Heavenly Creatures

Not all angels are innocent.

Release Date 1994-09-12
Runtime 109 minutes
Genres Drama,   Fantasy,  
Status Released
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Overview

Precocious teenager Juliet moves to New Zealand with her family and soon befriends the quiet, brooding Pauline through their shared love of fantasy and literature. This friendship gradually develops into an intense and obsessive bond.

Budget $5,000,000
Revenue $3,049,135
Vote Average 6.976/10
Vote Count 962
Popularity 1.7483
Original Language en

Backdrop

Available Languages

English US
Title:
"Not all angels are innocent."
Italiano IT
Title: Creature del cielo
"La vera storia di un crimine che scosse la nazione"
Português PT
Title: Amizade Sem Limites
""
suomi FI
Title: Taivaalliset olennot
""
Deutsch DE
Title:
""
Français FR
Title: Créatures célestes
"Tous les anges ne sont pas innocents"

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Cast

Crew

Reviews

badelf
9.0/10
Should be required viewing in Parenting 101 courses. And also for anyone who thinks conversion therapy for gender issues is the solution. This film was the first jewel in the crown of Peter Jackson, a truly creative director, with clear vision. We're not worthy.
Filipe Manuel Neto
7.0/10
**An excellent film that shows the talent of Peter Jackson and the strength and commitment of a magnificent duo of young actresses.** I really liked this film. Like the overwhelming majority of people, I didn't know about the real crime behind the story of this film, where the friendship between two teenagers turns into a sexual and romantic obsession and leads the two young women to kill the mother of one of them, in hope that they can run away or stay together. Directed by Peter Jackson, still a long way from dreaming that he would be as successful as “The Lord of the Rings”, the film is excellent and does a great job in terms of recreating the events and psychology of the two central characters. Of course, according to what I've read, the facts are not entirely clear as to the nature of the relationship the two girls had, but it seems quite clear that, at the very least, there was a very strong obsession between them and a certain dissociation from reality. , through the creation of a fantasy alternative world that functioned as an escape. The film shows us this clearly and manages to maintain a certain ambiguity where it seems most necessary. This was the debut film for young Kate Winslet and Melanie Lynksey. None of them seem exactly like newcomers or inexperienced in the cinematographic art, which can only be a revealing parameter of talent, and of the great qualities that both have revealed since then, most especially Winslet, who has dedicated more time to cinema and achieved a different level of recognition. In addition to them, we also have the excellent performances by Sarah Peirse, Clive Morrison and Diana Kent, in the role of three of the paternal figures. Technically, the film doesn't have any major problems. The pace is ideal, there are no dead moments or situations that seem to be too much or to have been stilted, and the editing is very good and well executed. The cinematography is excellent, with great color and light, particularly in the fantasy scenes, where we enter the fantastic world that these young women created for themselves. The sets are good and, together with the costumes, recreate the period portrayed with verisimilitude. The filming locations are magnificent, very well selected and used. The soundtrack is equally good.
Chandler Danier
9.0/10
I had no idea what this story was about. I had no idea what these girls were about. Great to put it all together and shocking to see them carry it out. And it happened. And one is an author...crazy. This is so crazy. The camera sure does lots of moves.

Famous Conversations

HERBERT: This story of yours-maybe the school newspaper will print it when it's finished.

JULIET: Actually, Mr. Rieper . . . it's a novel, and we'll be sending it to New York. That's where all the big publishing houses are based.

HERBERT: Is that a fact! You'd better put me name down for an advance copy!

HERBERT: I've never cottoned on to Plasticine like you girls, but I enjoy making things out of wood.

JULIET: Are you a carpenter, Mr. Rieper? HERBERT shakes his head.

HERBERT: I work at Dennis Brothers Fish Supply.

JULIET: I adore anything to do with the arts.

HERBERT: We're pretty handy with model making, too, eh?

JULIET: Mummy has a special technique called "Deep Therapy."

HERBERT: What's that?

JULIET: I'm not sure . . . but it's proving to be very popular!

