The Silence of the Lambs

In his mind lies the clue to a ruthless killer. She must trust him to stop the killer.

Release Date 1991-02-14
Runtime 119 minutes
Status Released
Watch

Overview

Clarice Starling is a top student at the FBI's training academy. Jack Crawford wants Clarice to interview Dr. Hannibal Lecter, a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.

Budget $19,000,000
Revenue $272,742,922
Vote Average 8.346/10
Vote Count 17014
Popularity 3.2599
Original Language en

Backdrop

Available Languages

English US
Title:
"In his mind lies the clue to a ruthless killer. She must trust him to stop the killer."
Deutsch DE
Title: Das Schweigen der Lämmer
"Um den Geist eines Mörders zu verstehen, muss sie den Geist eines Wahnsinnigen herausfordern."
Pусский RU
Title: Молчание ягнят
"«От ужасающего бестселлера»"
Français FR
Title: Le Silence des agneaux
"Elle doit deviner les pensées d'un criminel en pénétrant dans le monde d'un psychopathe."
Magyar HU
Title: A Bárányok hallgatnak
""
Italiano IT
Title: Il silenzio degli innocenti
""Uno che faceva un censimento una volta tentò di interrogarmi. Mi mangiai il suo fegato con un bel piatto di fave ed un buon Chianti.""

Where to Watch

🇦🇪 United Arab Emirates [AE]

buy

rent

🇦🇴 Angola [AO]

rent

buy

🇦🇷 Argentina [AR]

Stream

buy

rent

🇦🇹 Austria [AT]

Stream

buy

rent

🇦🇺 Australia [AU]

Stream

🇦🇿 Azerbaijan [AZ]

rent

buy

🇧🇪 Belgium [BE]

rent

Stream

buy

🇧🇫 Burkina Faso [BF]

rent

buy

🇧🇬 Bulgaria [BG]

buy

rent

🇧🇴 Bolivia, Plurinational State of [BO]

buy

rent

🇧🇷 Brazil [BR]

rent

buy

Stream

🇧🇾 Belarus [BY]

buy

rent

🇧🇿 Belize [BZ]

rent

Stream

buy

🇨🇦 Canada [CA]

Stream

🇨🇭 Switzerland [CH]

Stream

🇨🇱 Chile [CL]

Stream

rent

buy

🇨🇴 Colombia [CO]

Stream

buy

rent

🇨🇷 Costa Rica [CR]

rent

buy

🇨🇻 Cabo Verde [CV]

rent

buy

🇨🇾 Cyprus [CY]

buy

rent

🇨🇿 Czechia [CZ]

buy

rent

🇩🇪 Germany [DE]

Stream

buy

rent

🇩🇰 Denmark [DK]

free

🇪🇨 Ecuador [EC]

buy

rent

Stream

🇪🇪 Estonia [EE]

rent

buy

🇪🇬 Egypt [EG]

rent

buy

🇪🇸 Spain [ES]

Stream

rent

buy

🇫🇮 Finland [FI]

Stream

🇫🇷 France [FR]

Stream

🇬🇧 United Kingdom [GB]

🇬🇭 Ghana [GH]

buy

rent

🇬🇷 Greece [GR]

rent

buy

🇬🇹 Guatemala [GT]

rent

buy

🇬🇾 Guyana [GY]

Stream

🇭🇰 Hong Kong [HK]

rent

buy

🇭🇳 Honduras [HN]

rent

buy

🇭🇷 Croatia [HR]

rent

buy

🇭🇺 Hungary [HU]

rent

buy

🇮🇩 Indonesia [ID]

buy

rent

🇮🇪 Ireland [IE]

🇮🇱 Israel [IL]

buy

rent

🇮🇳 India [IN]

Stream

🇮🇸 Iceland [IS]

rent

buy

🇮🇹 Italy [IT]

buy

Stream

rent

🇱🇹 Lithuania [LT]

rent

buy

🇱🇺 Luxembourg [LU]

buy

rent

🇱🇻 Latvia [LV]

buy

rent

🇲🇱 Mali [ML]

rent

buy

🇲🇹 Malta [MT]

Stream

🇲🇺 Mauritius [MU]

buy

rent

🇲🇽 Mexico [MX]

rent

Stream

buy

🇲🇾 Malaysia [MY]

buy

rent

🇲🇿 Mozambique [MZ]

rent

buy

🇳🇮 Nicaragua [NI]

buy

Stream

rent

🇳🇱 Netherlands [NL]

Stream

🇳🇴 Norway [NO]

🇳🇿 New Zealand [NZ]

ads

rent

Stream

buy

🇵🇪 Peru [PE]

buy

rent

🇵🇬 Papua New Guinea [PG]

rent

buy

🇵🇭 Philippines [PH]

rent

buy

🇵🇱 Poland [PL]

Stream

🇵🇹 Portugal [PT]

rent

buy

🇵🇾 Paraguay [PY]

rent

buy

🇷🇺 Russian Federation [RU]

rent

buy

🇸🇦 Saudi Arabia [SA]

buy

rent

🇸🇪 Sweden [SE]

Stream

🇸🇬 Singapore [SG]

rent

buy

🇸🇮 Slovenia [SI]

buy

rent

🇸🇰 Slovakia [SK]

rent

buy

🇸🇲 San Marino [SM]

Stream

🇹🇭 Thailand [TH]

rent

buy

🇹🇷 Türkiye [TR]

rent

buy

🇹🇼 Taiwan, Province of China [TW]

rent

buy

🇹🇿 Tanzania, United Republic of [TZ]

buy

rent

🇺🇦 Ukraine [UA]

buy

rent

🇺🇬 Uganda [UG]

buy

rent

🇺🇸 United States [US]

