Man with a Movie Camera
The Greatest Documentary Ever Made
Overview
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
Backdrop
What makes this movie Worth Watching
The film was created during the Soviet era, reflecting the Communist ideology that sought to redefine traditional art forms. It was intended to showcase the new industrialized urban life and the role of cinema in capturing and shaping reality.
- Pioneering use of innovative cinematography techniques and montage editing, which revolutionized filmmaking. Offers a unique blend of documentary and experimental styles. Provides a captivating exploration of urban life in the early 20th century.
- Includes remarkable visual effects achieved without CGI or digital manipulation, showcasing Dziga Vertov's genius as a cinematographer.
- Offers a thought-provoking analysis of the relationship between cinema and society.
Fun Facts
- The movie was filmed in Vertov's hometown of Kyiv, Ukraine, although it appears to be depicted as a generic European city. This is due to the filmmakers' decision to use various locations and manipulate them to create a universal urban setting.
- Dziga Vertov himself and his brother Mikhail Kaufman appeared in the movie, playing various roles such as cameramen, actors, and bystanders.
- The famous shot of a woman's high-angle footsteps is actually achieved by filming her feet on a glass table, which was then flipped over and edited to create the illusion of walking on air.
Available Languages
English
US
Title: Man with a Movie Camera
"The Greatest Documentary Ever Made"
Pусский
RU
Title:
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Deutsch
DE
Title: Der Mann mit der Kamera
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Español
ES
Title: El hombre de la cámara
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Français
FR
Title: L'Homme à la caméra
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Português
PT
Title: O Homem da Câmara de Filmar
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Where to Watch
Cast
Crew
Reviews
Could this be the original observational documentary? We begin as the audience flood into a cinema and settle down in front of the big screen. The cameraman then takes us on a tour of his city with no apparent rhyme nor reason to the imagery we see. There's a bit of the old Imperial opulence reflected in the architecture to contrast with the street beggars (whom the Soviet Union aways denied existed). A very near miss whilst trying to get some POV footage of a train. Then what feels rather pruriently like a look at a woman's morning levée all intercut cleverly using the camera shutter to deliver this in chapters as their city awakens and the trams start to run, the bustle sets in and the industry comes alive. The photography frequently captures the intricacy of different manufacturing processes - both with and without human input, the latter sometimes being quite labour intensive. People mill about like ants racing to and fro and the cameraman himself appears in shot now and again to add additional context to this remarkably captivating look at a day in the life of an huge variety of people and activities - including a wedding and funeral. What's quite astonishing is the quality of the film. It's almost pristine, almost a century after it was made, and there are even some very basic visual effects merging the images and creatively capturing the lives of the community. It's barely an hour long, but effectively combines pictures of the serious and professional as well as the mischievous and playful and it's well worth a gander.
Oscar Awards
Wins
Haven't Won A Oscar
Nominations
Haven't Nominated for Oscar