The Rocky Horror Picture Show

A different set of jaws.

Release Date 1975-08-14
Runtime 100 minutes
Status Released
Watch

Overview

After getting a flat tire, two sweethearts discover the eerie mansion of a flamboyant scientist and houseful of wild characters. Through elaborate dance and rock songs, the mad scientist unveils his latest creation: a perfect, muscular man.

Budget $1,400,000
Revenue $170,000,000
Vote Average 7.444/10
Vote Count 2936
Popularity 4.5227
Original Language en

Backdrop

Available Languages

English US
Title:
"A different set of jaws."
Français FR
Title:
""
Italiano IT
Title:
"Irriverente. Trasgressivo. Sexy."
Český CZ
Title: Rocky Horror Picture Show
""
Magyar HU
Title:
"Add át magad az abszolút élvezetnek"
Deutsch DE
Title:
"Hast du etwa den Reis vergessen ?"

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Cast

Crew

Reviews

tricksy
None/10
Moving on from the riotous cult stage show which was born in a small studio theatre in the early 70s, this movie version is a well-cast, outrageous romp showcasing the absurdity and sci-fi obsession of Richard O'Brien's inventive musical. The small cast - the wonderful Tim Curry as Frank 'n Furter (the sweet transvestite from transsexual Transylvania'); Barry Bostwick and Susan Sarandon as the odd science students Brad and Janet; Patricia Quinn as Magenta ('a domestic'); Little Nell as Columbia ('a groupie'), Jonathan Adams as Dr Scott; Meat Loaf as Eddie; Richard O'Brien himself as the handyman Riff Raff; Peter Hinwood as the muscle man Rocky, created by Frank in a spoof on Frankenstein; and Charles Gray having a great time as the Criminologist - are all really good, and the songs are terrific, from the madness of 'The Timewarp' and 'Sweet Transvestite', to the ethereal 'There's a Light' and 'I'm Going Home', by way of the rocky 'Whatever Happened To Saturday Night?' and the film-reference heavy 'Science Fiction Double Feature'. Great, great fun and the floor show sequence in particular, showcasing Frank's obsession with Fay Wray and the RKO cheapies, is exceptional, with its statues in basques and its huge swimming pool. Trash, yes, but classy trash, and most enjoyable.
Peter89Spencer
8.0/10
A time(warp)less classic!
Filipe Manuel Neto
7.0/10
**As a film, it could be better, but it's funny and bizarre enough for us to see it at least once in our lives.** This is one of those films that everyone should see at least once in their life. It's a pretty good comedy musical where satire meets nonsense intensely, in a film adaptation of an English play that had been successful at the time. I don't know much about the stage version, I don't even know if there are any concrete differences, but I can say that the film gives us exactly what it promises. The story told is probably the film's biggest weakness: anyone who likes logic and a story with some consistent structure will be disappointed with this purposefully disjointed, sloppy and surrealistic script, where an innocent and foolish engaged couple ends up lost in a storm and ends up in a gothic mansion. There lives the bizarre Dr. Frank-N-Furter, a kind of mad scientist who is proudly gay, transvestite and from “Transsexual Transylvania”, presumably another planet or dimension. He has just created a man for his sexual pleasure and is celebrating this effusively with other strange characters, such as his enslaved servants. From the moment the couple enters the mansion and meets its owner and his guests, the film stops and starts to hiccup a lot: the director had no good ideas to present from then on and limited himself to recreating the play in a cinematic environment. Obviously, the film has an intense sexual energy that challenges us to awaken our sexuality, to explore our bodies, pleasure and sexual identity. Sexual maturity, sexual identity and homosexuality are strong themes that underlie the script and fit well into the era in which the film appeared (remember, the Sexual Revolution was still leaving its marks at this time). Furthermore, the Counterculture was experiencing an intense moment at the time and made its aesthetic and visual contribution, which was very noticeable in the sets and costumes. The film has some anthology-worthy scenes, such as Frank-N-Furter's personal introduction at the beginning of the film, and a very strong cast dominated by actors with unquestionable talent. Tim Curry, in his film debut, is gigantic in the lead role and absolutely dominates every scene. He's sexy, he's provocative, he's malevolent, intense and sometimes cruel. The actor gives himself completely to his work, without fear, and offers us work of absolute value. Susan Sarandon, still exuding youth, is perfect as a modest, sexually repressed and docile young woman, and Barry Bostwick seems an excellent choice for her romantic partner. Richard O’Brien and Charles Gray also do a good job, while Patricia Quinn and Nell Campbell work very well on the songs, but have little to add when the music stops. On the negative side... Jonathan Addams added very little to the film, Meat Loaf makes only one unnecessary appearance and Peter Hinwood, whose character could have been more central, is quickly discarded. On a technical level, the film has several quality aspects that deserve our analysis and a positive comment, starting with the colorful, clear and impactful cinematography, and the elaborate and bizarre sets. The makeup and costumes are impressive, with a strong “punk” inspiration, but they look cheap. The castle where much of the film was made is beautiful and fits well into the story. Being a musical, the soundtrack is crucial and works very well. Even the less interesting songs work well from a narrative point of view, moving the film forward, with sung dialogue and the action advancing to the rhythm of the music. The opening credits song is iconic, as is “Sweet Trasvestite” which introduces us to the main character, but I confess that I especially liked “There’s a Light”. It's a very beautiful song and full of hope.
CinemaSerf
6.0/10
I'm afraid to say that seeing this very recently on the big screen without an huge degree of audience participation showed the film up rather poorly for what is has has now become - tame! Barry Bostwick ("Brad") and new wife Susan Sarandon ("Janet") find themselves stranded in the kooky manor house of "Dr. Frank N. Furter" (the excellent Tim Curry) just as he is about to unveil his newest invention - the epitome of sexual perfection; every person's wet dream... "Rocky Horror" (Peter Hinwood). It doesn't take long for the corrupting influences to dazzle our naive newlyweds, and soon just about nothing is off limits. The superbly written, catchy songs are the stuff of movie legend, as it the marvellously camp contribution from Richard O'Brien ("Riff Raff") but 45 years on, the innuendo-ridden script and gender-bending routines have lost almost all of their punch. As a cinema experience without good company, loads of noise, fishnets and red wine - it's all just a bit flat now.