Stream

🇻🇦 Holy See (Vatican City State) [VA]

Stream

🇻🇪 Venezuela, Bolivarian Republic of [VE]

rent

buy

🇿🇦 South Africa [ZA]

rent

buy

🇿🇼 Zimbabwe [ZW]

buy

rent

Cast

Crew

Reviews

Ted Fraraccio
10.0/10
Unlike a lot of viewers, I first saw _The Silence of the Lambs_ at five years old. So, for me, _The Silence of the Lambs_ is a childhood favorite. Some would say I had an unusual childhood, in this age where some people actually **avoid** R-rated movies like the plague. The fact that I saw _Something Wild_, which Jonathan Demme directed five years before _The Silence of the Lambs_, as well as the original _Alien_ (alone at that), at the same age probably indicates that they were okay with me watching pretty much anything that wasn't rated X, though, honestly, I've **never** had any interest in that stuff. It was probably due to the fact that, like the movie's protagonist, I don't "spook easily," and many so-called "scary" movies, including this one, never scared me, but (many of them) definitely thrilled me. Granted, I'd seen _Saving Private Ryan_ a few months before, which probably gave me a strong stomach. Well, enough about my wild, albeit fun, childhood. How does _The Silence of the Lambs_ hold up all these years later? For me personally, _The Silence of the Lambs_ is every bit as good as it was the first time I saw it at five years old. On the off chance you don't already know the plot by now, Jodie Foster stars as Clarice Starling, a rookie FBI agent with a degree in psychology who is called from training by her boss Jack Crawford (Scott Glenn) in the middle of a string of murders by a man nicknamed "Buffalo Bill" (Ted Levine) who skins his victims, all of whom happen to be women. Crawford tells her to interview the psychotic Dr. Hannibal "the Cannibal" Lecter (Anthony Hopkins) in prison, hoping he might have an answer of some kind. Lecter brushes her off. After Catherine Martin (Brooke Smith), the daughter of a senator is kidnapped, Lecter agrees to give Starling information about Buffalo Bill on the condition that she tell him personal information about herself. If I had to pick the greatest Best Picture Oscar winner ever, it would most likely be _The Silence of the Lambs_. Well-acted, well-written, and well-directed, it's definitely my favorite. Let's look at the acting to start. Jodie Foster, unsurprisingly, won a well-deserved Oscar for her performance as Starling. Foster plays Starling as a little scared yet strong at the same time, definitely not a coward as Julianne Moore later played the character in the movie _Hannibal_, and definitely not someone who would turn cannibal as Thomas Harris wrote the character as doing in the novel Hannibal. Movie or novel, in my honest opinion, the Clarice Starling depicted in _Hannibal_ is an insult to what this Clarice Starling stands for. As we find out about what's been nagging Starling since childhood, Foster plays it especially well where another actress may have overdone it. Anthony Hopkins, like Foster, won an Oscar for his performance as Lecter, and I speak for a lot of people, if not everybody, when I say it was also well-deserved. Hopkins plays Lecter as brilliant yet insane, making him one of the more interesting villains in movie history. Scott Glenn plays Crawford very well for the time he's onscreen. Ted Levine plays "Buffalo Bill" as straight up crazy, and does a very good job of making us hate him. Brooke Smith is only supposed to play Catherine Martin as scared and she does - with dead-on accuracy. Ted Tally won a well-deserved Oscar for his screenplay, adapted from Thomas Harris' novel of the same name. Tally doesn't feel the need to focus on violence and gore, which is one of the movie's strengths. Instead he focuses on the characters, and I'd be lying if I said he didn't flesh them out very, very, very, well. Jonathan Demme also won an Oscar for his directing and he does a very good job of it. _The Silence of the Lambs_ is relentlessly thrilling and it holds me to my seat until the last frame every time I see it, all without relying on excessive gore. I've already mentioned that _The Silence of the Lambs_ doesn't scare me, so it may - or may not - scare you, depending on what you're afraid of. Admittedly, there are a few creepy things displayed onscreen so I can see why it would scare some viewers. Either way, I can't recommend _The Silence of the Lambs_ enough, and everybody should see it at least once. _The Silence of the Lambs_ is a childhood favorite of mine, and it holds up very, very well almost 25 years after its release. It's relentlessly thrilling, flawlessly acted, flawlessly written, flawlessly directed, and one of the few movies that actually deserved all the Oscars it won.
Gimly
8.0/10
This is one of a few movies I put off reviewing for years, because I honestly don't know what to say about a film this classic. So I'll be brief in my actual review, knowing that it comes from a place where I honestly believe that this is a movie that deserves its praise: Even if the A-plot of the story wasn't one of the best crime thrillers put to screen, the Hannibal Lector moments alone would be enough to make _Silence of the Lambs_ a great movie, most especially his run in Memphis. _Final rating:★★★★ - Very strong appeal. A personal favourite._
Melissa Goldfine
None/10
It kind of reminds me of The Rocky Horror Picture Show, because Frank and Jame are drag queens who kill.
Repo Jack
10.0/10
As a genre fan, there's a certain amount of satisfaction when a film is recognized by mainstream audiences. That's what it was like for me in 1992 when Silence of the Lambs swept the Oscar's (Best Picture, Director, Actor and Actress). And boy did the movie deserve it. Jonathan Demme's fantastic retelling of the classic book by Thomas Harris. Anthony Hopkins' scene-chewing Hannibal Lecter turned him into a pop culture icon (and unfortunately a slew of middling sequels). And Jodie Foster's grim and naive portrayal of Clarice. The final touch is that haunting score. Some of the best movies out there are elevated by a musical score that puts it another league. A phenomenal classic.
Joseph Strickland
None/10
**Absolute Classic Film! I read the book before watching this thriller/horror classic film by Jonathan Demme. The film works on so many levels and at times feels very realistic in how it portraits law enforcers and the perverse criminals they pursue. Outstanding performances by Anthony Hopkins, Jodie Foster, Scott Glen, Ted Levine, etc.. I feel the director was influenced by Alfred Hitchcock's Psycho classic horror film by way of how grounded this film shows the deadly cat and mouse game and the overall arch of themes throughout. Fear and desire for sex, loathing of the human body, suppression of emotions, hatred for banality and towards women, etc. In this day of cartoon Marvel movies which have little or no connections to human experiences or reality, this classic film will stand the test of time because of how all of the creative artists involve respected the work. This one's on my all time top favorite list of must see films.
CinemaSerf
8.0/10
This is a brilliant screen adaptation of the Thomas Harris book with a cast impossible to improve upon. Anthony Hopkins plays "Hannibal Lecter", a murderous sophisticate with a penchant for eating the evidence and Jodie Foster as the novice FBI agent sent to try and elicit his help in tracking down a killer with a similar modus operandi to our now incarcerated "Lecter". The menace with which Hopkins portrays the role is spine-chilling. Foster conveys the transformation from scared young agent to hard-nosed detective with convincing aplomb and this really does make for a belter of a thriller. A clean sweep of 5 Oscars and the top 2 acting BAFTA awards can't be wrong!
RalphRahal
10.0/10
The Silence of the Lambs is one of those movies that isn’t just great—it’s iconic. From the moment it starts, there’s an unsettling tension that never lets up. The plot is masterfully structured, pulling you into a psychological game of cat and mouse that keeps you engaged the entire time. It’s dark, intense, and layered with meaning, making it the kind of film that sticks with you long after the credits roll. This isn’t a casual weekend watch but rather a cinematic experience that deserves full attention. Jonathan Demme’s directing is sharp and precise, keeping the story tight without any wasted moments. Every scene feels deliberate, building suspense in a way that’s subtle yet incredibly effective. The cinematography plays a huge role in this, with its use of close-ups making the film feel personal and claustrophobic. There’s an intimacy to the way characters are shot, pulling you into their headspace and making the psychological tension hit even harder. The acting is what really elevates the movie to legendary status. Jodie Foster delivers an incredible performance, bringing both vulnerability and determination to her role. But it’s Anthony Hopkins who steals the show, creating one of the most chilling yet mesmerizing characters in film history. His screen presence is magnetic, proving that sometimes, the scariest thing isn’t loud or violent but calm, calculated, and intelligent. The script is airtight, filled with sharp dialogue that never feels forced. Every exchange has weight, and the conversations alone are enough to keep you on edge. The score and sound design play a crucial role in building atmosphere. The music is haunting yet subtle, never overdoing it but always enhancing the unease. Silence is used just as effectively as sound, making certain moments feel even more intense. It’s one of those films where everything, from the writing to the visuals to the performances comes together flawlessly. The Silence of the Lambs isn’t just a must-watch. It’s a masterpiece.

