Leaving Las Vegas

I Love You... The Way You Are.

Release Date 1995-10-27
Runtime 111 minutes
Genres Drama,   Romance,  
Status Released
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Overview

Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.

Budget $3,600,000
Revenue $49,800,000
Vote Average 7.253/10
Vote Count 1524
Popularity 3.1095
Original Language en

Backdrop

Available Languages

English US
Title:
"I Love You... The Way You Are."
Deutsch DE
Title:
"Liebe bis in den Tod"
Italiano IT
Title: Via da Las Vegas
""
Français FR
Title:
"Je T'Aime... Tel.Ie Que Tu Es."
Pусский RU
Title: Покидая Лас-Вегас
""
Português PT
Title: Morrer em Las Vegas
""

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Cast

Crew

Reviews

Wuchak
6.0/10
_**Cage terminally drunk in Las Vegas with Elisabeth Shue and lots of jazz/blues**_ An alcoholic in Los Angeles (Nicolas Cage) cashes out of the film industry and moves to Las Vegas to apparently drink himself to death. He meets a prostitute (Elisabeth Shue) with whom he has a welcome affinity and they develop a relationship of radical acceptance. "Leaving Las Vegas" (1995) is one of those downbeat realistic dramas about lost souls in hopeless dissolution. It’s well-done for what it is and Shue’s beauty is effectively showcased despite the unappealing nature of her profession. And I understand the message of “loving” acceptance with no questions. Although it could be argued that true love refuses to enable people to destroy themselves and holds them accountable to some reasonable degree. A guy who was my best friend 20 years ago developed an alcohol problem that became increasingly glaring. He died recently, but I didn’t see him for the last four years of his life because I refused to see someone drink themselves to death. The film runs 1 hour, 51 minutes, and was shot in the Los Angeles area (Burbank & Santa Monica) and Nevada (Las Vegas, Laughlin & Paradise). GRADE: B-/C+
Filipe Manuel Neto
8.0/10
**A dense film, difficult to see, but one that should be seen, especially by young people who think that getting drunk is relevant to a night of fun.** This film is based on the true story of a man who lost his will to live after a complicated divorce and the end of his personal and professional life as he gave way to alcohol addiction. With no prospects of getting back on top, he decides to go to Las Vegas, the city of all sins in the USA, and drink everything he can until he ends his own life. In the meantime of these suicidal intentions, he meets a prostitute with whom he has a very complicated relationship because, deep down, she too walks her own path of self-destruction. The film is excellent, but it is deeply heavy, depressing, difficult to watch. In addition to taking us to the most negative and destructive side of alcoholism, it also shows us, without fear of shocking, how it can lead to death. That is, it shows us in very hard colors that drinking is an addiction, it is a serious problem and it can kill. It makes it clear that alcohol is not something that we can or should relativize, a punctual, occasional excess on Friday night. It is not something we should tolerate in the behavior of our children or family members. I say this at a time when drinking has become all too common, especially among young people, for whom getting drunk is a “sine qua non” condition for a night of fun. Anyone going to work the next morning can easily see young people, many of them women and looking as if they are not even 20 years old, sitting on the side of the sidewalk, next to nightclubs or bus stops, drunk or vomiting in scenes worthy of a pity that I refuse to feel because, after all, they wanted to stay that way. Many are Portuguese, but there are also many tourists who seem to come to my country because the law is more permissive than it should be. For me, who was brought up on the danger of addiction and only got seriously drunk once, it pains me to see how this youth considers excess fundamental in fun and I just hope, one day that I'm a father, I never have to go get one. child in such a state. I would be ashamed. This is one of the movies that made Nicholas Cage's career. The actor does a remarkable job, and if we think about the turn that his life and career would later take, it's really a shame that he couldn't maintain this level. It's hard to see the way he gives his character all the elements to capture our sympathy as she slides down a path of no return. Elizabeth Shue, who gave life to the prostitute, also does a job full of merits, even if her character is much more conventional. After all, it is not the first time, nor the last, that the cinema has met a prostitute with feelings. There is a love story between the two characters, that is undeniable, but we can question to what extent it is really believable, since love is never used to redeem or grant the characters a path of salvation, a way out of the life of addiction and destruction they are in. And to some extent, even if this is rehearsed, such an option is largely rejected, especially by the character of Cage, who seems determined to die. Technically, the film has several points of merit, especially with regard to cinematography and editing. The film was very well filmed, it uses light and shadow very well to thicken the whole environment of degradation in which the characters move, with the bright lights of the casinos working, almost, like the bright flame that attracts the moths to their death and perdition. It is in this environment that we see the characters live the only scenes of pleasure and relaxation, which only serve to keep pushing them to the bottom of the well. Very well edited, the film doesn't waste time with things that don't matter, it maintains a very pleasant pace and provides two hours that leave us thinking.
CinemaSerf
7.0/10
Is there any profession portrayed in cinema more likely to be an obnoxious alcoholic than an Hollywood screen writer? Well that's what "Ben" (Nicolas Cage) is and when he gets fired after one too many absences and foul-mouthed outbursts, he takes his redundancy cheque and his BMW and heads to Vegas. He doesn't have a plan, except perhaps to drink himself into a stupor from which he won't wake up. Meantime, we've met hooker "Sera" (Elisabeth Shue) who has a rather brutal relationship with her flaky pimp "Yuri" (Julian Sands) and works the Strip looking for high rollers to seduce. They meet in a casino and quickly conclude that there might be an element of safety, certainly sanity, in numbers and are soon living together platonically. What now ensues illustrates the perils for both as they continue down paths that seem destined to lead to self-destruction. "Sera" exposing herself to dangers every time she goes to work whilst "Ben" showers with two bottles of vodka to contain his increasingly dominant shakes. The soundtrack does much to help set the mood here, as these two people gradually fall in love - but it's not a sentimental love. It comes across more as a growing inter-dependency fuelled by affection and a desire to look out for each other - however doomed to failure we might anticipate that to be. Cage is on great form here, he really does carry of the role skilfully and plausibly - but I think Shue takes more of the plaudits for me. She allows her essentially quite decent character to thrive and to grow, demonstrating quite a degree of humanity even when faced with brutality and humiliation on a fairly regular basis. She also manages to give us a sense of a woman who is trying to escape but just doesn't know how. Mike Figgis keeps the pace taut and effective and with both on solid form with an actually quite emotional story, this is well worth two hours.

