Chinatown

You get tough. You get tender. You get close to each other. Maybe you even get close to the truth.

Release Date 1974-06-20
Runtime 130 minutes
Status Released
Watch

Overview

Private eye Jake Gittes lives off of the murky moral climate of sunbaked, pre-World War II Southern California. Hired by a beautiful socialite to investigate her husband's extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together.

Budget $6,000,000
Revenue $30,000,000
Vote Average 7.918/10
Vote Count 4000
Popularity 4.6163
Original Language en

Backdrop

Available Languages

English US
Title:
"You get tough. You get tender. You get close to each other. Maybe you even get close to the truth."
Português PT
Title:
"Ele vai arriscar tudo para chegar à verdade."
suomi FI
Title:
"Roman Polanskin Chinatown on todellinen klassikkoelokuva."
Français FR
Title: Chinatown
"Vous devenez dur ou tendre. Vous vous rapprochez les uns des autres. Peut‐être même vous rapprochez‐vous de la vérité."
Deutsch DE
Title:
""
Español ES
Title: Chinatown
"Te pones duro. Te pones tierno. Te acercas el uno al otro. Tal vez incluso te acerques a la verdad."

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Cast

Crew

Reviews

John Chard
9.5/10
He nose you know! Chinatown is directed by Roman Polanski and written by Robert Towne. It stars Jack Nicholson, Faye Dunaway, John Huston, Perry Lopez and John Hillerman. Music is by Jerry Goldsmith and cinematography by John A. Alonzo. Private investigator J.J. Gittes (Nicholson) is working on an adultery case but quickly finds himself embroiled in murder and corruption. The gathering of Polanski, Towne, Nicholson and Robert Evans (producer) put their respective skills together to craft one of the most lauded neo-noir films of all time. It's a searing picture awash with the staples of the film noir and gumshoe detective movies that graced cinema in the 40s and 50s. From the characterisations (suspicious femmes - mouthy coppers - sleazy kingpin - tough protagonist in a whirlpool of unravelling layers), to the hard boiled script, violence, sex and brutal revelations, it's a noir essential that only lacks chiaroscuro and expressionistic swirls to seal the complete deal. Allegoraries unbound, iconography assured and dialogue now in the lexicon of legends, Chinatown is not to be missed, not just by fans of noir, but fans of cinema, period. 9.5/10
Filipe Manuel Neto
10.0/10
**Great.** I can't say much about Roman Polanski because I feel I've seen too little of his work to make a more global analysis: I have only seen _The Ninth Gate_, _The Pianist_ and, now, this film. It's not much… but the truth is that they are three films that I really liked, and about which I have a very good opinion. This film is very good, fitting into a style that we can call “neo-noir”, insofar as its visual aesthetic is heavily inspired by noir, with the caveats that are due, as it is a color film and not black and white. Polanski is an attentive and meticulous director, who provides the audience with quality work, in which every detail has been thought of. With a story set in San Francisco during the 1930s, the film is very similar to the gangster movies that came out in the 40's and 50's. The story revolves around a private detective, an ex-cop, who is hired to watch a man in what appears to be just another case of adultery. Everything changes when he discovers that the woman who hired him is not a jealous wife. The search for answers will lead him to a web of intrigue and crimes that involves an important Californian company and a public works contract that can be decisive for the city's water storage. It's an excellent story, capable of holding us in the first few minutes and that harmoniously combines tension, romance and suspense, in the right measures. In addition to an excellent story, with a very well written script, the film presents us with a high quality cast headed by Jack Nicholson, at a time when he was still young and elegant enough to play heartthrob roles. The actor is very good and leaves in this film one of the most interesting works of his career. Faye Dunaway is not far behind and is simply wonderful, dignified and elegantly seductive, as a “femme fatale” should be. John Huston (Nicholson's father-in-law in real life, at this time) also appears in the film and makes a very positive and interesting participation. In addition to these qualities, the film also has superb production values: impeccably shot, with great angles and sharpness, it has very good cinematography, beautiful colors and light and shadow effects, in addition to excellent sepia tones that are called reinforcing the dominant "vintage" ambience. The film was a very detailed production, in which special attention was given to the creation of the sets and the choice of filming locations, so that everything fit well into the historical period. The choice of cars (which are important in the course of the plot) and the design of the costumes and props was also very careful. Last but not least, a note of praise for the excellent soundtrack, which was conceived by Jerry Goldsmith.
CinemaSerf
7.0/10
I think this might be my favourite role from Faye Dunaway. She is "Evelyn", a woman who suspects that her husband "Hollis" (Darrell Zwerling) is playing away from home. She engages the services of the cynical PI "Gittes" (Jack Nicholson) and pretty soon people are dead and he is embroiled in an internecine story of adultery, corruption and manipulation that proves pretty perilous for a detective who is working with one women he suspects is being a bit frugal with the truth and another whose identity he is desperately struggling to discover. Nicholson is also on super form, his performance is natural and engaging with a solid chemistry between his and Dunaway adding a richness to this rather quirky plot. Roman Polanski has assembled a strong supporting cast - notably John Huston who features sparingly but effectively as her wealthy, untrustworthy, father "Noah" and the photography does a great deal to help generate a sense of accumulating intrigue as we gradually make some headway through this complicated and interesting character study. The production looks great - the 1930s costume and motor cars alongside a smattering of the simmering attitudes that prevailed at the time are encapsulated well too. It's a shade over two hours, but it hits the ground running and never really stops until the ending that though not entirely unexpected, still has enough elements of surprise to keep it compelling.

Famous Conversations

GITTES: I don't know how that got in the paper as a matter of fact it surprised me it was so quick. I make an honest living.

BARNEY: 'Course you do, Jake.

GITTES: An honest living.

BARNEY: So anyway, he says, 'whyn't you do what the Chinese do?'

GITTES: Barney, who is this bimbo? He a regular customer?

BARNEY: Take it easy, Jake.

GITTES: Look, pal. I make an honest living. People don't come to me unless they're miserable and I help 'em out of a bad situation. I don't kick them out of their homes like you jerks who work in the bank.

BARNEY: Jake, for Christ's sake.

GITTES: Look at that.

BARNEY: Heat's murder.

GITTES: Then these are all new owners?

CLERK: That's right.

GITTES: But that means that most of the valley's been sold in the last few months.

CLERK: If that's what it says.

GITTES: Can I check one of these volumes out?

CLERK: Sir, this is not a lending library, it's the Hall of Records.

GITTES: Well, then, how about a ruler?

CLERK: A ruler?

GITTES: The print's pretty fine. I forgot my glasses. I'd like to be able to read across.

GITTES: How come all these new names are pasted into the plat book?

CLERK: Land sales out of escrow are always recorded within the week.

GITTES: I'll settle for L.A. County.

CLERK: Row twenty-three, section C.

GITTES: How much are you worth?

CROSS: I have no idea. How much do you want?

GITTES: I want to know what you're worth. Over ten million?

CROSS: Oh, my, yes.

GITTES: Then why are you doing it? How much better can you eat? What can you buy that you can't already afford?

CROSS: The future, Mr. Gittes. The future. Now where's the girl?... I want the only daughter I have left... as you found out, Evelyn was lost to me a long time ago.

GITTES: Who do you blame for that? Her?

