! He's here!

BRACKETT: Where?

LOOMIS: Three blocks down. Get in the car and go up that other street and then back down here. I'm going up the block.

LOOMIS: Jesus!

BRACKETT: You all right?

LOOMIS: Sure...

BRACKETT: Nothing's going on. Just kids playing pranks, trick or treating, partying, getting high... I have the feeling you're way off on this...

LOOMIS: You have the wrong feeling.

BRACKETT: You're not coming up with much to prove me wrong.

LOOMIS: Exactly what do you need?

BRACKETT: Well, it's going to take more than fancy talk to keep me up all night creeping around these bushes.

LOOMIS: I watched him for fifteen years, sitting in a room staring at a wall, not seeing the wall, seeing past it, seeing THIS NIGHT. He's waited for it, inhumanly patient. Hour after hour, day after day, waiting for some silent, invisible alarm to trigger him. Death has arrived in your little town, sheriff. You can ignore it, or you can help me stop it.

BRACKETT: More fancy talk... You want to know what Haddonfield is? Families. Children, all lined up in rows, up and down these streets. You're telling me they're lined up for a slaughterhouse.

LOOMIS: They could be.

BRACKETT: I'll stay out with you tonight, Doctor, just on the chance that you're right. And if you are right, damn you for letting him out.

BRACKETT: What do we do?

LOOMIS: He was here, earlier tonight, and he may be coming back. I'm going to wait for him.

BRACKETT: I keep thinking I should call the radio and TV stations...

LOOMIS: If you do they'll be seeing him everywhere, on every street corner, in every house. Just tell your men to shut their mouths and open their eyes.

BRACKETT: I'll check back in an hour.

LOOMIS: I suppose I do seem a bit sinister for a doctor.

BRACKETT: Looks like to me you're just plain scared.

LOOMIS: I am. I met him fifteen years ago. I was told there was nothing left, no conscience, no reason, no understanding, in even the most rudimentary sense, of life or death or right or wrong. I met this six- year-old boy with a blank, cold emotionless face and the blackest of eyes, the Devil's eyes. I spent eight years trying to reach him and another seven trying to keep him locked away when I realized what was living behind that boy's eyes was purely and simply... evil.

BRACKETT: A man wouldn't do that...

LOOMIS: He isn't a man.

BRACKETT: Come on... A skunk could have killed it...

LOOMIS: Could have...

LOOMIS: Anybody live here?

BRACKETT: Not since 1963, since it happened. Every kid in Haddonfield thinks this place is haunted.

LOOMIS: They may be right.

BRACKETT: Ten minutes.

LOOMIS: I'll be here.

LOOMIS: I'd like to talk to you, if I could.

BRACKETT: May be a few minutes. I gotta stick around here...

LOOMIS: It's important.

LOOMIS: Sheriff? I'm Doctor Sam Loomis.

BRACKETT: Lee Brackett.

LYNDA: Hi, Laurie, what's up?

LAURIE: Nothing. I was just sitting down for the first time tonight.

LYNDA: Is Annie around?

LAURIE: No. I thought she'd be home by now. She went to pick up Paul.

LYNDA: Well, she's totally not here.

LAURIE: They probably stopped off somewhere. Have her call me when she gets back. I've got Lyndsey here and I want to know what time to put her to bed.

LYNDA: Okay. Later.

LAURIE: Have a good time.

LAURIE: Annie, some day you're going to get us all in deep trouble.

LYNDA: Totally.

LYNDA: Isn't that David Graham? He's cute.

LAURIE: I don't think so...

LAURIE: I thought you were babysitting tonight.

LYNDA: The only reason she babysits is to have a place to...

LYNDA: It's totally insane! We have three new cheers to learn in the morning, the game in the afternoon, I get my hair done at five, and the dance is at eight. I'll be totally wiped out!

LAURIE: I think you have too much to do tomorrow.

LYNDA: TOTALLY!

LAURIE: As usual, I don't have anything to do.

LYNDA: It's your own fault and I don't feel sorry for you.

TOMMY: Laurie, you come with us...

LAURIE: No! Do as I say.

TOMMY: Are you sure?

LAURIE: Yes.

TOMMY: How?

LAURIE: I killed him...

TOMMY: But you can't kill the bogyman.

LAURIE: Now I want you to change your clothes, Tommy. We're going to take a walk outside.

TOMMY: Was it the bogyman?

LAURIE: Tommy, I want you to go back upstairs...

TOMMY: What is it, Laurie?

LAURIE: Be quiet! Get Lindsey and get into the bedroom and lock the door!

TOMMY: I'm scared...

LAURIE: DO WHAT I SAY! NOW!

TOMMY: It's the bogyman, isn't it?

LAURIE: HURRY!

TOMMY: Who is it?

LAURIE: Tommy, let me in!

LAURIE: Tommy, stop it! You're scaring Lindsey.

TOMMY: I saw him...

LAURIE: I said, stop it! There is no bogyman. There's nothing out there. If you don't stop all this, I'm turning off the TV and you go to bed.

TOMMY: I saw the bogyman. I saw him outside.

LAURIE: There was no one outside.

TOMMY: There WAS.

LAURIE: What did he look like?

TOMMY: The bogyman!

LAURIE: We're no getting anywhere. All right, look, Tommy. The bogyman can only come out on Halloween night, right?

TOMMY: Right.