Famous Conversations

WAITRESS: There's a one-drink minimum per show, I hope you saw the sign when you came in. Anyway, they're supposed to tell you.

BEN: Yes, I heard, and it's not a problem.

WAITRESS: What do you want?

BEN: What are my choices?

WAITRESS: Everything's ten dollars, and there's no alcohol.

BEN: No alcohol?

WAITRESS: No alcohol. You gotta get something else. Everything's ten dollars. What do you want?

BEN: What do you think I should get?

WAITRESS: Non-alcoholic malt beverage?

BEN: ...Noooo.

WAITRESS: Orange soda?

BEN: No.

WAITRESS: Coffee?

BEN: No.

WAITRESS: Sparkling apple cider?

BEN: No.

WAITRESS: Water?

BEN: Water?

WAITRESS: One drink minimum per show. Everything's ten dollars. Now... tell me what you want or I'll eighty- six you.

BEN: Water.

BEN: You know I love you... yeah?

SERA: Yes.

BEN: I wanted to see you...

SERA: Oh, Ben... you look so very sick... my love... you're so pale.

SERA: There are limits.

BEN: Yes... I guess I knew that.

BEN: Maybe it's time I moved to a hotel.

SERA: And do what... rot away in a room? We're not going to talk about that. Fuck you! I will not talk about that. You're staying here. You are not moving to a hotel.

BEN: Will you lighten up, please?

SERA: One thing... one thing... this is one thing you can do for me. I've given you gallons of free will here! You can do this for me.

SERA: I've missed the best sun. Why did you have to pawn your watch?

BEN: I didn't know I'd ever need it again.

BEN: I like it here with you.

SERA: Let's stay for a while.

BEN: OK.