GITTES: ...the coroner's report showed Mulwray had salt water in his lungs.

CROSS: Hollie was always fond of tide-pools. You know what he used to say about them?

GITTES: Haven't the faintest idea.

CROSS: That's where life begins... marshes, sloughs, tide-pools... he was fascinated by them... you know when we first came out here he figured that if you dumped water onto desert sand it would percolate down into the bedrock and stay there, instead of evaporating the way it does in most reservoirs. You'd lose only twenty percent instead of seventy or eighty. He made this city.

GITTES: And that's what you were going to do in the Valley?

CROSS: No, Mr. Gittes. That's what I am doing with the Valley. The bond issue passes Tuesday. There'll be ten million to build an aqueduct and reservoir. I'm doing it.

GITTES: There's going to be some irate citizens when they find out they're paying for water they're not getting.

CROSS: That's all taken care of. You see, Mr. Gittes. Either you bring the water to L.A. or you bring L.A. to the water.

GITTES: How do you do that?

CROSS: Just incorporate the Valley into the city so the water goes to L.A. after all. It's very simple.

CROSS: What does this mean?

GITTES: That you killed Hollis Mulwray.

GITTES: I'd like you to look at something, Mr. Cross.

CROSS: What is it?

GITTES: An obituary column... can you read in this light?

CROSS: Yes... I think I can manage...

CROSS: Well, you don't look any the worse for wear, Mr. Gittes, I must say... where's the girl?...

GITTES: I've got her.

CROSS: Is she all right?

GITTES: She's fine.

CROSS: Where is she?

GITTES: With her mother.

CROSS: Hollis Mulwray made this city and he made me a fortune... We were a lot closer than Evelyn realized.

GITTES: If you want to hire me, I still have to know what you and Mulwray were arguing about.

CROSS: Well... she's an extremely jealous person. I didn't want her to find out about the girl.

GITTES: How did you find out?

CROSS: I've still got a few teeth in my head, Mr. Gittes, and a few friends in town.

GITTES: Okay. My secretary'll send you a letter of agreement. Tell me are you worried about that girl, or what Evelyn might do to her?

CROSS: Just find the girl.

GITTES: I'll look into it as soon as I check out some avocado groves.

CROSS: Avocado groves?

GITTES: We'll be in touch, Mr. Cross.

GITTES: I've got the photographs in my office. If they'll help you remember. What was the argument about?

CROSS: My daughter.

GITTES: What about her?

CROSS: Just find the girl, Mr. Gittes. I think she is frightened and I happen to know Hollis was fond of her. I'd like to help her if I can.

GITTES: I didn't realize you and Hollis were so fond of each other.

CROSS: At my age, you tend to lose track...

GITTES: Well, It was about five days ago. You were outside the Pig 'n Whistle and you had one hell of an argument.

CROSS: Sheriff's gold posse... bunch of damn fools who pay $5,000 apiece to the sheriff's reelection. I let 'em practice up out here.

GITTES: Yeah. Do you remember the last time you talked to Mulwray?

CROSS: ...Exactly what do you know about me, Mr. Gittes?

GITTES: Mainly that you're rich and too respectable to want your name in the papers.

CROSS: 'Course I'm respectable. I'm old. Politicians, ugly buildings and whores all get respectable if they last long enough. I'll double whatever your fees are and I'll pay you ten thousand dollars if you can find Hollis' girlfriend.

GITTES: His girlfriend?

CROSS: Yes, his girlfriend.

GITTES: You mean the little chippie he was with at the El Macando?

CROSS: Yes. She's disappeared, hasn't she?

GITTES: Yeah.

CROSS: Doesn't that strike you as odd?

GITTES: No. She's probably scared to death.

CROSS: Wouldn't it be useful to talk to her?

GITTES: Maybe.

CROSS: If Mulwray was murdered, she was probably one of the last people to see him.

GITTES: You didn't see Mulwray much, did you?

CROSS: No.

GITTES: When was the last time?

CROSS: Why is that funny?

GITTES: It's what the D.A. used to tell me about Chinatown.

CROSS: Was he right?

GITTES: If you want an answer to that question I can always put one of my men on the job. Good afternoon, Mr. Cross.

CROSS: Mr. Gittes! You're dealing with a disturbed woman who's lost her husband. I don't want her taken advantage of. Sit down.

GITTES: What for?

CROSS: You may think you know what you're dealing with, but believe me, you don't.

GITTES: Fine, as long as you don't serve chicken that way.

CROSS: Tell me. What do the police say?

GITTES: They're calling it an accident.

CROSS: Who's the investigating officer?

GITTES: Lou Escobar he's a Lieutenant.

CROSS: Do you know him?

GITTES: Oh yes.

CROSS: Where from?

GITTES: We worked in Chinatown together.

CROSS: Would you call him a capable man?

GITTES: Very.

CROSS: Honest?

GITTES: Far as it goes. Of course he has to swim in the same water we all do.

CROSS: Of course, but you've got no reason to think he's bungled the case?

GITTES: None.

CROSS: That's too bad.

GITTES: Too bad?

CROSS: It disturbs me, Mr. Gittes. It makes me think you're taking my daughter for a ride. Financially speaking, of course. How much are you charging her?

GITTES: My usual fee, plus a bonus if I come up with any results.

CROSS: Are you sleeping with her? Come, come, Mr. Gittes. You don't have to think about that to remember, do you?

CROSS: How did she get that idea?

GITTES: I think I gave it to her.

CROSS: You know, you've got a nasty reputation, Mr. Gittes. I like that.

GITTES: Thanks.

CROSS: If you were a bank president that would be one thing, but in your business it's admirable. And it's good advertising.

GITTES: It doesn't hurt.

CROSS: It's why you attract a client like my daughter.

GITTES: Probably.

CROSS: But I'm surprised you're still working for her, unless she's suddenly come up with another husband.

GITTES: No. She happens to think the last one was murdered.

GITTES: Always?

CROSS: What? Oh, damn near yes. Unless the animal's sick or something. And the steam rising off it like that in the morning. That's life, Mr. Gittes. Life.

GITTES: Sir?

CROSS: I said horseshit. Horseshit.

GITTES: Yes, sir, that's what it looks like. I'll give you that.

CROSS' VOICE: Hello.

GITTES: Have you got your checkbook handy, Mr. Cross? I've got the girl.

CROSS' VOICE: You've got her? Where?

GITTES: Do you remember the figures we discussed?

CROSS' VOICE: Of course I do. Where are you?

GITTES: At your daughter's house. How soon can you get here?

CROSS' VOICE: Two hours... tell me, will Evelyn be there as well?

GITTES: Either that or she'll be in jail.

CROSS' VOICE: What are you talking about?

GITTES: Just bring your checkbook.

GITTES: Tell Mrs. Mulwray to wait for half an hour after you get there. Then if I don't show, take her down to the boat.

CURLY: You sure this is okay?

GITTES: Curly, you know how long I been in business.

GITTES: How much do you owe me, Curly?

CURLY: Oh, gee, Mr. Gittes we're going out tomorrow. I know you been real good about it but my cousin Auggie's sick.

GITTES: Forget it. How would you like to pay me off by taking a couple of passengers to Ensenada... you'd have to leave tonight.

CURLY: I don't know...