LAURIE: And I'm here tonight and I won't let him get to you.

TOMMY: Promise?

LAURIE: I promise.

TOMMY: Can we make the Jack-O-Lantern now?

TOMMY: What about the Jack-O-Lantern?

LAURIE: After the movie.

TOMMY: What about the rest of my comic books?

LAURIE: After the Jack-O-Lantern.

TOMMY: What about the bogyman?

LAURIE: There is no such thing.

TOMMY: Richie said he was coming after me tonight.

LAURIE: Do you believe everything that Richie tells you?

TOMMY: No...

LAURIE: Tommy, Halloween night is when you play tricks on people and scare them. It's all make believe.

TOMMY: Laurie...

LAURIE: I'm so embarrassed. I couldn't face him...

LAURIE: 'Neutron Man'... 'Laser Man'... I can see why. 'Tarantula Man'...

TOMMY: Laurie, what's the Boogey Man?

TOMMY: Not any more.

LAURIE: Why are they under there?

TOMMY: Mom doesn't like me to have them.

LAURIE: ..."how now, cried Arthur. 'Then no one may pass this way without a fight?' 'That is so,' answered the night in a bold and haughty manner..."

TOMMY: I don't like that story.

LAURIE: But king Arthur was always your favorite.

TOMMY: I gotta go. I'll see you tonight.

LAURIE: See you.

TOMMY: Lonnie Elam said never to go up there. Lonnie Elam said that's a haunted house. He said real awful stuff happened there once.

LAURIE: Lonnie Elam probably won't get out of the sixth grade.

LAURIE: Yes, I am.

TOMMY: Uh-uh. That's a spook house.

LAURIE: Just watch.

TOMMY: Are you coming over tonight?

LAURIE: Same time, same place.

TOMMY: Can we make Jack-O-Lanterns?

LAURIE: Sure.

TOMMY: Can we watch the monster movies?

LAURIE: Sure.

TOMMY: Will you read to me? Can we make popcorn?

LAURIE: Sure. Sure.

TOMMY: Hey, Laurie...

LAURIE: Hi, Tommy.

LAURIE: Now, I want you to walk to the door, down the stairs and right out the front door.

LINDSEY: You're coming with us...

LAURIE: Listen to me. I want you to walk down the street to the MacKensie's and knock on their door. You tell them to call the police and send them over here. Do you understand?

LINDSEY: I'm scared!

LAURIE: There's nothing to be scared of now. Get changed.

LAURIE: Everybody has a good time tonight. Okay, kids, what do you want to do now?

LINDSEY: Let's make more popcorn.

LAURIE: You've had enough. Why don't we just sit down and watch the rest of this movie.

LINDSEY: Hello.

PAUL: Hi, Lindsey, this is Paul. Is Annie there?

LINDSEY: Yes, she is.

PAUL: Will you get her for me?

LINDSEY: She's washing her clothes.

PAUL: Well, go tell her it's me, okay?

LINDSEY: Okay.

WYNN: Sam, Haddonfield is a hundred and fifty miles from here. How could he get there? He can't drive.

LOOMIS: He was doing all right last night. Maybe somebody around here gave him lessons.

WYNN: He was your patient, Doctor. If the precautions weren't sufficient, you should have notified...

LOOMIS: I notified everybody! Nobody listened.

WYNN: There's nothing else I can do.

LOOMIS: You can get back on the telephone and tell them exactly what walked out of here last night. And tell them where he's going.

WYNN: PROBABLY going.

LOOMIS: I'm wasting time.

WYNN: I'm not responsible, Sam.

LOOMIS: Of course not.

WYNN: I've given them his profile.

LOOMIS: You must have told them we shocked him into a grinning idiot. Two roadblocks and an all-points bulletin wouldn't stop a five-year-old!

MARION: What did he say?

LOOMIS: He asked me if I could help him find his purple lawnmower.

MARION: I don't think this is any time to be funny...

LOOMIS: He said something else. "It's all right now. He's gone. The evil's gone."

LOOMIS: Pull up to the entrance!

MARION: Shouldn't we pick him up?

LOOMIS: Move it!

LOOMIS: Ever done anything like this before?

MARION: Only minimum security.

LOOMIS: I see.

MARION: What does that mean?

LOOMIS: It means... I see.

MARION: You don't have to make this harder than it already is.

LOOMIS: I couldn't if I tried.

MARION: The only thin that ever bothers me is their jibberish. When they start raving on and on...

LOOMIS: You don't have anything to worry about. He hasn't spoken a word in 15 years.

LOOMIS: The driveway's a few hundred yards up on your right.

MARION: Are there any special instructions?

LOOMIS: Just try to understand what we're dealing with here. Don't underestimate it.

MARION: I think we should refer to 'it' as 'him.'

LOOMIS: If you say so.

MARION: Your compassion is overwhelming, Doctor.

LOOMIS: ...then he gets another physical by the state, and he makes his appearance before the judge. That should take four hours if we're lucky, then we're on our way.

MARION: What did you use before?

LOOMIS: Thorazin.

MARION: He'll barely be able to sit up.

LOOMIS: That's the idea. Here we are.

Oscar Awards

Wins

Haven't Won A Oscar

Nominations

Haven't Nominated for Oscar

Media

Featurette
Jamie Lee Curtis on HALLOWEEN
Trailer
Official Trailer
Featurette
John Carpenter on HALLOWEEN