HERBERT: wanders out. HONORA turns to Pauline and Juliet.

HONORA: Well . . . I better make myself a bit more presentable.

HERBERT: I'd better be getting back. Bye, love.

HERBERT: pulls his coat on. HONORA gives him a peck cheek.

HONORA: Bye.

HERBERT: Have a nice outing, you lot.

HERBERT: accompanies Hilda into the hallway.

HONORA: breaks down into heavy sobs.

HERBERT: is chopping firewood in the back garden. HONORA approaches him.

HONORA: I've just had Hilda Hulme on the phone.

HERBERT: What now?

HONORA: She says Juliet's in a terrible state . . .

HERBERT: waves a pair of new socks around. The family laughing and talking. Pauline is not participating. She is leaning back, looking morose. HONORA looks at her with concern.

HONORA: Is it hurting, dear?

HERBERT: No arguments there, Dr. Hulme! All that time inside working on those novels of theirs. They don't get fresh air or exercise!

HONORA: frowns at Henry.

HONORA: Yvonne hasn't been herself, either. Locking herself away in her room . . . endlessly writing.

HERBERT: sits down next to Honora, glass of sherry in hand.

HONORA: I've booked you in for a chest X-ray . . . just to be on the safe side.

HONORA: pops a couple more potatoes on Pauline's plate. HERBERT glances at Pauline.

HERBERT: Thought I'd have a go at building the birdhouse on Saturday . . . anyone want to give me a hand?

HONORA: Come on! Sausage rolls.

HERBERT: Come on through.

HONORA: and Pauline hurriedly work together, setting out plates and cutlery.

HERBERT: Look who I've found!

HONORA: whips off her pinny as HERBERT leads Juliet into the dining room.

HERBERT: Let's have 'em now, while they're fresh, eh, Nora?

HONORA: playfully shoves his hand away.

HONORA: I'll think you'll find our Mr. Bayliss is not keen on seafood. I've got lamb chops in the 'frigerator.

HERBERT: sighs as HONORA puts the frying pan on the stove.

PAULINE: Look, Mother!

HONORA: looks down at the ground in front of her.

PAULINE: You have it.

HONORA: Oh, no. I'm watching my figure.

PAULINE: I bet he pitches a tent in the middle of their bedroom, and they have to pretend to be on some mountain!

HONORA: That's enough, Yvonne!

PAULINE: I felt thoroughly depressed and even quite seriously considered committing suicide. Life seems so much not worth the living, death such an easy way out.

HONORA: Love, you can still write to each other.

PAULINE: The Hulmes will look after me. They want me to live with them!

HONORA: Don't be so ridiculous. You're our daughter, you belong here with us.

PAULINE: I belong with Deborah! We're going to South Africa!

HONORA: You're not going anywhere. You're 15 years old!!

PAULINE: You have to let me go!

HONORA: stands and walks toward the door.

PAULINE: I'm bloody dressing as fast as I can, for God's sake!

HONORA: Open this door!

PAULINE: My name is Gina!

HONORA: It's a letter from the school . . . from Miss Stewart.

PAULINE: What does old Stew want?

HONORA: She says the standard of your work is slipping. At this rate she doesn't think you'll get School Certificate.

PAULINE: Who cares!

HONORA: I care . . . your father cares . . . we want you to have a good education.

PAULINE: I'm educating myself!

HONORA: You're failing English . . . you used to be top of the class- PAULINE I'm doing my own writing!

HONORA: snatches up an exercise book from a large pile.

HONORA: These stories are not going to get you School Certificate! You don't seriously think anyone's going to publish them?

PAULINE: What do you know? You wouldn't know the first thing about writing. You're the most ignorant person I've ever met!

HONORA: is very angry.

HONORA: You're rude . . . rude and insolent! I don't see why I should keep a horrid child like you at school a minute longer.

PAULINE: I don't wanna be in bloody school!

HONORA: All right! You go out there and get a job and you damn well pay your own way!

HONORA: My God, what a disgrace you are! You shame me, you shame the family. You're nothing but a cheap little tart!

