The Last Castle
A Castle Can Only Have One King
Overview
A court-martialed general rallies together 1200 inmates to rise against the system that put him away.
Backdrop
What makes this movie Worth Watching
The Last Castle serves as a metaphor for the clash between two opposing ideologies, one symbolized by the old-school military discipline represented by General Irwin and the modern, civilian approach of the warden, Ernest Gallenberg. This reflects broader societal debates on law enforcement, prison reform, and the balance of power.
- The movie offers a strong ensemble cast led by Robert Redford, James Gandolfini, and Mark Ruffalo, delivering compelling performances that add depth to the narrative.
- The Last Castle explores themes of power, authority, and justice in a unique setting – a military prison – which makes it both engaging and thought-provoking.
- The film also features an intricate plot with unexpected twists that keeps viewers engaged throughout.
Fun Facts
- Robert Redford's character, General Irwin, is based on former U.S. Army Colonel Robert H. Selph Jr., who famously led a prisoner rebellion at Leavenworth.
- Mark Ruffalo, who played Captain Scott, auditioned for the role of James Gandolfini's character, General Kendrick, but was offered the other role instead.
- The film was shot in a real military prison – the Fort Knox, Kentucky – adding authenticity to its setting.
Available Languages
English
US
Title:
"A Castle Can Only Have One King"
Deutsch
DE
Title: Die letzte Festung
"Eine Festung kann nur einen König haben!"
Český
CZ
Title: Poslední pevnost
""
Français
FR
Title: Le Dernier Château
"Un château ne peut avoir qu'un seul roi."
Magyar
HU
Title: Az utolsó erőd
""
Italiano
IT
Title: Il castello
"Un castello può avere un solo re"
Where to Watch
Cast
Crew
Reviews
Robert Redford is "Irwin", a disgraced general sent to a military prison after his court-martial for disobeying orders during an operation in Africa that led to the death of eight under his command. Almost immediately he and the commandant "Winter" (James Gandolfini) take against each other and what now ensues is a gradual positioning of both men for a contretemps. The former man, initially, just wants to do his time - but as he sees the arbitrary and sometimes lethal fashion in which the place is run, he is soon working with the 1200 other inmates to create an effective unit than can resist, perhaps even overthrow, the regime. The first half hour of this is quite well developed, battle lines are drawn as the two men play a game of intellectual chess. Sadly, though, that momentum descends quite quickly into a rather far-fetched drama that featuresd a plot riddled with holes, some totally implausible incidents and in the end, a denouement that has something of the pantomime to it. Redford adopts a less is more approach to his role which he carries off adequately with little dialogue - indeed, pretty much little of anything. Gandolfini is, however, completely unconvincing as a senior officer who appears to have little humanity or grasp on the reality of the scenarios presented to us by Rod Lurie. Clifton Collins Jr offers the best effort from amongst the cast with his portrayal of the troubled "Aguilar", but I couldn't quite make out just what the role of the duplicitous "Yates" (Mark Ruffalo) was meant to represent - maybe I had just given up by then. I reckon this might have made for a decent read; allowing us to inject character traits into what personalities are on offer here using our own imagination. As a piece of cinema, however, it is little more than a vehicle for a star who is nowhere near his best working with a story that stretched my imagination just a bit too far for far too long.
Oscar Awards
Wins
Haven't Won A Oscar
Nominations
Haven't Nominated for Oscar