Famous Quotes

"A census taker once tried to test me. I ate his liver with some fava beans and a nice Chianti."
"Oh, and Senator, just one more thing. Love your suit."
"I'm having an old friend for dinner."

Famous Conversations

ARDELIA: Agent Starling! Telephone!

CLARICE: Agent Mapp! Thank you!

CLARICE: "- every day."

ARDELIA: Hot damn, Clarice.

CLARICE: He knew her...!

CLARICE: Fredrica Bimmel, from Belvedere, Ohio. The first girl taken, but the third body found... Why?

ARDELIA: 'Cause she didn't drift. He weighted her down.

CLARICE: But why? He didn't weight the others.

CLARICE: "Desperately random." What does he mean?

ARDELIA: Not random at all, maybe. Like there's some pattern here...?

CLARICE: But there is no pattern. There's no connection at all among these places, or the computers would've nailed it! They're even found in random order.

ARDELIA: Well, except for the one girl.

CLARICE: What girl?

ARDELIA: The one that was weighted down. Where is she...? Fred something.

ARDELIA: Clarice - you did the best anybody could have for Catherine Martin. You stuck your neck out for her and you got your butt kicked for her and you tried. It's not your fault it ended this way.

CLARICE: The worst part - the thing that's making me crazy - is that Bill is right in front of me. Only I can't see him... Lecter said, everything I need to catch him is right here, in these pages...

ARDELIA: Lecter said a lot of things.

CLARICE: He's here, Ardelia.

CLARICE: No. He won't come after me.

ARDELIA: Why not?

CLARICE: It would be rude. And he wouldn't get to ask any more questions...

CLARICE: Boy, is that smart...

ARDELIA: Why does she keep repeating the name?

CLARICE: Somebody's coaching her... They're trying to make him see Catherine as a person - not just an object.

ARDELIA: You missed Fourth Amendment law. Unlawful seizure, real juicy stuff. Where were you all afternoon?

CLARICE: Pleading with a crazy man, with come all over my face.

ARDELIA: Phone call, Clarice. It's God.

CLARICE: Thanks, Ardelia.

CLARICE: What'd I do?

ARDELIA: Stay cool. Just remember to call him "God."

ARDELIA: Damn, Clarice, how'd you make me?

CLARICE: Never cock. Just squeeze.

ARDELIA: I love it when you talk dirty.

BRIGHAM: Wear it, don't ever leave it in your purse. Dry fire it whenever you get the chance. And do your exercises.

CLARICE: I will... I promise.

BRIGHAM: Listen, I hope you never need a thing I've taught you. But you've got something... Jack sees it, I do too. If you ever need to, you can shoot.

BRIGHAM: Jack's pretty tough on you, isn't he? Impatient...