SERA: Years ago, in LA, I turned a trick on Sunset and Western. The guy was polite and didn't argue about the price. He parked his car and I took him to a house that I had an arrangement with. A fat Mexican woman was watching a TV and I told him to give her the twenty for the room. There were three or four small naked children playing on the floor and we had to step over them to get into the room. The room had a bed and a dresser. He lay on his back on the bed and I put a rubber on him and sucked him for a while until he was hard and then I eased on to him. About twenty minutes later there was a knock on the door and it was the woman saying our time was up. I felt kind of guilty because he hadn't come and I offered to reason with the woman and get another ten minutes, but he said it was all right and began dressing. When we were ready to leave the room he stopped me and... hugged me and kissed me on the cheek. He gave me an extra hundred as a tip and went back to his car. I remember being relieved that I wouldn't have to work again that evening.

BEN: Last spring I happened to walk past a house that I had once patronized. There was a cool breeze blowing off the ocean and through the window I could see a bare leg. The girl must have been taking a break between customers. It was a strange moment for me because it reminded me of my mother and despite the fact that I was late for something already I just stayed there, loving the atmosphere of it and my memory and... the reason I'm telling you this epilogue is that I felt that I'd come full circle.

SERA: Where was that house? The one in LA, I mean.

BEN: Fifth and Mayflower. You know it?

SERA: Yes. One of my friends was there. I wonder if you ever clipped her.

SERA: I'll be back home around three. If you're back by then we can watch TV or something... I guess what I'm saying is... that I hope you are back when I get home. Please be careful.

BEN: You be careful to. I'm going to miss you.

SERA: Shall we go away for a couple of days?

BEN: Yeah... I'd like that.

BEN: Maybe I should follow you around and ask one of your tricks what it's like to sleep with you.

SERA: They wouldn't know.

BEN: Please!

SERA: Yes... I'll give you that.

BEN: Thank you, Sera.

SERA: Do you want me not to go tonight?

BEN: No... we already talked about that.

SERA: What was that all about?

BEN: Can we just forget it?

SERA: I don't understand any of that.

BEN: Can we just ignore it?

SERA: Your color.

BEN: I think you should wear one at a time. One of these... and one of your others. In fact, I was going to buy just one, but I didn't think it would fly... as a gift, I mean.

SERA: Very creative. Now we can get you a black bow tie and you can look like one of those casino dealers.

BEN: OK, but remember that they wear it because they have to. I wear it because I want to. That'll make me look different. Let's get a drink.

BEN: Why don't you go back to sleep. I'll go out and buy us some breakfast.

SERA: Be careful.

SERA: You were OK for a while, so we walked for about a block and then you said you wanted to go home and fuck, but I think even you knew that wasn't going to happen. We got a cab and you asked him to stop at a liquor store, even though I told you that we had plenty at home. In the store you gave the kid a hundred and told him to keep the change. I asked you if you knew it was a hundred. You said you did, so I let you do it. We got here, you fell asleep on the couch and I covered you up and came to bed.

BEN: I warned you... ...but I'm sorry.

SERA: Here's my speech... ...I know this shouldn't be acceptable to me, but it is. Don't ask me why. I sense that your trouble is very big... and I'm scared for you... and so I'm doing what I think you need me to do. Falling down in casinos is little stuff. It doesn't bother me. It has nothing to do with us.

BEN: That's amazing. What are you? Some sort of angel visiting me from one of my drunk fantasies? How can you be so good?

SERA: How are you doing?

BEN: Very well... umm... I never expected to have to ask you this again... but how did our evening go? I remember getting to the casino... I remember kissing you... that was really nice but everything after that is a blank.

SERA: Well -- I was prepared for worse, but it wasn't so bad. We were sitting at the bar, talking about blackjack. You seemed just fine, a little drunker than usual, but nothing really strange, but then your head started to droop and I put my arm on your shoulder and then, wham, you swung you arm at me, and fell backwards off your stool into a cocktail waitress. You smashed everything on her tray, it was a real mess. You kept yelling and yelling.

BEN: Oh, and what did you do?

SERA: I tried to shut you up and help you to your feet but you kept swinging at me -- not like you wanted to hit me, but more just waving me away. Security came and when you saw them you stopped yelling. They wanted to carry you out and dump you on the street, but I talked them into letting me walk you out.

BEN: That's impressive. How did you do that?

SERA: I told them you were an alcoholic and I would take you home. I also promised that we would never come in there again.