Famous Conversations

BRAD: It's as if we were glued to the spot.

FRANK: You are - so quake with fear, you tiny fools.

BRAD: Janet!

FRANK: Rocky!

BRAD: I was telling the truth.

FRANK: I know what you told me, Brad. But this Dr Everett Scott. His name is not unknown to me.

BRAD: He was a Science Teacher at Denton High.

FRANK: And now he works for your Government, doesn't he, Brad? He's attached to the Bureau of Investigation of that which you call U.F.O's. Isn't he, Brad?

BRAD: He might be. I don't know.

FRANK: Hmmmm. He'll be in the Zen Room.

FRANK: I see. So this wasn't simply a chance meeting. You came here with a purpose.

BRAD: I told you, my car broke down.

BRAD: You promise you won't tell?

FRANK: On my mother's grave.

BRAD: You tricked me. I wouldn't have - I've never - never.

FRANK: I know, but it wasn't all bad was it? I think you found it quite pleasurable. Oh so soft. So sensual.

BRAD: Ahhh - no - stop - I mean Janet. Janet.

FRANK: Shush. Janet's probably asleep by now. Do you want her to see you like this?

BRAD: Like this. Like how? It's your fault - you're to blame. I thought it was the real thing.

FRANK: Oh come on, Brad, admit it. It was enjoyable, wasn't it? There's no crime in giving yourself over to pleasure.

BRAD: Why you - what have you done with Janet?

FRANK: Nothing. Why do you think I should?

BRAD: You!

FRANK: I'm afraid so, Brad. But wasn't it nice?

FRANK: Do you have any tattoos Brad.

BRAD: Certainly not!

FRANK: Oh well. How about you.

FAMILY: Janet.

BRAD: Made me give you the eye And then panic,

FAMILY: Janet

BRAD: The future is ours so let's plan it.

FAMILY: Janet.

BRAD: So please don't tell me to can it.

FAMILY: Janet.

BRAD: I've one thing to say and that's Dammit, Janet. I love you.

JANET: I could see Brad's face before me and my mind screamed No! But my lips were hungry - too hungry.

BRAD: So baby don't cry like there's no tomorrow After the night there's a brand new day. And there'll be no pain And no more sorrow. So wash your face And phone my place It'll be O.K.

JANET: I wanted to be loved completely. My body throbbed excitedly. Oh Brad, Brad my darling, how could I have done this to you?

