Terms of Endearment

Come to laugh, come to cry, come to care, come to terms.

Release Date 1983-11-20
Runtime 132 minutes
Genres Drama,   Comedy,  
Status Released
Watch

Overview

Aurora, a finicky woman, is in search of true love while her daughter faces marital issues. Together, they help each other deal with problems and find reasons to live a joyful life.

Budget $8,000,000
Revenue $108,423,749
Vote Average 7.115/10
Vote Count 781
Popularity 2.2696
Original Language en

Backdrop

Available Languages

English US
Title:
"Come to laugh, come to cry, come to care, come to terms."
Deutsch DE
Title: Zeit der Zärtlichkeit
"Sie werden lachen und weinen, fröhlich und traurig sein und eine Zeit der Zärtlichkeit erleben."
Italiano IT
Title: Voglia di tenerezza
""
Português PT
Title: Laços de Ternura
"Venha para rir, venha chorar, venha se importar, chegue a um acordo."
Español ES
Title: La fuerza del cariño
"Ven a reír, ven a llorar, ven a cuidar, ven a llegar a un acuerdo."
Magyar HU
Title: Becéző szavak
""

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Cast

Crew

Reviews

CinemaSerf
7.0/10
I hated the story, let's get that out of the way first. This film is about character acting at it's best, though, and Shirley MacLaine ("Aurora") and Jack Nicholson ("Garrett") bring us charisma and entertainment in spades which thankfully rescues the really pedestrian plot from abject mediocrity. Since her birth, "Aurora" has fussed over her daughter "Emma" (Debra Winger) and upon the death of her husband, settles down to a rather vicarious existence living life through her daughter, her husband "Flap" (Jeff Daniels) and their children. She is a strong willed woman, with love that can be gentle and kindly, or that can be rude and interfering with much of the frequently sardonic humour emanating from her disinclination to let them live their own lives. Next door we find "Garrett", a somewhat disreputable womaniser. A former astronaut who trades well on his erstwhile status, but who takes a bit of a shine to "Aurora" - and that's another source of lively comedy as the two clash with engaging regularity. The last hour descends rather quickly into melancholy, though, as the young "Emma" has to deal with her own problem husband, and an illness that starts to focus the attention from all concerned onto what really matters with their relationships. MacLaine is always good with these rough-round-the-edges roles and here there is plenty of chemistry on the sparing occasions in which she and Nicholson feature. Sadly, for me anyway, the rest of this hovers way too close to melodrama and though at its best it is really good, for the most part I was rather underwhelmed by the family antics that underpinned so much of the (over-long) story.

Oscar Awards

Wins

ACTOR IN A SUPPORTING ROLE - 1983 Jack Nicholson
ACTRESS IN A LEADING ROLE - 1983 Shirley MacLaine
DIRECTING - 1983 James L. Brooks
BEST PICTURE - 1983 James L. Brooks
WRITING (Screenplay Based on Material from Another Medium) - 1983 James L. Brooks

Nominations

ACTOR IN A SUPPORTING ROLE - 1983 John Lithgow
ACTRESS IN A LEADING ROLE - 1983 Debra Winger
ART DIRECTION - 1983 Polly Platt, Harold Michelson, Tom Pedigo, Anthony Mondello
FILM EDITING - 1983 Richard Marks
MUSIC (Original Score) - 1983 Michael Gore
SOUND - 1983 Donald O. Mitchell, Rick Kline, Kevin O'Connell, Jim Alexander

Media

Featurette
James L. Brooks | Best Director for 'Terms of Endearment' | Behind the Oscars Speech
Featurette
James L. Brooks on TERMS OF ENDEARMENT
Featurette
James L. Brooks ‪Wins Best Director: 1984 Oscars