CLARICE: Sometimes.

BRIGHAM: He's got a lot on his mind besides Buffalo Bill... His wife, Bella, is real sick. Comatose... I'm tellin' you about it now, 'cause he may never.

BRIGHAM: Get your field gear, take stuff for overnight. You're goin' with Crawford.

CLARICE: Where?

BRIGHAM: Some fishermen in West Virginia found an unidentified girl's body. It's a Buffalo Bill-type situation. Been in the water about a week, and Jack needs somebody that can print a floater. Think you can handle it?

CLARICE: I'll need the big fingerprint kit... and the one-to-one Polaroid, the CU- 5, with film packs and batteries.

CLARICE: FBI, Catherine, you're safe.

CATHERINE: Safe, SHIT, he's got a gun! Getmeout. GET ME OUT!

CLARICE: You're all right! Where is he?

CATHERINE: Get me out!

CLARICE: I'll get you out! Just be quiet so I can hear. Shut that dog up. Is there a ladder? Is there a rope?

CATHERINE: I don't know! Get me out!!

CLARICE: Catherine. Listen to me. I have to find a rope. I have to leave this room, just for a minute, but -

CATHERINE: NOOOOO! You fucking bitch don't you LEAVE ME down here, DON'T YOU - YOU

CLARICE: Shut UP! The other officers will be here any minute! you're perfectly safe now!

CHILTON: What you're doing, Miss Starling, is coming into my hospital to conduct an interview, and refusing to share information with me. For the third time!

CLARICE: Dr. Chilton, I told you - this is just routine follow-up on the Raspail case.

CHILTON: He's my patient! I have rights! I'm not just some turnkey, Miss Starling. I shouldn't even be here this afternoon. I had a ticket to Holiday on Ice.

CLARICE: Dr. Chilton - if Lecter feels you're his enemy - as you've said - then maybe I'll have more luck by myself. What do you think?

CHILTON: You might have suggested that in my office, and saved me the time.

CLARICE: But then I would've missed the pleasure of your company.

CHILTON: Do not reach through the bars, do not touch the bars. You pass him nothing but soft paper - no pens or pencils. No staples or paperclips in his paper. Use the sliding food carrier, no exceptions. Do not accept anything he attempts to hold out to you. Do you understand me?

CLARICE: I understand.

CHILTON: I'm going to show you why we insist on such precautions... On the afternoon of July 8, 1981, he complained of chest pains and was taken to the dispensary. His mouthpiece and restraints were removed for an EKG. When the nurse bent over him, he did this to her...

CHILTON: Lecter carved up nine people - that we're sure of - and cooked his favorite bits. We've tried to study him, of course - but he's much too sophisticated for the standard tests. And my, does he hate us! Thinks I'm his nemesis... Crawford's very clever, isn't he? Using you.

CLARICE: How do you mean, Dr. Chilton?

CHILTON: A pretty young woman, to turn him on? I don't believe Lecter's ever seen a woman in eight years. And oh, are you ever his "taste" - so to speak.

CLARICE: I graduated magna from UVA, Doctor. It's not a charm school.

CHILTON: Good. Then you should be able to remember the rules.

CLARICE: I'm sure it's a great town, Dr. Chilton, but my instructions are to talk to Lecter and report back this afternoon.

CHILTON: I see. Let's make this quick, then. I'm busy.

CLARICE: Maybe he lives in this, this Belvedere, Ohio, too! Maybe he saw her every day, and killed her sort of spontaneously. Maybe he just meant to... give her a 7-Up and talk about the choir. But then -

KRENDLER: Starling -

CLARICE: But then he had to cover up, make her seem just like all the rest of them. That's what Lecter was hinting!

KRENDLER: The market in Lecter hints is way down, today, okay? I've got two good men dead in Memphis, and three civilians. I've got -

KRENDLER: Do you need a police escort, Starling? Or do you think you can find the airport by yourself?

CLARICE: Yes sir. I can find it by myself.

KRENDLER: He gave us a perfectly good description, and we're on it now, so we won't be needing your little novelty act any longer - or his, either. He's under close guard at the courthouse, pending a prison transfer. The next plane, Officer.

CLARICE: Sir, doesn't this "William Rubin" strike you as - I don't know - kind of vague?

CLARICE: Mr. Krendler... Dr. Lecter trusts me. Or at least, he used to. If I could just -

KRENDLER: Lecter has already named Buffalo Bill.

KRENDLER: You're out of line, Starling, and you're off this case. Back to Quantico.

CLARICE: Sir, Mr. Crawford instructed me -

KRENDLER: Your instructions are what I'm giving you now. Jack Crawford answers to the Director, and the Director answers to me. My God, Crawford's losing it...! He shouldn't even be on this, with his wife sick as she is... How the hell did you get in here, anyway? He gave you - what? Some kind of special ID? Let's have it.

CLARICE: I need the ID to fly with my gun. The gun belongs in Quantico.

KRENDLER: Gun. Jesus. Turn in the ID as soon as you get back. The gun, too. Be on the next plane, Starling, there's one in 90 minutes.

CLARICE: Mr. Yow? Oh Mr. Yow...? It looks like somebody is sitting in this car.

MR. YOW: Oh my! Oh my... Maybe you better come out now, Miss Starling.

CLARICE: Not yet! - just wait for me. Maybe in about two seconds.

MR. YOW: You're playing a piano, Miss Starling?

CLARICE: That wasn't me.

MR. YOW: Oh.

MR. YOW: Okay, Miss Starling?

CLARICE: Okay, Mr. Yow...

CLARICE: Mr. Yow, if this door should fall down -ha ha! - or anything else - would you be kind enough to call this number? It's our Baltimore field office. They know you're here with me... Do you understand?