PAULINE: Well, I guess I take after you then!

HONORA: whirls around and slaps Pauline on the cheek.

PAULINE: You ran off with Dad when you were only 17! Nana Parker told me!

HONORA: steps back.

HONORA: If you think for one minute that your father and I will tolerate this sort of behaviour, you've got another thing coming! You're only 14!!! You're a child! What on earth's the matter with you, Yvonne? You know what can happen with boys . . . Don't you have any self-respect?

HONORA: sighs.

PAULINE: Can I go now?

HONORA: grabs Pauline by the shoulders.

PAULINE: I had a nasty foreboding feeling at first, but now I realise my crime was too frightful for an ordinary lecture.

HONORA: From now on, you're sleeping in the house, where we can keep an eye on you.

PAULINE: I spent a wretched night. It would be wonderful if I could get tuberculosis, too.

HONORA: comes in with a breakfast tray: bacon and eggs, tea and toast.

HONORA: Come on, sit up.

PAULINE: I'm not hungry.

HONORA: You've got to eat, Yvonne. You hardly touched our dinner. I'm not having you falling ill.

PAULINE: I just want to be on my own for a while.

HONORA: starts to cut up a slice of bacon and offers it to Pauline.

HONORA: You may have forgotten that you were once a very sick little girl, but I haven't!

HONORA: holds up a loaded fork. Pauline reluctantly takes it.

PAULINE: Do you think Juliet could stay here while her parents are away?

HONORA: Juliet's infectious . . . she'll be going to hospital.

PAULINE: But she'll have no one to look after her!

HONORA: Her parents won't be going overseas now . . . they'll have to cancel their trip. Don't worry about Juliet.

PAULINE: He's the manager!

HONORA: leads a young man-JOHN-into the dining room.

PAULINE: Got an A, Mum!

HONORA: glows with pride. STEVE is emptying his pockets on the bench. HONORA pats STEVE's hand.

PAULINE: Hello!

HONORA: Well? Tell us! How'd it go?

JULIET: But you're not fat, Mrs. Rieper!

HONORA: I put on a lot of weight over Christmas.

HONORA: is bending down, pulling a tray of sausage rolls into the oven. Both girls look at HONORA silently.

HONORA: turns around and Juliet presents her with a brown paper bag.

JULIET: Fruit.

HONORA: Oh! I'll pop them in a bowl.

JULIET: Hello!

HONORA: Hello, Juliet. Juliet take off her jacket.

HONORA: Oh-what a nice outfit!

JULIET: Thank you. I bought it especially, Mrs. Rieper.

JULIET: I'm saving them for a rainy day.

HONORA: gives her a sympathetic look.

HONORA: I know it's hard for you being in here, but it is for the good of your health.

JULIET: They sent me off to the Bahamas "for the good of my health." They sent me to the Bay of bloody Islands "for the good of my health."

HONORA: looks startled at the outburst.

JULIET: I'm sorry, Mrs. Rieper. I'm feeling quite fatigued.

HONORA: We don't want to tire you out, dear.

HONORA: stands and picks up her handbag. Pauline stands and Juliet grabs her hand.

JULIET: Can't you stay a bit longer, Paul?

HONORA: That's coming along well!

JULIET: I'm the Matron's favourite patient and she's shown me her special stitch!

JULIET: I'm so happy to see you!

HONORA: hurries over.

HONORA: It's best not to get too close. Juliet's still not a hundred percent. Hello, Juliet! We've bought you some fruit.

JULIET: Thank you so much!

HONORA: I wouldn't want my private business being discussed with a complete stranger!

JULIET: Oh, no . . . Mummy's awfully good at it.

JULIET: And so, in a blazing fury, Charles runs Lancelot Trelawney through with his sword . . . leaving Deborah free to accept Charles's proposal of marriage!

HONORA: and HERBERT exchange a glance. HONORA smiles at Juliet.

HONORA: I've heard your mother on 3YA. The Woman's Session has lots of lively debate.