BEN: We?

BEN: I like women who wear mismatched earrings.

SERA: Well, then... I hope we don't run into any tonight.

BEN: What do you mean?

SERA: I expect some kind of loyalty here. Just because I fuck for money doesn't give you cause to start picking up women and leaving me looking silly.

SERA: I am planning to go out and do some work.

BEN: When?

SERA: Tomorrow night as a matter of fact.

BEN: Giving you money makes me want to come.

SERA: Then come. I'm going to change. Watch TV. I'll be half an hour.

BEN: I'm going to fill it right now.

SERA: Do you want to go gambling tonight? We could go out and play for a few hours.

SERA: Right... the suitcase was clinking. So what did you do with your clothes?

BEN: I threw them into the garbage, which was perhaps immoral, but I wanted to come to you clean, so to speak. I thought we could go shopping and pick up a pair of jeans and forty- five pairs of underwear and just throw them out each day.

SERA: Nice talk, Ben. Keep drinking. In between the hundred and one proof breath and the occasional drool, some interesting words fall from your mouth.

BEN: Sera... I hope that you understand how I feel about this. First of all, you're welcome to my money. We can buy a couple of cases of liquor and you can have the rest. But I don't think you're talking to me right now about money.

SERA: No?

BEN: No. I think you're talking about you. I'll tell you right now that I'm in love with you... but, be that as it may, I'm not here to force my twisted life into your soul.

SERA: I know that...

BEN: ...and I'm not here to demand your attention to the point where it changes your life. We know I'm a drunk... but that seems to be all right with you. And I know that you're a hooker. I hope you understand that I'm a person who is totally at ease with this... which is not to say that I'm indifferent or that I don't care... I do... it simply means that I trust and accept your judgement. What I'm saying is... that I hope you understand that I understand.

SERA: Thanks, I do understand. I was worried about how that would be... but now I'm not. And you should know that included with the rent here is a complimentary blow job.

BEN: Ah, yes... I suppose sooner or later we ought to fuck.

SERA: Whatever that means. Open your presents.

SERA: Why?

BEN: Because... it's better for me that way. OK?

SERA: Well... OK...

BEN: Sera, I love that name... S.E.R.A. Before we proceed onwards, there is something I need to say. OK?

SERA: OK.

BEN: I've come this far... here I am, in your house. I want you to let me pay the rent for this month. All right?

SERA: Ben?

BEN: Sorry.

BEN: Want a drink? Great nap. Wanna go out tonight?

SERA: Seriously, Ben... I need to keep pretty low-key around here. Maybe next time you could nap this side of the door. That was the landlord.

BEN: Of course.

BEN: Hi!

SERA: Why don't you go in and sit down. I have some gifts for you.

BEN: Right... OK...

BEN: You can never... never... ask me to stop drinking. Do you understand?

SERA: I do. I really do. OK. I have to do some shopping alone. You go out for a few drinks and then pick up your things. Don't hurry and I'll be back before you to let you in.

BEN: Sera... what you don't understand is...

SERA: What?

SERA: Don't you like me, Ben?

BEN: Don't be silly?

BEN: How long have I been here?

SERA: Three nights, two days. When is your rent coming up at the motel?

BEN: I don't know. I'll go and sort it out today. Why don't you come?... We'll find a real room for me. You can pick it out, a tower on the strip.

SERA: There's no reason to blow all your money on a hotel room.

BEN: What do you mean?

SERA: What I mean is that you should bring your stuff over here. We're spending all this time together... what the fuck!

BEN: Sera...

SERA: Let's face it, Ben, we're having fun here. I've never done so much talking in my life.

BEN: Me neither.

SERA: So! Let's dispense with the formalities. I want you here... now!

BEN: Sera you are crazy.

SERA: So... I'm not too concerned with long term plans.

BEN: Don't you think you'll get a little bored living with a drunk?

SERA: That is what I want. Why don't you go and get your stuff?

BEN: You haven't seen the worst of it. These last few days I've been very controlled. I knock things over... I throw up all the time. Now I feel really good... You're like some kind of antidote that mixes the liquor and keeps me in balance, but that won't last forever. You'll get tired of it really quickly. Believe me.