MR. YOW: Might I suggest tucking your pants into your socks? To prevent mouse intrusion.

CLARICE: Good idea.

MR. YOW: Not to my knowledge. Privacy is a great concern to my customers. But, if you say this is an FBI matter...

CLARICE: I won't disturb anything, Mr. Yow, I promise. Be gone before you know it.

CLARICE: Mr. Gordon, did you take over this place after Mrs. Lippman died?

MR. GUMB: Yes. I bought the house from her, two years ago.

CLARICE: Did she leave any records here? Tax or business records? Maybe a list of employees?

MR. GUMB: Are they close to catching somebody, do you think?

CLARICE: I think we may be, yes.

MR. GUMB: Mrs. Lippman had a son, maybe he could help you. I have his card somewhere. Do you mind stepping inside, while I looks for it?

CLARICE: Thanks.

CLARICE: I'm investigating the death of Fredrica Bimmel. Who are you, please?

MR. GUMB: Jack Gordon.

CLARICE: Mr. Gordon, did you know Fredrica when she worked for Mrs. Lippman?

MR. GUMB: No. Wait... Was she a great, fat person? I may have seen her, I'm not sure...

CLARICE: Excuse me, but I really do need to talk to you. This was Mrs. Lippman's house. Did you know her?

MR. GUMB: Just briefly. What's the problem, Officer?

CLARICE: Yes sir... I'll do my best.

CRAWFORD: Starling - you've earned back your place in the Academy. We never would've found him without you, and nobody's ever going to forget that. Least of all me.

CLARICE: Yes sir. Thank you, sir...

CRAWFORD: This Gumb's a real beauty. Slaughtered both his grandparents when he was twelve, and did nine years in juvenile psychiatric. Where, Starling, he took vocational rehab, and learned a useful trade...

CLARICE: Sewing...

CRAWFORD: Take a bow. Customs had some paper on his alias. They stopped a carton two years ago at LAX - live caterpillars from Surinam. The addressee was "John Grant." Calumet Power & Light's given us two possible residences under that alias. We're hitting one, Chicago SWAT's taking the other.

CLARICE: Chicago's only about 400 miles from here. I could be there in -

CRAWFORD: No, Starling, there isn't time. And you've still got crucial work to do in Ohio. We want him for murder, not kidnapping. I'm counting on you to link him to the Bimmel girl, before he's indicted.

CLARICE: Sir, that's great news. But how -

CRAWFORD: Johns Hopkins finally came up with a name for us. We fed him into Known Offenders, and he came up cherries. Subject's name is "Jamie Gumb," AKA "John Grant." Lecter's description was accurate, he just lied about the name.

CLARICE: He's making himself a "woman suit," Mr. Crawford - out of real women! And he can sew, this guy, he's really skilled. A dressmaker, or a tailor -

CRAWFORD: Starling -

CLARICE: That's why they're all so big - because he needs a lot of skin! He keeps them alive to starve them awhile - to loosen their skin, so that -

CRAWFORD: Starling, we know who he is! And where he is. We're on our way now.

CLARICE: Where?

CRAWFORD: Ohio is cold ground. Picked over, ten months ago. Our people worked it, so did the locals.

CLARICE: But not from this angle. Not thinking he knew her. You've got to send me!

CRAWFORD: I'm Bureau for 28 years, Starling. I won't disobey orders, not even now.

CLARICE: But I just became a private citizen. I can go anywhere I want to.

CRAWFORD: With ID and a gun...? Impersonating a federal agent is a felony.

CLARICE: He's going to kill her, Mr. Crawford. This morning, or maybe at noon, but today, and Belvedere's our last chance. I'm flying there, right now, unless you stop me. You want my ID? Here - take it...

CLARICE: All his victims are women... His obsession is women, he lives to hunt women. But not one women is hunting him - except me. I can walk in a woman's room and know three times as much about her as a man would. I have to go to Belvedere.

CRAWFORD: You heard them. I don't have that authority anymore.

CLARICE: You do until six p.m.

CLARICE: I lied to Lecter. I'll need some kind of peace offering... Can I get the drawings from his cell?

CRAWFORD: Good idea. Meantime, try to get a feel for Catherine Martin. Her apartment, her friends... how he might've stalked her. I'm going to the other two clinics, Minnesota and Ohio. Now's the hardest part, Starling. Use your anger, don't let it keep you from thinking. Just keep your eyes on Catherine. We've got less than 30 hours.

CLARICE: Mr. Crawford... can those cops down there handle Dr. Lecter?

CRAWFORD: They'll use their best men. But they better be paying attention...

CLARICE: Lecter is still the key, I know he is. Whatever he told me about Bill is just as good now as it was before.

CRAWFORD: Or just as worthless. But I want you in Memphis, close to him. Maybe when he gets tired of toying with Senator Martin, he'll talk to you again. There's a plane waiting for you now at the airstrip.

CLARICE: Are you in trouble over this, Mr. Crawford? Can Senator Martin do something to you?

CRAWFORD: I'm 53, Starling. If I found Jimmy Hoffa on national TV, I'd still have to retire in two years. It's not a consideration. But you are... You've done enough. If I keep you out of school any longer, you'll be recycled. Cost you six months, at least. I can guarantee you readmission here, but that's about it. Now's your chance, Starling. Go back to class. Leave Bill to me.

CLARICE: If you didn't want me chasing him, you shouldn't have taken me to that funeral home.

CLARICE: Chilton has killed her, hasn't he? That slimy little bastard! We were so close with Lecter - and now her last chance is gone.

CRAWFORD: Let's get some coffee and talk.

CRAWFORD: But for Catherine Martin, it all comes down to you and Lecter. You're the one he talks to.