JULIET: Well, actually, Mummy's left that programme now . . she's far too busy with The Marriage Guidance Council.

JULIET: Isn't it beautiful!

PAULINE: Let's go for a walk down here . . . come on, Mummy!

PAULINE: Bye, Dad.

JULIET: Goodbye, Mr. Rieper.

PAULINE: It's a three-act story with a tragic end.

JULIET: Your mother is a rather miserable woman . . . isn't she?

PAULINE: I thought for hours about whether Carmelita should accept Bernard's marriage proposal . . .

JULIET: I think she knows what's going to happen . . . she doesn't appear to bear us any grudge!

PAULINE: Let's go upstairs, Deborah. I wrote the last 10 pages of my opera last night.

JULIET: All right, then.

JULIET: Mummy!

PAULINE: Mummy!

PAULINE: I'm coming with you.

JULIET: Yes . . .

PAULINE: I know what to do about mother.

JULIET: But that's not true! I've got one.

PAULINE: I need my sodding parents' consent.

PAULINE: Poor Father . . .

JULIET: Don't worry, Gina! Mummy and Daddy love each other.

JULIET: Poor Mother was completely taken in.

PAULINE: Do you think Bloody Bill's trying to get into her draws?

JULIET: Too right . . . but he doesn't have a show! Nobody gets into Mother's draws except Daddy!

PAULINE: I thought he was supposed to be terribly ill.

JULIET: That was what we were led to believe . . .

JULIET: This lot's got to be worth 50 quid!

PAULINE: I can try my father's safe. I'm sure I can get the keys to his office.

JULIET: That's great! We'll have the fare in no time!

PAULINE: I'm sure they'll notice things missing.

JULIET: They'll blame the bloody housekeeper. She nicks stuff all the times!

PAULINE: Stay still or they'll be blurry . . .

JULIET: Hurry up! I'm freezing!

PAULINE: Just a couple more . . .

JULIET: I know, I'll lean forward and show more cleavage!

PAULINE: I think I'm going crazy.

JULIET: No, you're not, Gina-it's everybody else who is bonkers!

PAULINE: Let's go overseas . . .

JULIET: You mean travel by ourselves?

JULIET: How do you know? Did he tell you?

PAULINE: Well . . . no. But it's so obvious.

PAULINE: You'll never guess what's happened!!

JULIET: What??

PAULINE: John has fallen in love with me!

JULIET: That idiot boarder?

JULIET: I shall call him Diello.

PAULINE: You're such an incredible woman.

JULIET: I couldn't have done it without you, Charles.

PAULINE: What?

JULIET: It's so beautiful!

PAULINE: What???

PAULINE: He flings open the door and launches himself at the bed, ravishing her!

JULIET: God, yes!

JULIET: That.

PAULINE: That . . .

JULIET: This.

PAULINE: This . . .

JULIET: Him.

PAULINE: Him . . .

JULIET: To be known as He!

PAULINE: He . . .

JULIET: James will be there . . . and Mario! Only they'll be saints.

PAULINE: Saint Mario!

PAULINE: But, we're all going to Heaven!

JULIET: I'm not! I'm going to the Fourth World! It's like Heaven, only better because there aren't any Christians.

PAULINE: I wish James would do a religious picture . . . he'd be perfect as Jesus!

JULIET: Daddy says the Bible's a load of bunkum!

PAULINE: I think I'm dying . . .

JULIET: Don't . . . please! Please, don't!

JULIET: 0h, God . . . I'm so sorry!

PAULINE: It doesn't matter.

JULIET: Of course it matters! It's Mario!

PAULINE: She's terribly hurt . . .

JULIET: Somebody's got to help us!

JULIET: Mummy!

PAULINE: Mummy!

Oscar Awards

Wins

Haven't Won A Oscar

Nominations

WRITING (Screenplay Written Directly for the Screen) - 1994 Frances Walsh, Peter Jackson

Media

Featurette
Heavenly Creatures - Looking Back - Exclusive Extra
Trailer
HEAVENLY CREATURES REMASTERED - Trailer - Peccadillo