SERA: Let's face it, what the fuck are you doing in Las Vegas?

BEN: I'm going to move to a smart hotel, tomorrow if it'll make you feel better. Let's talk about tomorrow. Wanna do something?

SERA: Sure... tonight. Then please stay at my place.

BEN: Sera... you know I'm not much good in the sack.

SERA: It's not about sex, Ben. I'll make you up a bed on the sofa. Do it for me. We can talk till late and then sleep till late. As you know, I am my own boss.

SERA: It wasn't so important to me. I mean, he never asked me why I was a hooker, and that was impressive. I really liked him. So I decided to just play my part. I mean... it's good to help someone once in a while, it's a bonus to being alive, and that was my plan... to stay alive. I suddenly came to a decision.

BEN: What are you thinking? Are you angry with me?

SERA: Ben, why don't you stay at my place tonight? I mean... look, you're so drunk. I like you. I trust you.

BEN: That's astonishing. Sera, look...

SERA: I hate to think of you in that cheesy motel. I mean...

SERA: First. It's our first. I'm just concerned. So... why are you killing yourself?

BEN: Interesting choice of words. I don't remember. I just know that I want to.

SERA: Want to kill yourself? Are you saying that you're drinking as a way to kill yourself?

SERA: I'm from the East. I went to college, did an arts course. I now live in Vegas. I think of it as home. I came here deliberately to carve out a life. I was in LA before, but I'll come back to that later. The tough times are behind me now. I can deal with the bad things that happen. There will always be dark characters. But my life is good. It is as I would want it to be. So, why are you a drunk?

BEN: Is that really what you want to ask me?

SERA: Yes.

BEN: Well, then I guess this is our first date... or our last. Until now, I wasn't sure it was either.

SERA: Very clever.

BEN: I'm rambling. I really like you. You make me want to talk... I don't know what time it is.

SERA: I like hearing you talk. If you feel up to a short walk, there's a place to eat around the corner. All the food in Vegas is terrible so the place doesn't really matter. How does that sound to you?

BEN: Do they have drinks?

SERA: You OK?

BEN: Of course. Wow... you look extremely beautiful.

SERA: Thank you. What time is it?

BEN: Don't know. My watch went the way of the car.

BEN: This is the home of an angel.

SERA: You OK out there?

BEN: Yes. Take your time. I'm fine.

SERA: We should pick up a bottle of tequila on the way. I owe you one.

BEN: You do?

BEN: Yes.

SERA: I have to change and take a shower first. If you want to come home and wait.

BEN: ...or a girlfriend, but if you have some free time... maybe we could have dinner.

SERA: Are you serious.

BEN: I think you know I'm serious. I'll pay you if you like... but I'd like to see you.

SERA: No, I can't have dinner with you.

SERA: What's up?

BEN: I was looking for you tonight. I don't know if you have a boyfriend...

BEN: Don't run away.

SERA: Why should I? I know you're not a cop, so what is it tonight? Another two-fifty to watch you sleep?

BEN: If I was I'm sorry.

SERA: No, just drunk... but that's OK. Where's your car?

BEN: I sold it this morning. I'm going to take cabs from now on in.

BEN: I cashed in all of my money, paid my AmEx card, gonna sell the car tomorrow.

SERA: How long's it gonna take, for you to drink yourself to death?

BEN: I think about four weeks, and I've got enough for about two hundred and fifty to three hundred dollars a day.

SERA: Yes... that should do it. What am I? A luxury?

BEN: Yeah. And your meter just ran out.

BEN: No, I came here to drink... myself... you know...

SERA: To death?

BEN: Yes, that's right.

SERA: What's the story? Are you too drunk to come?

BEN: I don't care about that. There's time left. You can have more money. You can drink all you want. You can talk or listen. Just stay, that's all I want.

SERA: Do you want to fuck now?

BEN: Maybe another drink first. More tequila?

SERA: OK... whatever.

BEN: Want a drink? I'm having one.

SERA: A shot of tequila, if you can spare it.

BEN: Of course.

SERA: Mind if I use the bathroom?

BEN: Of course.

SERA: Umm. We can stay in the car for an hour if you want. But I really have to go then. It's your time.

BEN: Right, I'll get your door. I tend to fade in and out lately.