CLARICE: He's already offered to help... What would happen if we just showed our cards - asked him for Bill?

CRAWFORD: He offered to help, Starling, not to snitch. That wouldn't give him enough chance to show off. Remember, Lecter looks mainly for fun. Never forget fun.

CLARICE: But if he knew we have so little time -

CRAWFORD: If we act too anxious, he'll make us wait. He'll let the Senator keep hoping, day after day, until Catherine finally washes up. That'd be the most fun of all.

CLARICE: I think he means it, this time. I think he'll deal.

CRAWFORD: What would it take?

CLARICE: Transfer to a new prison. With a view of trees, he said, or even water... Can we swing that?

CRAWFORD: State to federal jurisdiction... We can do it - eventually - but we'll never get all the clearances in time. Can you convince him a deal's already in place?

CLARICE: You'll back me up with some paperwork? Then I'll try. But wouldn't this have more weight coming from the Senator herself?

CRAWFORD: She doesn't know what we're up to. And we can't afford to let her find out.

CRAWFORD: When we get back, I want you to run that bug by the Smithsonian, see if they can identify it. Maybe it's got some limited range, or it only breeds at certain times of year... You found it, Starling, you deserve the credit.

CLARICE: I'm wondering if he's done that before - placed a cocoon, or an insect. It would be easy to miss in an autopsy, especially with a floater... Can we check back on that?

CRAWFORD: The other girls are in the ground. Exhumations are upsetting for the families. I'll do it if I have to, but -

CLARICE: Then have the lab check Raspail's head. Dr. Lecter's patient - have them probe his soft-palette tissues... They'll find another cocoon.

CRAWFORD: You seem pretty sure of that.

CLARICE: Raspail was killed by the same man who's killing these girls. And Lecter knows him. Maybe even treated him... You think so, too, don't you? Or you'd never have sent me to that asylum.

CRAWFORD: When I told that sheriff we shouldn't talk in front of a woman, that really burned you, didn't it? That was just smoke, Starling, I had to get rid of him. You did well in there.

CLARICE: It matters, Mr. Crawford... Other cops know who you are. They look at you to see how to act... It matters.

CRAWFORD: Point taken.

CLARICE: I don't know. I didn't see those on any of the other girls...

CRAWFORD: They weren't there. Get close-ups.

CRAWFORD: What do you see, Starling?

CLARICE: Well, she's not local. Her ears are pierced three times each, and she's wearing green glitter nail polish. Looks like town to me...

CRAWFORD: Okay, Starling. Let's have it.

CLARICE: You haven't said a word today about that garage. Or what I found there.

CRAWFORD: What should I say? You did fine work. We'll wait on the lab.

CLARICE: You knew. You knew from the start that Lecter held the key to this... But you weren't up front with me. You sent me in to him naked.

CRAWFORD: Are you finished?

CLARICE: He starts this - buzzing in me, in my head. He makes me feel violated... You used me, Mr. Crawford.

CRAWFORD: Talk about him, Starling. Tell me what you see.

CLARICE: He's a white male... Serial killers tend to hunt within their own ethnic group. And he's not a drifter - he's got his own house, somewhere. Not an apartment.

CRAWFORD: Why?

CLARICE: What he does with them - takes privacy... Time, tools... He's in his 30's or 40's - he's got real physical strength, but combined with an older man's self-control. He's cautious, precise, never impulsive... This won't end in suicide, like they often do.

CRAWFORD: Why not?

CLARICE: He's got a real taste for it now. And he's getting better at his work.

CRAWFORD: Maybe you've got a knack for this... I guess we're about to find out.

CLARICE: Like I have a "knack" for Dr. Lecter?

CRAWFORD: Blue square for Belvedere, Ohio, where the Bimmel girl was abducted. Blue triangle where her body was found - down here in Missouri. Same marks for the other four girls, in different colors. This new one, today... washed up here. Elk River, in West Virginia, about six miles below U.S. 79. Real boonies.

CLARICE: There's no correlation at all between where they're kidnapped and where they're found...? What if - what if you trace the heaviest-traffic routes backwards from the dump sites? Do they converge at all?

CRAWFORD: Good idea, but he thought of it, too. We've run simulations, using different vectors and the best dates we can assign. You put it all in the computer, and smoke comes out. No, this one is different. This one has seen us coming...

CRAWFORD: Well? Why aren't you there right now?

CLARICE: Sir, that's a field job. It's outside the scope of my assignment. And I've got a test tomorrow on -

CRAWFORD: Do you recall my instructions to you, Starling? What were they?

CLARICE: To complete and file my report by 0800 Wednesday. But sir -

CRAWFORD: Then do that, Starling. Do just exactly that.

CLARICE: Sir, what is it? There's something you're not telling me.

CRAWFORD: Miggs has been murdered.

CLARICE: Murdered...? How?

CRAWFORD: The orderly heard Lecter whispering to him, all afternoon, and Miggs crying. They found him at bed check. He'd swallowed his own tongue... Chilton is scared stiff the family will file a civil rights lawsuit, and he's trying to blame it on you. I told the little prick your conduct was flawless. Starling...?

CLARICE: I'm here, sir, I just - I don't know how to feel about it.

CRAWFORD: You don't have to feel any way about it. Lecter did it to amuse himself. Why not, what can they do? Take away his books for awhile, and no jello... I know it got ugly today. But this is your report, Starling - take it as far as you can. On your own time, outside of class. Now carry on.

CRAWFORD: I've read your interim memo on Lecter. You sure you've left nothing out?

CLARICE: It's all there, sir, practically verbatim.

CRAWFORD: Every word, Starling? Every gesture?

CLARICE: Right down to the kleenex I used. Sir, why? Is something wrong?