GITTES: I might be able to squeeze an extra seventy-five bucks out of it for you. Maybe an even hundred.

CURLY: Plus what I owe you?

GITTES: I'll throw that in too.

CURLY: Okay, you got yourself a boat.

CURLY: Sure thing.

GITTES: Curly, where's your car?

CURLY: In the garage.

GITTES: Where's that?

CURLY: Off the alley.

GITTES: Could you drive me somewhere?

CURLY: Sure, as soon as we eat.

GITTES: Right now, Curly. It can't wait.

CURLY: I'll just tell my wife.

GITTES: Tell her later.

CURLY: Gee, this is a surprise, Mr. Gittes.

GITTES: Call me Jake. How is everything?

CURLY: Just sitting down to supper, Jake. Care to join us?

GITTES: No thanks.

CURLY: How about a glass of wine? Honey, this is...

GITTES: What kind of guy do you think I am?

CURLY: Thanks, Mr. Gittes.

GITTES: Call me Jake. Careful driving home, Curly.

CURLY: I'll pay the rest next trip. We only caught sixty ton of skipjack around San Benedict. We hit a chubasco, they don't pay you for skipjack the way they do for tuna or albacore.

GITTES: Forget it. I only mention it to illustrate a point...

CURLY: ...No...

GITTES: You bet your ass you don't. You can't even pay me off.

CURLY: They don't kill a guy for that.

GITTES: Oh they don't?

CURLY: Not for your wife. That's the unwritten law.

GITTES: You're absolutely right, I wouldn't give her another thought.

CURLY: You know, you're okay, Mr. Gittes. I know it's your job, but you're okay.

GITTES: Thanks, Curly. Call me Jake.

CURLY: Thanks. You know something, Jake?

GITTES: What's that, Curly?

CURLY: I think I'll kill her.

CURLY: She's just no good.

GITTES: What can I tell you, Kid? You're right. When you're right, you're right, and you're right.

CURLY: Ain't worth thinking about.

DUFFY: Then what'll you do?

GITTES: Sue the shit out of 'em.

GITTES: There's seven ashtrays in this room, Duffy.

DUFFY: Okay.

GITTES: That's a filthy habit.

DUFFY: I said okay, Jake.

GITTES: Yeah, yeah. If she'd come in here saying she was Shirley Temple you'd say okay to that, too.

GITTES: So there's this fella who's tired of screwing his wife.

DUFFY: Jake, listen.

GITTES: Shut up, Duffy, you're always in a hurry and his friend says why not do what the Chinese do? So he says what do they do? His friend says the Chinese they screw for a while. Just listen a second, Duffy...

GITTES: Where did you get this material?

EMMA: The apple core club.

GITTES: The apple core?

EMMA: No. The albacore. It's a fish. My grandson's a member and they take very nice care of us.

GITTES: How do they do that?

EMMA: Give us things. Not just some old flag like this, but -

GITTES: But what?

GITTES: That's just lovely.

EMMA: Thank you...

EMMA: Yes.

GITTES: I've been wanting to meet you.

EMMA: Why?

GITTES: Did you know that you're a very wealthy woman?

EMMA: I'm not.

GITTES: Well you own a lot of land.

EMMA: Not anymore. Oh, some time ago, my late husband owned a good deal of beach property in Long Beach, but we lost it.

GITTES: Get him away from her. He's responsible for everything. Get him away from her!

ESCOBAR: Jake, you're very disturbed. You're crazy. That's her father.

GITTES: Who is he, get his name? I'll kill him.

ESCOBAR: Take it easy, take it easy, it was an accident.

GITTES: An accident?

ESCOBAR: Mrs. Mulwray, you don't want to run around like that.

GITTES: Oh, Christ. Escobar, you don't know what's going on. Let her go. I'll explain it later.

ESCOBAR: Mrs. Mulwray, it's a very serious offense pointing that at an officer of the law. It's a felony.

GITTES: Let her go. She didn't kill anybody.

ESCOBAR: I'm sorry, Mrs. Mulwray.

GITTES: Lou, she will kill you. Let her go for now. You don't know.

ESCOBAR: Gittes, stay outta this.

ESCOBAR: You never learn, do you, Gittes?

GITTES: I guess not.

ESCOBAR: Give you three minutes.

GITTES: Gee, thanks, Lou.

ESCOBAR: That's it?

GITTES: Yeah.

ESCOBAR: Well, let's go.

GITTES: Do me a favor, will you, Lou?

ESCOBAR: I don't suppose you got any idea Where she went?

GITTES: Matter of fact I do.

ESCOBAR: Where?

GITTES: Her maid's house. I think she knows something's up.

ESCOBAR: What's the maid's address?

GITTES: She lives in Pedro. I'll write it down for you.

ESCOBAR: No, Gittes, you'll show us.

GITTES: What for?

ESCOBAR: If she's not there, you're going downtown, and you're staying there til she shows up.

GITTES: Gee, Lou, I'm doing the best I can.

ESCOBAR: Tell us about it on the way to Pedro.

GITTES: I know what he says.

ESCOBAR: Shut up. Go on.

GITTES: It's too late.

ESCOBAR: Too late for what?

GITTES: They only dump the water at night.

ESCOBAR: What are you talking about?

GITTES: C'mon I'll show you.

GITTES: Mulwray was murdered and moved because somebody didn't want his body found in the ocean.

ESCOBAR: And why's that?

GITTES: He found out somebody was dumping water there. That's what they were trying to cover up by moving him.

ESCOBAR: I want those photographs, Gittes. We're talking about accessory after the fact, conspiracy, and extortion. Minimum.

GITTES: Why do you think Mulwray's body was moved you dimwit? Evelyn Mulwray knocked off her husband in the ocean and thought it would look like more of an accident if she hauled him up to the Oak Pass Reservoir?

ESCOBAR: You were following him night and day. You saw who killed him. You even took pictures of it. It was Evelyn Mulwray. She's been paying you off like a slot machine ever since her husband died.

GITTES: You accusing me of extortion?

ESCOBAR: Absolutely.

GITTES: I don't think I need a day or two. You're even dumber than you think I think you are. Not only that, I'd never extort a nickel out of my worst enemy, that's where I draw the line, Escobar.

ESCOBAR: Yeah, I once knew a whore who for enough money would piss in a customer's face, but she'd never shit on his chest. That's where she drew the line.

GITTES: Well, I hope she wasn't too much of a disappointment to you, Lou.

ESCOBAR: You really think I'm stupid, don't you, Gittes?

GITTES: I don't think about it one way or the other. But if you want, give me a day or two, and I'll get back to you. Now I'd like to go home.

ESCOBAR: I want the rest of the pictures.

GITTES: What pictures?

ESCOBAR: This broad hired you, Gittes, not Evelyn Mulwray.

GITTES: Yeah?

ESCOBAR: Yeah. Somebody wanted to shake down Mulwray, she hired you, and that's how you happen to know Mulwray was murdered.

GITTES: I heard it was an accident.

ESCOBAR: C'mon, you think you're dealing with a bunch of assholes? Mulwray had salt water in his goddam lungs! Now how did he get that... in a fresh water reservoir?

GITTES: Yeah, I took 'em. So what?

ESCOBAR: How did she... ...happen to have them?

ESCOBAR: Isn't that your number?