SERA: I guess I do too.

BEN: You what?

SERA: I sometimes fade out.

BEN: Oh... well, maybe we better synchronize our spells... or stagger them.

SERA: You were going to get my door.

SERA: I'm sort of curious... if you're willing to pay me two-fifty... not that I mind... I mean, I'm OK with that -- why aren't you staying in a hotel?

BEN: We can go to one if you'd prefer.

SERA: No, this is fine. I was just wondering.

BEN: Sarah -- with an H?

SERA: No -- S.E.R.A.

SERA: You're pretty drunk.

BEN: Not really. My room's not far. The Whole Year Inn. You can drive with me if you want...

BEN: That is, if you'll come to my room for an hour, I will give you five hundred dollars.

SERA: Maybe you shouldn't stand in the road like that. You're pretty drunk.

SERA: Isn't it illegal to drink and drive?

BEN: That's funny. I wonder if you'll take two hundred and fifty dollars to fuck me?

BEN: Hello!

SERA: Hello.

BEN: Are you working?

SERA: Working? What do you mean, working? I'm walking.

BEN: How'd this happen?

BRAD: I was going real fast down on the beach and something slipped and everything got jammed up.

BEN: The news is not good, kid. This bit here... see there... it's broken. You need a new one.

BRAD: How much, do you think?

BEN: I don't know. I'll find out though.

BEN: Hey, Brad... how's it going?

BRAD: Hey Ben. There were a couple of guys looking for you.

BEN: What did they look like?

BRAD: Suits. I didn't tell them anything. You know anything about gears?

SERA: Please don't raise your voice. I won't bother you about it again.

CONVENTIONEER: Sorry. Look... you seem like a nice girl. I'm just sick of everyone in this town trying to get my money.

SERA: So... are you alone, or are you just using me to make someone else jealous?

CONVENTIONEER: Alone. Alone. I'm here alone.

SERA: Where are you staying?

CONVENTIONEER: Right here at the hotel. Why?

SERA: Well... I thought you might be looking for a date.

CONVENTIONEER: A date. What, are you a hooker? What do you mean a date? I've got a wife back home. I just came over to talk for a few minutes.

SERA: I'm sorry, I guess I misunderstood.

CONVENTIONEER: About ready for another drink?

SERA: Yes, that would be great. Are you her for the convention?

CONVENTIONEER: Do I look that obvious? My name's Paul.

YURI: Go, Sera. Go. Stay at home. I will call you tomorrow.

SERA: Yuri... are you...

YURI: Sera... please go.

YURI: Have you told anyone that I'm here?

SERA: No.

YURI: Yes? What?

SERA: It's me, Yuri.

SERA: Don't hit me.

YURI: What do you think... you are sixteen years old on Hollywood Boulevard?

YURI: A full night on the street and this is all?

SERA: Like I said... it was a slow night... I'm sorry. It was hard to score.

YURI: Where have you been?

SERA: It was a slow night. I went to a hotel for a few drinks.

YURI: It is, after all, Sera, my money.

SERA: Yes, of course. How much do you need?

YURI: All of it. I need to buy many things... all of it!

YURI: I'm pleased with you, Sera... how you have moved up in the world. I showed you a glamorous world when I took you off the streets... and how you repay me.

SERA: Where have you been staying?

YURI: With an old friend.

YURI: You have been lonely?

SERA: I am lonely, Yuri.

YURI: You have been lonely?

SERA: I've been all right.

YURI: I will keep you safe. We are both older.

SERA: I don't want this. Yuri, please. I really don't want this. You know I don't like to do groups.

YURI: I want this, Sera. I need this!

SERA: Please, Yuri.

Oscar Awards

Wins

ACTOR IN A LEADING ROLE - 1995 Nicolas Cage

Nominations

ACTRESS IN A LEADING ROLE - 1995 Elisabeth Shue
DIRECTING - 1995 Mike Figgis
WRITING (Screenplay Based on Material Previously Produced or Published) - 1995 Mike Figgis

Media

Clip
LEAVING LAS VEGAS (1995) | Cashing the Check at the Bank | MGM
Trailer
Official Trailer
Featurette
Nicolas Cage winning Best Actor