The Lady from Shanghai
I told you... you know nothing about wickedness
Overview
A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.
Backdrop
What makes this movie Worth Watching
Produced during the Post-War period, 'The Lady from Shanghai' reflects societal changes and tensions, particularly in its portrayal of a disillusioned anti-hero and its noir aesthetic.
- Orson Welles's compelling direction and unique cinematography create a visually striking film.
- The complex plot filled with twists and turns keeps viewers engaged until the very end.
- Welles delivers an intense performance as a sailor caught in a web of deception, showcasing his versatility as both director and actor.
- The film explores themes such as morality, guilt, and the destructive nature of obsession.
Fun Facts
- 'The Lady from Shanghai' was one of the first films to use Technicolor process 3-strip for a feature film noir.
- Orson Welles reportedly improvised several scenes during filming, including the iconic 'hall of mirrors' sequence.
- In a nod to Shakespearean references throughout the movie, the title character's name is Elsa Bannister, an anagram for Isabella (from 'Othello').
Available Languages
English
US
Title:
"I told you... you know nothing about wickedness"
Deutsch
DE
Title: Die Lady von Shanghai
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Italiano
IT
Title: La signora di Shanghai
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Français
FR
Title: La Dame de Shanghai
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Español
ES
Title: La dama de Shanghai
"Aquel que mantiene su naturaleza mantiene su carácter original al final."
Türkçe
TR
Title: Şangaylı Kadın
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Where to Watch
Cast
Crew
Reviews
This is another film where the two top-billed - Rita Hayworth ("Elsa") and Orson Welles ("Michael") are outshone by a strong supporting effort. This time, that comes from Everett Sloane. Here, he is renowned barrister "Bannister" who needs crutches to walk and is married to the restless "Elsa". She was taking a cab through the park one night when accosted by robbers. "Michael" was passing and came to the rescue. Next thing "Bannister" is asking him to come work on their luxury yacht. Clearly, he is attracted to the wife and soon a rather complex game is afoot - but who is playing whom? Meantime, "Grisby" *Glenn Anders) - the partner of "Bannister" in their law firm tries to embroil "Michael" in a rather cunning wheeze to create a corpse-less crime enabling him to flee his overbearing wife and claim some insurance money. It isn't long before the corpses do start to pile up and "Michael" is front and centre in the courtroom defended by "Bannister" for murder. Who actually did the killing, though? The film is very much at it's best with a strong performance from Hayworth, Welles and Sloane all playing against each other. I found the parallel plot to all be just a bit far-fetched. The ending is cracking, though - and though perhaps I felt there was a little injustice in it, it works really well. The production looks great, Hayworth dons her sailor's cap with panache and though a bit lumbering, Welles gels quite well with her as we progress. Good film, this.
Oscar Awards
Wins
Haven't Won A Oscar
Nominations
Haven't Nominated for Oscar