GITTES: Is it? I forget. I don't call myself that often.

ESCOBAR: Just to be on the safe side, we had Loach here give you a ring.

ESCOBAR: What are you doing here?

GITTES: Didn't you call?

ESCOBAR: How do you happen to know her?

GITTES: I don't.

ESCOBAR: Let me show you something.

ESCOBAR: No, he drowned a cousin of mine with about five hundred other people. But they weren't very important, just a bunch of dumb Mexicans living by a dam. Now beat it, Gittes, you don't come out of this smelling like a rose, you know.

GITTES: Oh yeah? Can you think of something to charge me with?

ESCOBAR: When I do, you'll hear about it.

ESCOBAR: I don't want it anymore.

GITTES: No?

ESCOBAR: No. It was an accident.

GITTES: You mean that's what you're going to call it.

ESCOBAR: You wouldn't happen to know the present whereabouts of the young woman.

GITTES: No.

ESCOBAR: Or her name?

GITTES: No.

GITTES: Congratulations.

ESCOBAR: Uh-huh. So what are you doing here?

GITTES: Looking for someone.

ESCOBAR: Who?

GITTES: Hollis Mulwray. You seen him?

ESCOBAR: Oh yes.

GITTES: I'd like to talk to him.

ESCOBAR: You're welcome to try. There he is.

ESCOBAR: You're behind the times, Jake. They've got steam irons now. And I'm out of Chinatown.

GITTES: Since when?

ESCOBAR: Since I made Lieutenant.

ESCOBAR: You've done well by yourself.

GITTES: I get by.

ESCOBAR: Well, sometimes it takes a while for a man to find himself and I guess you have.

GITTES: Thanks, Lou.

ESCOBAR: How'd you get past the guards?

GITTES: Well, to tell you the truth, I lied a little.

ESCOBAR: Hello, Jake.

GITTES: How are you, Lou?

ESCOBAR: I have a cold I can't seem to shake but other than that, I'm fine.

GITTES: Summer colds are the worst.

ESCOBAR: Yeah, they are.

EVELYN: Will you need me for anything else, Lieutenant?

ESCOBAR: I don't think so, Mrs. Mulwray. Of course you have my deepest sympathy and if we need anymore information, we'll be in touch.

ESCOBAR: You and your husband never discussed her?

EVELYN: He... we did... he wouldn't tell me her name. We quarreled over her... of course. It came as a complete surprise to me.

ESCOBAR: A complete surprise?

EVELYN: Yes.

ESCOBAR: But I thought you'd hired a private investigator.

EVELYN: A private investigator?

ESCOBAR: Mr. Gittes.

EVELYN: Well yes.

EVELYN: No.

ESCOBAR: Do you know where she might be?

EVELYN: Certainly not!

EVELYN: ...Well, it didn't make him happy...

ESCOBAR: But there is no possibility he would have taken his own life?

EVELYN: No.

ESCOBAR: Mrs. Mulwray, do you happen to know the name of the young woman in question?

ESCOBAR: It looks like he was washed the entire length of the runoff channel. Could he swim?

EVELYN: Of course.

ESCOBAR: Obviously the fall must have knocked him out.

GITTES: Let me handle that.

EVELYN: I'm all right.

GITTES: Sure, but I'd like to handle it.

GITTES: How do you know?

EVELYN: He didn't wear bifocals.

GITTES: Yeah... where are you taking her now?

EVELYN: Back to Mexico.

GITTES: You can't go by train. Escobar'll be looking for you everywhere.

EVELYN: How about a plane?

GITTES: That's worse... Just get out of here. Walk out, leave everything.

EVELYN: I have to go home and get my things.

GITTES: I'll take care of it.

EVELYN: Where can we go?

GITTES: ...where does Kyo live?

EVELYN: With us.

GITTES: On his day off. Get the exact address.

EVELYN: Okay...

EVELYN: Hollis came and took... care of me... after she was born... he said... he took care of her... I couldn't see her... I wanted to but I couldn't... I just want to see her once in a while... take care of her... that's all... but I don't want her to know... I don't want her to know...

GITTES: ...so that's why you hate him...

EVELYN: ...he had a breakdown... the dam broke... my mother died... he became a little boy... I was fifteen... he'd ask me what to eat for breakfast, what clothes to wear!... It happened... then I ran away...

GITTES: To Mexico...

GITTES: I said I want the truth.

EVELYN: She's my sister and my daughter!

GITTES: I said the truth!

EVELYN: She's my sister.

GITTES: That's good. Now what's her name?

EVELYN: Katherine.

GITTES: Katherine?... Katherine who?

EVELYN: She's my daughter.

GITTES: Stop it! I'll make it easy. You were jealous, you fought, he fell, hit his head. It was an accident, but his girl is a witness. You've had to pay her off. You don't have the stomach to harm her, but you've got the money to shut her up. Yes or no?

EVELYN: ...no...

GITTES: Who is she? And don't give me that crap about it being your sister. You don't have a sister.

GITTES: I found these in your backyard... in your fish pond. They belonged to your husband, didn't they?... didn't they?

EVELYN: I don't know. I mean yes, probably.

GITTES: Yes positively. That's where he was drowned...

EVELYN: What are you saying?

GITTES: There's no time for you to be shocked by the truth, Mrs. Mulwray. The coroner's report proves he was killed in salt water. Just take my word for it. Now I want to know how it happened and why. I want to know before Escobar gets here because I want to hang onto my license.

EVELYN: I don't know what you're talking about. This is the most insane... the craziest thing I ever...

GITTES: J. J. Gittes for Lieutenant Escobar

EVELYN: What are you doing? What's wrong? I told you we've got a 4:30.

GITTES: You're going to miss your train! Lou, meet me at 1412 Adelaide. It's above Santa Monica Canyon... yeah, soon as you can.

EVELYN: What did you do that for?

GITTES: You know any good criminal lawyers?

EVELYN: No...

GITTES: Don't worry. I can recommend a couple. They're expensive but you can afford it.

EVELYN: What the hell is this all about?

GITTES: Going somewhere?

EVELYN: Yes, we've got a 4:30 train to catch. Why?

EVELYN: Did you get some sleep?

GITTES: Sure.

EVELYN: Did you have lunch? Kyo will fix you something.

GITTES: Where's the girl?

EVELYN: Upstairs. Why?

GITTES: I want to see her.

EVELYN: ...she's having a bath now... why do you want to see her?

GITTES: I took your husband's Buick... I'll return it tomorrow.

EVELYN: Aren't you coming back with me?

GITTES: Don't worry. I'm not telling anybody about this.

EVELYN: ...That's not what I meant.

EVELYN: I can't...

GITTES: Because of Hollis? Because she was seeing your husband? Was that it? Jesus Christ, say something. Was that it?

GITTES: Just tell me the truth. I'm not the police. I don't care what you've done. I'm not going to hurt you, but one way or another I'm going to know.

EVELYN: You won't go to the police if I tell you?

GITTES: I will if you don't.

EVELYN: She's too upset.

GITTES: What about?

EVELYN: Hollis' death. I tried to keep it from her, I didn't want her upset before I could make plans for her to leave.

GITTES: You mean she just found out?

EVELYN: Yes.

GITTES: That's not what it looks like, Mrs. Mulwray.