BRAD: And that's all the time that it takes For a heart to beat again. So give me a sign That a lover makes You look around The one you've found Is back again.

JANET: If only we hadn't made this journey. If only the car hadn't broken down. If only we were amongst friends or sane persons.

JANET: I'm engaged to Brad just the same as Betty Monroe was to Ralph Hapschatt. But Frank's kisses overwhelmed me with an ecstacy I've never dreamt of before. Hot, burning kisses.

BRAD: And that's all the time that it takes For a heart to turn to stone The sweeter the wine The harder to make the break You hear something about someone You'd thought you'd known.

JANET: Maybe we could try it this way.

BRAD: Janet! Oh! Yes it's alright. Janet. Everything's going to be alright.

JANET: I hope so my darling.

JANET: Oh Brad - Mmmm - Oh yes, my darling - what if...

BRAD: It's alright Janet. Everything's going to be alright.

JANET: Oh, I hope so my darling. But let me switch on the light.

BRAD: No, don't do that.

JANET: Oh don't be so shy.

JANET: Brad...

BRAD: It's alright Janet.

BRAD: I'm Brad Majors and this is my fiancee, Janet Vice.

JANET: Weiss.

BRAD: Weiss.

JANET: Oh Brad.

BRAD: It's alright Janet, we'll play along for now and pull out the aces when the time is right.

JANET: Right!

BRAD: We'll just say where we are Then go back to the car We don't want to be any worry.

JANET: Brad, please lets get out of here.

BRAD: For God's sake keep a grip on yourself Janet.

JANET: But it seems so unhealthy here.

BRAD: It's just a..a party Janet.

JANET: Well I want to leave.

BRAD: We can't go anywhere until I get to a phone.

JANET: Then ask the butler - or someone.

BRAD: Let's wait awhile Janet. We don't want to interfere with their celebrations.

JANET: This isn't the Junior Chamber of Commerce Brad.

BRAD: They're probably foreigners with ways different from our own. - They may do some more folk dancing.

JANET: Brad - I'm cold, I'm wet, and plain scared.

BRAD: I'm here, there's nothing to worry about.

JANET: Oh....Say something.

BRAD: Say! Do any of you guys know the Madison?

JANET: Oh Brad, I'm frightened. What kind of place is this?

BRAD: Oh, it's probably some kind of hunting lodge for rich weirdos.

JANET: Yes, the rain has been very heavy.

BRAD: Yes.

JANET: Oh, Brad. Let's go back. I'm cold and I'm frightened.

BRAD: Just a moment, Janet. They may have a telephone.

JANET: I'm coming with you.

BRAD: There's no point both of us getting wet.

JANET: I'm coming with you. Besides, darling, the owner of the phone might be a beautiful woman and you may never come back.

BRAD: You'd better sit here and keep warm while I go for help.

JANET: But where will you go? We're in the middle of nowhere.

BRAD: Didn't we pass a castle back down the road a few miles? Maybe they have a telephone I might use.

JANET: What was that bang?

BRAD: We must have a blow-out.

JANET: Oh...

BRAD: I think we took the wrong fork a few miles back.

JANET: Oh dear! But then where did the motorcyclists come from?

BRAD: Hmmm ... Well, I guess we will have to turn back.

JANET: Gosh. That's the third motorcyclist that's passed us. They certainly take their lives in their hands. What with the weather and all.

BRAD: Yes, Janet. Life's pretty cheap to that type.

JANET: Oh Brad, I'm mad.

BRAD: Dammit, Janet.

BRAD: Oh Janet

JANET: For you.

JANET: Yes Brad.

BRAD: I've got something to say.

JANET: Uh huh.

BRAD: I really loved the skilful way You beat the other girls To the bride's bouquet.

JANET: Oh Brad.

JANET: Yes.

BRAD: Everyone knows Betty's a wonderful little cook.

JANET: Yes.

BRAD: And Ralph himself will be in line for promotion in a year or so.

JANET: Yes.

BRAD: Good God.

RIFF RAFF: Yes.

BRAD: Great scott - Scotty - Dr Everett Scott.

RIFF RAFF: You know this earth - this person.

BRAD: I most certainly do. He happens to be an old friend of mine.

RIFF RAFF: Hello.