CRAWFORD: He mentioned a name, at the very end. "Mofet..." Any followup on her?

CLARICE: I spent all evening on the mainframe. Lecter altered or destroyed most of his patient histories, prior to capture. No record of anyone named Mofet. But "Split City" sounded like it might have have something to do with divorce. I tracked it down in the library's catalogue of national yellow pages. It's a mini-storage facility outside Baltimore, where Lecter had his practice.

CRAWFORD: Now. I want your full attention, Starling. Are you listening to me?

CLARICE: Yes sir.

CRAWFORD: Be very careful with Hannibal Lecter. Dr. Chilton at the asylum will go over the physical procedures used with him. Do not deviate from them, for any reason. You tell him nothing personal, Starling. Believe me, you don't want Hannibal Lecter inside your head... Just do your job, but never forget what he is.

CLARICE: And what is that, sir?

CLARICE: Yes, well... Okay, right. I'm glad for the chance, sir, but - why me?

CRAWFORD: You're qualified and available. And frankly, I can't spare a real agent right now.

CRAWFORD: We're trying to interview all of the serial killers now in custody, for a psychobehavioral profile. Could be a big help in unsolved cases. Most of them have been happy to talk to us. They have a compulsion to boast, these people... Do you spook easily, Starling?

CLARICE: Not yet.

CRAWFORD: You see, the one we want most refuses to cooperate. I want you to go after him again today, in the asylum.

CLARICE: Who's the subject?

CRAWFORD: The psychiatrist - Dr. Hannibal Lecter.

CRAWFORD: Starling, Clarice M., good morning.

CLARICE: Good morning, Mr. Crawford.

CRAWFORD: Your instructors tell me you're doing well. Top quarter of the class.

CLARICE: I hope so. They haven't posted anything.

CRAWFORD: A job's come up and I thought about you. Not really a job, more of - an interesting errand. Walk me to my car, Starling.

CLARICE: And there's no way - no natural way - these could've wound up in the bodies?

PILCHER: They live in Malaysia. In this country, they'd have to be specially raised, from imported eggs.

CLARICE: Dr. Lecter...

PILCHER: What do you do when you're not detecting, Officer Starling?

CLARICE: I try to be a student, Dr. Pilcher.

PILCHER: Ever get out for cheeseburgers and beer? The amusing house wine...?

CLARICE: Not lately. But maybe someday.

STACY: Is that a pretty good job, FBI agent?

CLARICE: I think so.

STACY: You get to travel around and stuff? I mean, better places then this?

CLARICE: Sometimes you do.

STACY: Freddie was so happy for me when I got this job. This - toaster giveaways, and Barry Manilow on the speakers all day - she thought this was really hot shit. What did she know, big dummy...

STACY: They said she was just rags, like somebody -

CLARICE: Stacy, did Fredrica ever mention a man named Jamie Gumb? Or John Grant? Do you think she could've had a friend you didn't know about?

STACY: No way. She had a guy, I'da known, believe me. Sewing was her life, she was really great at it. Poor Freddie.

CLARICE: Did you ever work with her?

STACY: Oh sure, me'n Pam Malavesi used to help her do alterations for old Mrs. Lippman. Lots of people worked for her, she had the business from all these retail stores? But she was like, totally old, it was more'n she could handle.

CLARICE: Where does Mrs. Lippman live? I'd like to talk to her.

STACY: She died. She went to Florida to retire, like two years ago? She dies own there.

DR. LECTER: Your lambs are still for now, Clarice, but not forever... You'll have to earn it again and again, this blessed silence. Because it's the plight that drives you, and the plight will never end.

CLARICE: Dr. Lecter -

DR. LECTER: I have no plans to call on you, Clarice, the world being more interesting with you in it. Be sure you extend me the same courtesy.

CLARICE: You know I can't make that promise.

DR. LECTER: Goodbye, Clarice... You looked - so very lovely today, in your blue suit.

CLARICE: Starling.

DR. LECTER: Well, Clarice, have the lambs stopped screaming...?

DR. LECTER: Brave Clarice. Will you let me know if ever the lambs stop screaming?

CLARICE: Yes. I'll tell you.

DR. LECTER: Promise...? Then why not take your case file? I won't be needing it anymore.

DR. LECTER: You still wake up sometimes, don't you? Wake up in the dark, with the lambs screaming?

CLARICE: Yes...

DR. LECTER: Do you think if you saved Catherine, you could make them stop...? Do you think, if Catherine lives, you won't wake up in the dark, ever again, to the screaming of the lambs? Do you...?

CLARICE: Yes! I don't know...! I don't know.

DR. LECTER: Thank you, Clarice.

CLARICE: Tell me his name, Dr. Lecter.

DR. LECTER: Dr. Chilton... I believe you know each other?

CLARICE: I didn't get more than a few miles before the sheriff's car found me. The rancher was so angry he sent me to live at the Lutheran orphanage in Bozeman. I never saw the ranch again...

DR. LECTER: But what became of your lamb? Clarice...?

DR. LECTER: Where were you going?

CLARICE: I don't know. I had no food or water. It was very cold. I thought - if I can even save just one... but he got so heavy. So heavy...

DR. LECTER: They were slaughtering the spring lambs?

CLARICE: Yes...! They were screaming.

DR. LECTER: So you ran away...

CLARICE: No. First I tried to free them... I opened the gate of their pen - but they wouldn't run. They just stood there, confused. They wouldn't run...

DR. LECTER: But you could. You did.

CLARICE: I took one lamb. And I ran away, as fast as I could...

DR. LECTER: What did you do?

CLARICE: Got dressed without turning on the light. I went downstairs... outside...

CLARICE: I heard a strange sound...

DR. LECTER: What was it?