EVELYN: What does it look like?

GITTES: Like she knows about Hollis' death. Like she knows more than you want her to tell.

EVELYN: You're insane.

GITTES: Okay, give me the keys.

EVELYN: You bastard.

GITTES: It's either that or you drive to the police yourself.

EVELYN: The police?

GITTES: C'mon, Mrs. Mulwray. You've got your husband's girlfriend tied up in there!

EVELYN: She's not tied up!

GITTES: You know what I mean. You're keeping her there against her will.

EVELYN: I am not!

GITTES: Then let's go talk to her.

EVELYN: I want you to listen to me. My father is a very dangerous man. You don't know how dangerous. You don't know how crazy.

GITTES: Give me an example.

EVELYN: You may think you know what's going on, but you don't.

GITTES: That's what your father said. You're telling me he's in back of this whole thing?

EVELYN: It's possible.

GITTES: Including the death of your husband?

EVELYN: It's possible. Please don't ask me any more questions now. Just wait, wait for me. I'll be back. I need you here.

EVELYN: What did he say? What did he say?

GITTES: That you were jealous, and he was worried about what you might do.

EVELYN: Do? To who?

GITTES: Mulwray's girlfriend, for one thing. He wanted to know where she was.

GITTES: Where?

EVELYN: Just... I have to.

GITTES: And I want to know where.

EVELYN: Please don't be angry... believe me, it's got nothing to do with you.

GITTES: Where are you going?

EVELYN: Please!... Trust me this much... I'll be back. Look, there is something I should tell you. The fishing club that old lady mentioned, the pieces off the flag.

GITTES: The Albacore Club.

EVELYN: It has to do with my father.

GITTES: I know.

EVELYN: He owns it. You know?

GITTES: I saw him.

EVELYN: You saw my fa... father? When?

GITTES: This morning.

EVELYN: You didn't tell me.

GITTES: There hasn't been a lot of time.

EVELYN: What's wrong?

GITTES: Your eye.

EVELYN: What about it?

GITTES: There's something black in the green part of your eye.

EVELYN: Oh that... It's a flaw in the iris...

GITTES: ...A flaw...

EVELYN: ...Yes, sort of a birthmark...

EVELYN: Hold still. Why?

GITTES: You can't always tell what's going on there.

EVELYN: ...No. Why was it.

GITTES: I thought I was keeping someone from being hurt and actually I ended up making sure they were hurt.

EVELYN: Could you do anything about it?

EVELYN: Boy oh boy, you're a mess.

GITTES: Yeah.

EVELYN: So why does it bother you to talk about it... Chinatown...

GITTES: Bothers everybody who works there, but to me... It was...

GITTES: As little as possible.

EVELYN: The District Attorney gives his men advice like that?

GITTES: They do in Chinatown.

GITTES: It was in Chinatown.

EVELYN: What were you doing there?

GITTES: Working for the District Attorney.

EVELYN: Doing what?

EVELYN: Tell me something. Does this usually happen to you, Mr. Gittes?

GITTES: What's that, Mrs. Mulwray?

EVELYN: Well, I'm only judging on the basis of one afternoon and an evening, but if that's how you go about your work, I'd say you're lucky to get through a whole day.

GITTES: Actually this hasn't happened to me in some time.

EVELYN: When was the last time?

GITTES: Why?

EVELYN: Just. I don't know why. I'm asking.

GITTES: Maid's night off?

EVELYN: Why?

GITTES: What do you mean, 'why?' Nobody's here, that's all.

EVELYN: I gave everybody the night off.

GITTES: Easy, it's an innocent question.

EVELYN: No question from you is innocent, Mr. Gittes.

GITTES: I guess not to you, Mrs. Mulwray. Frankly you really saved my a... my neck tonight.

EVELYN: I'll stay.

GITTES: Get in the car.

GITTES: You're looking at the owners of a 50,000 acre empire.

EVELYN: They can't be.

GITTES: They may not know it but they are.

GITTES: We got it. We got it, baby.

EVELYN: What? What is it?

GITTES: There was a memorial service at the Mar Vista Inn today for Jasper Lamar Crabb. He died three weeks ago.

EVELYN: Is that unusual?

GITTES: Two weeks ago he bought those 25,000 acres. That's unusual.

GITTES: That dam is a con job.

EVELYN: What dam?

GITTES: The one your husband opposed. They're conning L.A. into building it, only the water won't go to L.A. It'll go here.

EVELYN: The Valley?

GITTES: Everything you can see, everything around us. I was at the Hall of Records today. That bother you?

EVELYN: No.

GITTES: In the last three months, Robert Knox has bought 7,000 acres, Emma Dill 12,000 acres, Clarence Speer 5,000 acres, and Jasper Lamar Crabb 25,000 acres.

EVELYN: Jasper Lamar Crabb?

GITTES: Know him?

EVELYN: No, I think I'd remember.

GITTES: Yeah. They've been blowing these farmers out of here and buying their land for peanuts. Have any idea what this land'll be worth with a steady water supply? About thirty million more than they paid.

EVELYN: And Hollis knew about it?

GITTES: It's why he was killed. Jasper Lamar Crabb. Jasper Lamar Crabb.

EVELYN: What are you thinking?

GITTES: Before this I turned on the faucet, it came out hot and cold, I didn't think there was a thing to it.

GITTES: Is there something upsetting about my asking about your father?

EVELYN: No!... Yes, a little. You see Hollis and my fa... my father had a falling out...

GITTES: Over the water department, or over you?

EVELYN: Not over me. Why would they have a falling out over me?

GITTES: Then it was over the water department.

EVELYN: Not exactly. Well, I mean, yes. Yes and no. Hollis felt the public should own the water but I don't think my father felt that way. Actually, it was over the Van der Lip. The dam that broke.

GITTES: Oh, yeah?

EVELYN: Yes. He never forgave him for it.

GITTES: Never forgave him for what?

EVELYN: For talking him into building it, he never forgave my father... They haven't spoken to this day.

GITTES: You sure shout that?

EVELYN: Of course I'm sure.

GITTES: What about you? Do you and your father get along?

GITTES: You've got one going, Mrs. Mulwray.

EVELYN: Oh.

GITTES: Your father is Julian Cross, isn't he?

EVELYN: Yes, of course. It was quite a while after. I was just out of grade school when they did that.

GITTES: So you married your father's business partner?

EVELYN: Whoever's behind my husband's death, why have they gone to all this trouble?

GITTES: Money. How they plan to make it by emptying the reservoirs, that I don't know.

EVELYN: I'll pay your salary plus five thousand dollars if you find out what happened to Hollis and who is involved.

EVELYN: Oh, no. I've got my own car. The creamcolored Packard.

GITTES: Wait a minute, sonny. I think you better come with me.

EVELYN: What for? There's nothing more to say. Get my car, please.

EVELYN: Another satisfied client?

GITTES: Another satisfied client's wife.

EVELYN: How did it happen?

GITTES: Been meaning to talk to you about that.

EVELYN: Maybe putting your nose in other people's business?

GITTES: More like other people putting their business in my nose.

EVELYN: You must've had a reason to ask me that.

GITTES: No. I'm just a snoop.

EVELYN: You seem to have had a reason for every other question.

GITTES: No, not for that one.

