Terms of Endearment
Come to laugh, come to cry, come to care, come to terms.
Overview
Aurora, a finicky woman, is in search of true love while her daughter faces marital issues. Together, they help each other deal with problems and find reasons to live a joyful life.
Backdrop
Available Languages
English
US
Title:
"Come to laugh, come to cry, come to care, come to terms."
Deutsch
DE
Title: Zeit der Zärtlichkeit
"Sie werden lachen und weinen, fröhlich und traurig sein und eine Zeit der Zärtlichkeit erleben."
Italiano
IT
Title: Voglia di tenerezza
""
Português
PT
Title: Laços de Ternura
"Venha para rir, venha chorar, venha se importar, chegue a um acordo."
Español
ES
Title: La fuerza del cariño
"Ven a reír, ven a llorar, ven a cuidar, ven a llegar a un acuerdo."
Magyar
HU
Title: Becéző szavak
""
Where to Watch
Cast
Crew
Reviews
I hated the story, let's get that out of the way first. This film is about character acting at it's best, though, and Shirley MacLaine ("Aurora") and Jack Nicholson ("Garrett") bring us charisma and entertainment in spades which thankfully rescues the really pedestrian plot from abject mediocrity. Since her birth, "Aurora" has fussed over her daughter "Emma" (Debra Winger) and upon the death of her husband, settles down to a rather vicarious existence living life through her daughter, her husband "Flap" (Jeff Daniels) and their children. She is a strong willed woman, with love that can be gentle and kindly, or that can be rude and interfering with much of the frequently sardonic humour emanating from her disinclination to let them live their own lives. Next door we find "Garrett", a somewhat disreputable womaniser. A former astronaut who trades well on his erstwhile status, but who takes a bit of a shine to "Aurora" - and that's another source of lively comedy as the two clash with engaging regularity. The last hour descends rather quickly into melancholy, though, as the young "Emma" has to deal with her own problem husband, and an illness that starts to focus the attention from all concerned onto what really matters with their relationships. MacLaine is always good with these rough-round-the-edges roles and here there is plenty of chemistry on the sparing occasions in which she and Nicholson feature. Sadly, for me anyway, the rest of this hovers way too close to melodrama and though at its best it is really good, for the most part I was rather underwhelmed by the family antics that underpinned so much of the (over-long) story.
Oscar Awards
Wins
ACTOR IN A SUPPORTING ROLE - 1983
Jack Nicholson
ACTRESS IN A LEADING ROLE - 1983
Shirley MacLaine
DIRECTING - 1983
James L. Brooks
BEST PICTURE - 1983
James L. Brooks
WRITING (Screenplay Based on Material from Another Medium) - 1983
James L. Brooks
Nominations
ACTOR IN A SUPPORTING ROLE - 1983
John Lithgow
ACTRESS IN A LEADING ROLE - 1983
Debra Winger
ART DIRECTION - 1983
Polly Platt, Harold Michelson, Tom Pedigo, Anthony Mondello
FILM EDITING - 1983
Richard Marks
MUSIC (Original Score) - 1983
Michael Gore
SOUND - 1983
Donald O. Mitchell, Rick Kline, Kevin O'Connell, Jim Alexander
Media
Featurette
James L. Brooks | Best Director for 'Terms of Endearment' | Behind the Oscars Speech
Featurette
James L. Brooks on TERMS OF ENDEARMENT
Featurette
James L. Brooks Wins Best Director: 1984 Oscars