BRAD: Uh - oh - Hi! My name is Brad Majors. And this is my fiancee, Janet Weiss. I - ah - wondered if you could help us. Our car has broken down about two miles up the road. Do you have a phone we might use?

RIFF RAFF: You're wet.

DR SCOTT: You did right.

RIFF RAFF: A decision had to be made.

DR SCOTT: You're OK by me.

RIFF RAFF: Dr Scott I'm sorry about your nephew.

DR SCOTT: Yes, well perhaps it was for the best.

RIFF RAFF: You must leave now Dr Scott while it's still possible. We are about to beam the entire house back to the planet of transexual in the galaxy of Transylvania. Go now.

DR SCOTT: Great Heavens, that's a laser.

RIFF RAFF: Yes, Dr Scott. A laser capable of emitting a beam of pure anti-matter.

FRANK: What guy

JANET: Makes you cry

FRANK: What a guy

JANET: Makes you cry

JANET: Promise you won't tell Brad.

FRANK: Cross my heart and hope to die.

FRANK: Ssssh. Brad's probably asleep by now. Do you want him to see you like this?

JANET: Like this - like how? It's your fault. You're to blame. I was saving myself.

FRANK: Well, I'm sure you're not spent yet.

JANET: You beast, you monster, what have you done with Brad?

FRANK: Nothing. Why, do you think I should?

JANET: You tricked me - I wouldn't have - I've never - never

FRANK: I know. But it wasn't all bad was it? In fact, I think you found it quite pleasurable. Mmmmm so soft, so sensual.

JANET: Well. I don't like men with...er, with too many, muscles.

FRANK: I didn't make him for you

GUESTS: Feeling

FRANK: Like I'm outside in the rain

GUESTS: Wheeling

FRANK: Free to try and find a game

GUESTS: Dealing

FRANK: Cards for sorrow, Cards for pain.

FRANK: On the day I went away.

GUESTS: Goodbye

FRANK: Was all I had to say

GUESTS: Now I

FRANK: Want to come again and stay

GUESTS: Oh my, my,

FRANK: Smile and that will mean I may

GUESTS: "Sweet Transvestite"

FRANK: From Transexual Transylvania.

GUESTS: "Transylvania"

FRANK: So come up to the Lab.

GUESTS: Sha la la la That ain't no crime.

ROCKY: Oh no no no no.

GUESTS: Sha la la la That ain't no crime.

ROCKY: No no no no.

GUESTS: Sha la la la That ain't no crime. That ain't no crime.

GUESTS: Sha la la la That ain't no crime.

ROCKY: No no no no.

GUESTS: Sha la la la That ain't no crime.

ROCKY: No no no no.

GUESTS: Sha la la la That ain't no crime - That ain't no crime.

ROCKY: Oh, no no, no no.

GUESTS: Sha la la la That ain't no crime.

ROCKY: No no no, no no.

GUESTS: Sha la la la That ain't no crime - That ain't no crime.

ROCKY: And left from my dreaming Was a feeling Of un-nameable dread.

GUESTS: That ain't no crime

ROCKY: My high is low. I'm dressed up With no place to go.

JANET: Who's Eddie?

RIFF RAFF: The delivery boy.

RIFF RAFF: The Master is not yet married. Nor do I think he ever will be. We are simply his servants.

JANET: Oh.

JANET: Are you - giving a party?

RIFF RAFF: No. You've arrived on a rather special night. It's one of the master's affairs.

JANET: Oh, lucky him.

RIFF RAFF: I think you had better both come inside.

JANET: You're too kind.

RIFF RAFF: Our noble mission is almost completed my most beautiful sister, soon we will return to the moon-drenched shores of our "androgenous" planet.

MAGENTA: Ah - sweet Transexual - land of night - to sing and dance once more to your dark refrains. To take that step to the right...

RIFF RAFF: But it's the pelvic thrust that really drives you insane.

MAGENTA: And our World will do the Time Warp again.

MAGENTA: I thought you liked them. They liked you.

RIFF RAFF: They didn't like me. They never liked me.

RIFF RAFF: Creature of the night.

MAGENTA: Creature of the night.

Oscar Awards

Wins

Haven't Won A Oscar

Nominations

Haven't Nominated for Oscar

Media

Featurette
Why do we keep doing the Time Warp (Again)? | TCM
Featurette
The Rocky Horror Picture Show intro and party | BFI Flare
Trailer
#TBT Trailer