EVELYN: I don't believe you.

EVELYN: K... Cross.

GITTES: That your maiden name?

EVELYN: Yes... why?

GITTES: No reason.

GITTES: For very long?

EVELYN: I don't see anyone for very long, Mr. Gittes. It's difficult for me. Now I think you know all you need to about me. I didn't want publicity. I didn't want to go into any of this, then or now. Is this all?

EVELYN: Is there anything else you want to know?

GITTES: Where you were when your husband died.

EVELYN: I can't tell you.

GITTES: You mean you don't know where you were?

EVELYN: I mean I can't tell you.

GITTES: You were seeing someone, too.

EVELYN: I don't like the word 'cheat.'

GITTES: Did you have affairs?

EVELYN: Mr. Gittes.

GITTES: Did he know?

EVELYN: Well I wouldn't run home and tell him whenever I went to bed with someone, if that's what you mean.

EVELYN: Unless what?

GITTES: She's cheating on him.

GITTES: You'll have to explain that, Mrs. Mulwray.

EVELYN: Why?

GITTES: Look, I do matrimonial work, It's my metiay. When a wife tells me she's happy her husband is cheating on her it runs contrary to my experience.

GITTES: And you weren't the slightest bit upset about it?

EVELYN: I was grateful.

EVELYN: Well, I suppose I am... actually I knew about the affair.

GITTES: How did you find out?

EVELYN: My husband.

GITTES: He told you?

GITTES: Sorry. Look, you sue me, your husband dies, you drop the lawsuit like a hot potato, and all of it quicker than wind from a duck's ass. Excuse me. Then you ask me to lie to the police.

EVELYN: It wasn't much of a lie.

GITTES: If your husband was killed it was. This can look like you paid me off to withhold evidence.

EVELYN: But he wasn't killed.

GITTES: Mrs. Mulwray, I'm afraid that's not good enough.

EVELYN: Well, how much would you like?

GITTES: Stop it. The money's fine. It's generous but you've shortchanged me on the story.

EVELYN: I have?

GITTES: I think so. Something besides your husband's death was bothering you. You were upset but not that upset.

EVELYN: Mr. Gittes... Don't tell me how I feel.

GITTES: I got your check in the mall.

EVELYN: Yes. As I said, I was very grateful.

EVELYN: Thank you for going along with me. I just didn't want to explain anything... I'll send you a check.

GITTES: A check?

GITTES: Mrs. Mulwray?... Mrs. Mulwray.

EVELYN: ...Just a minute...

GITTES: You left your keys in the ignition.

EVELYN: Oh... thank you.

EVELYN: No. I went riding rather early.

GITTES: Looks like you went quite a distance.

EVELYN: No, Just riding bareback, that's all. Anyway, you might try the Oak Pass or Stone Canyon Reservoirs. Sometimes at lunch Hollis takes walks around them. Otherwise he'll be home by 6:30.

GITTES: I'll stop by.

EVELYN: Please call first.

GITTES: You see, somebody went to a lot of trouble here, and I want to find out, lawsuit or no lawsuit. I'm not the one who's supposed to be caught with my pants down... so I'd like to see your husband. Unless that's a problem.

EVELYN: What do you mean?

GITTES: May I speak frankly, Mrs. Mulwray?

EVELYN: You may if you can, Mr. Gittes.

GITTES: Well, that little girlfriend, she was attractive in a cheap sort of way of course. She's disappeared. Maybe they disappeared together somewhere.

EVELYN: Suppose they did. How does it concern you?

GITTES: Nothing personal, Mrs. Mulwray, I just --

EVELYN: It's very personal. It couldn't be more personal. Is this a business or an obsession with you?

GITTES: Look at it this way. Now this phony broad, excuse the language, says she's you, she's hired me. Whoever put her up to it, didn't have anything against me. They were out to get your husband. Now if I see him, I can help him. Did you talk this morning?

GITTES: I should talk this over with your husband.

EVELYN: Why?... What on earth for? Look, Hollis seems to think you're an innocent man.

GITTES: Well, I've been accused of many things, Mrs. Mulwray, but never that.

EVELYN: So let's just drop the whole thing. Sugar? Lemon?

GITTES: Mrs. Mulwray?

EVELYN: Yes, Mr. Gittes?

GITTES: I don't want to drop it.

GITTES: I'm just trying to make a living, and I don't want to become a local Joke.

EVELYN: Mr. Gittes, you've talked me into it. I'll drop the lawsuit.

GITTES: What?

EVELYN: I said I'll drop it.

EVELYN: My husband's at the office.

GITTES: Actually he's not. And he's moved from his apartment at the El Macando.

EVELYN: That's not his apartment.

GITTES: Anyway... I... the point is, Mrs. Mulwray. I'm not in business to be loved, but I am in business, and believe me, whoever set up your husband, set me up. L.A.'s a small town, people talk.

EVELYN: Would you like something to drink?

GITTES: What are you having?

EVELYN: Iced tea.

GITTES: Yeah. Fine, thank you.

GITTES: Not that Mulwray?

EVELYN: Yes, that Mulwray, Mr. Gittes. And since you agree with me we've never met, you must also agree that I haven't hired you to do anything. Certainly not spy on my husband. I see you like publicity, Mr. Gittes. Well, you're going to get it.

GITTES: Now wait a minute, Mrs. Mulwray...

GITTES: Sophie.

SOPHIE: Yes, Mr. Gittes.

GITTES: Get me the Times. Whitey Mehrholtz. And how about that snotty broad? What does she think, she's perfect? Coming in waving her lawyers and her money at me so goddam smug. She's no better than anybody else in this town.

GITTES: Sophie, go to the little girl's room for a minute.

SOPHIE: But, Mr. Gittes.

GITTES: Sophie.

SOPHIE: Yes, Mr. Gittes.

GITTES: Walsh here?

SOPHIE: He's in the dark room.

GITTES: Sophie... is Walsh there?... yeah, listen, pal, Escobar's going to try and book me in about five minutes... relax, I'll tell you. Wait in the office for two hours. If you don't hear from me, you and Duffy meet me at 1712 Alameda.

WALSH'S VOICE: Jesus, that's in Chinatown, ain't it?

GITTES: Where'd he go yesterday?

WALSH'S VOICE: Three reservoirs. Men's room of a Richfield gas station on Flower, and the Pig 'n Whistle.

GITTES: Jesus Christ, this guy's really got water on the brain.

WALSH'S VOICE: What'd you expect? That's his job.

GITTES: Listen, we can't string this broad out indefinitely we got to come up with something.

WALSH'S VOICE: I think I got something.

GITTES: Oh yeah? You pick up the watch?

WALSH'S VOICE: It's on your desk. Say, you hear the one about the guy who goes to the North Pole with Admiral Byrd looking for penguins?

GITTES: Shut the fuck up! ...Yes I remember nothing, Miss Sessions, just going over a detail or two with my associates... you were saying?

IDA'S VOICE: Well I never expected anything to happen like what happened to Mr. Mulwray, the point is if it ever comes out I want somebody to know I didn't know what would happen.

GITTES: I understand... if you could tell me who employed you, Miss Sessions. That could help us both.

IDA'S VOICE: Oh no.

GITTES: ...Why don't you give me your address and we can talk this over?

IDA'S VOICE: No, Mr. Gittes. Just look in the obituary column of today's Times...

GITTES: The obituary column?

IDA'S VOICE: You'll find one of those people.

GITTES: 'Those people?' Miss Sessions.

IDA'S VOICE: Well, I'm a working girl, Mr. Gittes. I didn't come in to see you on my own.

GITTES: When did you come in?

IDA'S VOICE: I was the one who pretended to be Mrs. Mulwray, remember?

GITTES: Hello, Miss Sessions. I don't believe we've had the pleasure.

IDA'S VOICE: Oh yes we have... are you alone, Mr. Gittes?

GITTES: Isn't everybody? What can I do for you, Miss Sessions?

SOPHIE'S VOICE: Miss Ida Sessions again. She says you know her.

GITTES: Okay.

GITTES: Yeah, Sophie.

SOPHIE'S VOICE: A Miss Sessions calling.

GITTES: Who?

SOPHIE'S VOICE: Ida Sessions.

GITTES: Don't know her. Take a number.

GITTES: That's exactly what we wanted to hear.

PALMER: Oh, good.

GITTES: I wonder, is it too late for us to have a look around?

PALMER: I don't think so. Be happy to show you.

GITTES: Would you mind if we took a stroll on our own?

PALMER: Just, if you will, confine yourself to the main building. It's nearly bedtime.

GITTES: We understand, c'mon, sweetheart.

GITTES: Just to be certain, I wonder if you could show us a list of your patients?

PALMER: We don't reveal the names of our guests as a matter of policy. I know you'd appreciate that if your father came to live with us.

PALMER: I'm sorry. We don't.

GITTES: Don't be sorry, neither does Dad. Wanted to make sure though, didn't we, honey?

GITTES: Naturally, I want the best for him, money is no object.

PALMER: Perhaps if we could meet your father.

GITTES: There's just one question.

PALMER: Of course.

GITTES: Do you accept anyone of the Jewish persuasion?

PALMER: Oh my goodness.

GITTES: Nothing to do with Dad. It's me, actually.

GITTES: You're a married man, am I right?

YELBURTON: Yes...

GITTES: Hard working, have a wife and kids...

YELBURTON: Yes...

GITTES: I don't want to nail you. I just want to know who put you up to it. I'll give you a few days to think it over. Call me. I can help. Who knows? Maybe we can lay the whole thing off on a few big shots and you can stay head of the department for the next twenty years.

YELBURTON: Wait. Please sit down, Mr. Gittes. We're... well, we're not anxious for this to get around, but we have been diverting a little water to irrigate avocado and walnut groves in the northwest valley. As you know, the farmers there have no legal right to our water, and since the drought we've had to cut them off. The city comes first, naturally. But, well, we've been trying to help some of them out, keep them from going under. Naturally when you divert water you get a little runoff.

GITTES: Yeah, a little runoff. Where are those orchards?

YELBURTON: I said, the northwest valley.

GITTES: That's like saying they're in Arizona.

YELBURTON: Mr. Gittes, my field men are out and I can't give you an exact location...

YELBURTON: Mr. Gittes, sorry to keep you waiting. These staff meetings, they just go on and on.

GITTES: Yeah, must be especially tough to take over under these circumstances.

YELBURTON: Oh yes. Hollis was the best department head the city's ever had. My goodness, what happened to your nose?

GITTES: I cut myself shaving.

YELBURTON: You ought to be more careful. That must really smart.

GITTES: Only when I breathe.

YELBURTON: Only when you breathe... don't tell me you're still working for Mrs. Mulwray?

GITTES: I never was.

YELBURTON: I don't understand.

GITTES: Neither do I, actually. But you hired me or you hired that chippie to hire me.

YELBURTON: Mr. Gittes, you're not making a bit of sense.

GITTES: Well, look at it this way, Mr. Yelburton. Mulwray didn't want to build a dam and he had a reputation that was hard to get around, so. you decided to ruin it. Then he found out that you were dumping water every night. Then he was drowned.

YELBURTON: Mr. Gittes! That's an outrageous accusation. I don't know what you're talking about.

GITTES: Well, Whitey Mehrholtz over at the Times will. Dumping thousands of gallons of water down the toilet in the middle of a drought. That's news.

GITTES: Relax, Mulvihill, glad to see you. Do you know Claude Mulvihill here?

YELBURTON: Hope so. He's working for us.

GITTES: Mind if I take one of your cards? In case I want to get in touch with you again.

YELBURTON: Help yourself.

GITTES: You don't happen to know where Mr. Mulwray's having lunch?

YELBURTON: I'm sorry, I --

GITTES: Well, tell him I'll be back.

YELBURTON: After all, you work with a man for a certain length of time, you come to know him, his habits, his values, and so forth. Well either he's the kind who chases after women or he isn't.

GITTES: And Mulwray isn't?

YELBURTON: He never even kids about it.

GITTES: Maybe he takes it very seriously.

YELBURTON: Can I help you? Russ Yelburton, Deputy Chief in the Department.

GITTES: J.J. Gittes. And it's not a departmental matter.

YELBURTON: I wonder if you'd care to wait in my office?

YOUNG WOMAN: Mr. Gittes?

GITTES: Yes?

YOUNG WOMAN: Do you know me?

GITTES: Well... I think I... I would've remembered.

YOUNG WOMAN: Have we ever met?

GITTES: Well, no.

YOUNG WOMAN: Never?

GITTES: Never.

YOUNG WOMAN: That's what I thought. You see, I'm Mrs. Evelyn Mulwray. You know, Mr. Mulwray's wife.

THE BOY: The water.

GITTES: What about the water?

THE BOY: When it comes.

GITTES: When it comes? What'd you tell him?

THE BOY: Comes in different parts of the river. Every night a different part.

GITTES: Speak English?... Habla Ingles?

THE BOY: Si.

GITTES: Didn't you talk to a man here... few days ago... wore glasses... he...

GITTES: It's bone dry, Morty.

MORTY: It's not completely dry.

GITTES: Yeah, well he ain't gonna drown in a damp riverbed either, I don't care how soused he was. That's like drowning in a teaspoon.

GITTES: Come again?

MORTY: Yeah, got dead drunk, passed out in the bottom of the riverbed.

GITTES: The L.A. River?

MORTY: Yeah, under Hollenbeck Bridge, what's wrong with that?

GITTES: Yeah.

MORTY: Drowned, too.

MORTY: Yeah? Ain't that something? Middle of a drought, the water commissioner drowns. Only in L.A.

GITTES: Yeah. Banged up pretty bad.

MORTY: That's a long fall.

GITTES: So how are you, Morty?

MORTY: Jake, what're you doin' here?

GITTES: Nothin', Morty, it's my lunch hour, I thought I'd drop by and see who died lately.

GITTES: Yeah?... I do?

VOICE ON PHONE: Sure you do.

GITTES: Well, tell you what, pal. If Ida wants to see me she can call me at my office.

VOICE ON PHONE: Gittes?... Gittes?

GITTES: Yeah.

VOICE ON PHONE: Ida Sessions wants to see you.

GITTES: Who?

GITTES: This type of investigation can be hard on your pocketbook, Mrs. Mulwray. It takes time.

MRS. MULWRAY: Money doesn't matter to me, Mr. Gittes.

GITTES: All right, what's your husband's first name?

MRS. MULWRAY: Hollis. Hollis Mulwray.

GITTES: Water and Power?

GITTES: Mrs. Mulwray, do you love your husband?

MRS. MULWRAY: ...Yes of course.

GITTES: Then go home and forget about it.

MRS. MULWRAY: But...

GITTES: I'm sure he loves you, too. You know the expression, let sleeping dogs lie? You're better off not knowing.

MRS. MULWRAY: But I have to know.

MRS. MULWRAY: Can't we talk about this alone, Mr. Gittes?

GITTES: I'm afraid not, Mrs. Mulwray. These men are my operatives and at some point they're going to assist me. I can't do everything myself.

MRS. MULWRAY: Of course not.

GITTES: Now, what makes you certain he is involved with someone?

GITTES: No, really?

MRS. MULWRAY: I'm afraid so.

GITTES: I am sorry.

GITTES: How do you do, Mrs. Mulwray?

MRS. MULWRAY: Mr. Gittes...

GITTES: Now, Mrs. Mulwray, what seems to be the problem?

RAINMAKER: No problem with me on the Job.

GITTES: Yeah. Do you have any references?

RAINMAKER: City of La Habra Heights filled an 800,000 gallon reservoir with sixteen inches of rain in two days.

GITTES: That's swell. But how about here? Ever worked for Robert Knox, Emma Dill, Clarence Speer, Marian Parsons, or Jasper Lamar Crabb?

RAINMAKER: Never heard of 'em... new owners?

GITTES: Yeah.

RAINMAKER: Lot of turnover these days. Better tell them to get in touch with me if they want to hang onto their land.

GITTES: Yeah, I'll do that.

GITTES: He owned the water department?

SECRETARY: Yes.

GITTES: He owned the entire water supply for the city?

SECRETARY: Yes.

GITTES: How did they get it away from him?

SECRETARY: Mr. Mulwray felt the public should own the display. The water. If you'll just read the display.

GITTES: Mulwray? I thought you said Cross owned the department.

SECRETARY: Along with Mr. Mulwray.

GITTES: They were partners.

SECRETARY: Yes. Yes, they were partners.

GITTES: Julian Cross worked for the water department?

SECRETARY: Yes. No.

GITTES: He did or he didn't?

SECRETARY: He owned it.

SECRETARY: Mr. Yelburton will be busy for some time.

GITTES: Well I'm on my lunch hour. I'll wait.

SECRETARY: He's liable to be tied up indefinitely.

GITTES: I take a long lunch. All day sometimes.

GITTES: Mr. Mulwray, please.

SECRETARY: He's not in, Mr.?

GITTES: Gittes.

SECRETARY: May I ask what this is regarding?

GITTES: It's personal. Has he been out long?

SECRETARY: Since lunch.

GITTES: Gee whiz. And I'm late.

SECRETARY: He was expecting you?

GITTES: Fifteen minutes ago. Why don't I go in and wait?

GITTES: Duffy, go over and sit on Mulvihill. Jesus Christ, I didn't tell you to bring the police department with you.

WALSH: Jake, it's Chinatown. They're all over the place. You oughta know better.

GITTES: Gimme your keys. Watch this old fart, will you? Take Duffy's car. Curly's boat's in Pedro, near the Starkist cannery. It's the Evening Star. He'll be waiting. I'll take care of this.

WALSH: Yeah?

GITTES: Yeah. What's wrong with you guys? Think ahead. We find 'em, sue 'em. We'll make a killing. We'll have dinner at Chasen's twice a week, we'll be pissing on ice the rest of our lives.

WALSH: Sue people like that they're liable to be having dinner with the Judge who's trying the suit.

WALSH: Think you can nail Mulvihill? They'll claim you were trespassing.

GITTES: I don't want Mulvihill. I want the big boys that are making the payoffs.

WALSH: So he says you sent them?

GITTES: They're all a bunch of phonies.

WALSH: Look, Jake. She gave us Mulwray's real phone number and address.

GITTES: All she needed for that was the phone book!

WALSH: No, no. She said not to call, her husband might answer.

GITTES: When I find out who that phony bitch was.

GITTES: Jesus Christ, Walsh. That's what you spent your day doing?

WALSH: Look, you tell me to take pictures, I take pictures.

GITTES: Let me explain something to you, Walsh. This business requires a certain finesse.

GITTES: This?

WALSH: They got into a terrific argument outside the Pig 'n Whistle.

GITTES: What about?

WALSH: I don't know. The traffic was pretty loud. I only heard one thing apple core.

GITTES: Apple core?

WALSH: Yeah.

GITTES: Tell me, how many people a week do you foreclose on?

OTHER CUSTOMER: We don't publish a record in the paper, I can tell you that.

GITTES: Neither do I.

OTHER CUSTOMER: No, you have a press agent do it.

GITTES: What's that, pal?

OTHER CUSTOMER: Nothing. You got a hell of a way to make a living.

GITTES: Oh? What do you do to make ends meet?

OTHER CUSTOMER: Mortgage Department, First National Bank.

PILOT: She ran off to Mexico. Rumor was she was knocked up and didn't even know who the father was. Went there to get rid of it.

GITTES: You don't say?

PILOT: Cross was looking for her all over the country. Offered rewards, everything. Felt real sorry for him, with all his money.

PILOT: Course, she settled down nicely.

GITTES: Well, you never know, do you?

PILOT: That's for sure.

GITTES: Why'd she run away?

PILOT: Oh, you know. She was sixteen or seventeen.

GITTES: We missed the best of it, didn't we, pal?

PILOT: Lots of fellas do. Tell the little woman they're going on a fishing trip, then shack up with some little twist on the island... she pretty?

GITTES: I'm going to see a man called Julian Cross. Ever heard of him?

PILOT: Is the Pope Catholic? Who are you, mister?... I ask because he doesn't see a whole lot of people.

GITTES: I'm working for his daughter.

PILOT: That right?... She used to be some looker.

GITTES: She ain't exactly long in the tooth now.

PILOT: She must be about thirty-three, thirty- four.

GITTES: You must be thinking of a different daughter.

PILOT: No, he's only got one, I remember her age, I read it in the newspapers when she ran away.

GITTES: She ran away?

PILOT: Oh yeah, it was a big thing at the time. Julian Cross' daughter. God almighty. She was a wild little thing.

GITTES: Not exactly.

PILOT: But that's what you told your wife.

Oscar Awards

Wins

WRITING (Original Screenplay) - 1974 Robert Towne

Nominations

ACTOR - 1974 Jack Nicholson
ACTRESS - 1974 Faye Dunaway
ART DIRECTION - 1974 Richard Sylbert, W. Stewart Campbell, Ruby Levitt
CINEMATOGRAPHY - 1974 John A. Alonzo
COSTUME DESIGN - 1974 Anthea Sylbert
DIRECTING - 1974 Roman Polanski
FILM EDITING - 1974 Sam O'Steen
MUSIC (Original Dramatic Score) - 1974 Jerry Goldsmith
BEST PICTURE - 1974 Robert Evans
SOUND - 1974 Bud Grenzbach, Larry Jost

Media

Featurette
Jack Nicholson accepts his award on the set of One Flew Over the Cuckoo's Nest
Trailer
Trailer