DR. LECTER: Not "just," Clarice. What set you off? You started what time?

CLARICE: Early. Still dark.

DR. LECTER: Then something woke you. What? Did you dream...? What was it?

DR. LECTER: What is the first and principal thing he does, what need does he serve by killing?

CLARICE: Anger, social resentment, sexual frus-

DR. LECTER: No, he covets. That's his nature. And how do we begin to covet, Clarice? Do we seek out things to covet? Make an effort to answer.

CLARICE: No. We just -

DR. LECTER: No. Precisely. We begin by coveting what we see every day. Don't you feel eyes moving over your body, Clarice? I hardly see how you couldn't. And don't your eyes move over the things you want?

CLARICE: All right, then tell me how -

DR. LECTER: No. It's your turn to tell me, Clarice. You don't have any more vacations to sell, on Anthrax Island. Why did you run away from that ranch?

CLARICE: Dr. Lecter, when there's time I'll -

DR. LECTER: We don't reckon time the same way, Clarice. This is all the time you'll ever have.

CLARICE: Later, listen, I'll -

DR. LECTER: I'll listen now. After your father's murder, you were orphaned. You were ten years old. You went to live with cousins, on a sheep and horse ranch in Montana. And - ?

CLARICE: And - one morning I just - ran away...

CLARICE: Dr. Lecter, you find out everything. You couldn't have talked with this "William Rubin", even once, and come out knowing so little about him... You made him up, didn't you?

DR. LECTER: Clarice... you're hardly in a position to accuse me of lying.

CLARICE: I think you were telling me the truth in Baltimore - or starting to. Tell me the rest now.

DR. LECTER: I've studied the case file, have you...? Everything you need to find him is right in these pages. Whatever his name is.

CLARICE: Then tell me how.

DR. LECTER: First principles, Clarice. Simplicity. Read Marcus Aurelius. Of each particular thing, ask: What is it, in itself, what is its nature...? What does he do, this man you seek?

CLARICE: He kills w-

DR. LECTER: No! That's incidental.

CLARICE: I thought you might want your drawings back... Just until you get your view.

DR. LECTER: How very thoughtful... Or did Crawford send you here for one last wheedle - before you're both booted off the case?

CLARICE: Nobody sent me. I came on my own.

DR. LECTER: That's enough, I think. Happy hunting. Oh, and Clarice - next time you will tell me why you ran away. Shall I summarize?

CLARICE: Yes, Doctor. Please.

CLARICE: He was a town marshal... one night he surprised two burglars, coming out the back of a drugstore... They shot him.

DR. LECTER: Killed outright?

CLARICE: No. He was strong, he lasted almost a month. My mother - died when I was very young, so my father had become - the whole world to me... After he left me, I had nobody. I was ten years old.

DR. LECTER: You're very frank, Clarice. I think - it would be quite something to know you in private life.

CLARICE: Quid pro quo, Doctor.

DR. LECTER: The significance of the moth is change. Caterpillar into cocoon into beauty... Billy wants to change, too, Clarice. But there's the problem of his size, you see. Even if he were a woman, he'd have to be a big one...

CLARICE: Dr. Lecter, there's no correlation in the literature between transsexualism and violence. Transsexuals are very passive.

DR. LECTER: Clever girl. You're so close to the way you're going to catch him - do you realize that?

CLARICE: No. Tell me why.

DR. LECTER: After your father's death, you were orphaned. What happened next? I don't imagine the answer's on those second-rate shoes, Clarice.

CLARICE: I went to live with my mother's cousin and her husband in Montana. They had a ranch.

DR. LECTER: A cattle ranch?

CLARICE: Horses - and sheep...

DR. LECTER: How long did you live there?

CLARICE: Two months.

DR. LECTER: Why so briefly?

CLARICE: I - ran away...

DR. LECTER: Why, Clarice? Did the rancher fuck you?

CLARICE: No.

DR. LECTER: Did he try to?

CLARICE: No...! Quid pro quo, Doctor.

DR. LECTER: Billy's not a real transsexual, but he thinks he is. He tries to be. He's tried to be a lot of things, I expect.

CLARICE: You said - I was very close to the way we'd catch him.

DR. LECTER: There are three major centers for transsexual surgery: Johns Hopkins, the University of Minnesota, and Columbus Medical center. I wouldn't be surprised if Billy has applied for sex reassignment at one or all of them, and been rejected.

CLARICE: On what basis would they reject him?

DR. LECTER: The personality inventories would trip him up. Rorschach, Wechsler, House-Tree-Person... He wouldn't test like a real transsexual.

CLARICE: How would he test?

CLARICE: Go, Doctor.

DR. LECTER: What's your worst memory of childhood? Quicker than that. I'm not interested in your worst invention.

CLARICE: The death of my father.

DR. LECTER: Tell me. Don't lie, or I'll know.

DR. LECTER: "Plum Island Animal Disease Research Center." Sounds charming.

CLARICE: That's just part of the island. It has a very nice beach. Terns nest there.

DR. LECTER: Terns... If I help you, Clarice, it will be "turns" with us, too. Quid pro quo. I tell you things, you tell me things. Not about this case, though - about yourself. Yes or no? Yes or no, Clarice. Catherine is waiting. Tick-tock, tick-tock...

CLARICE: I was your choice, Dr. Lecter. You chose to speak to me. Would you prefer someone else now? Or perhaps you don't think you can help us.

DR. LECTER: That is both impudent and untrue... Tell me, how did you feel when you viewed our Billy's latest effort? Or should I say, his "next-to-latest"?

CLARICE: By the book, he's a sadist.

DR. LECTER: Life's too slippery for books, Clarice. Typhoid and swans came from the same God. Tell me, Miss West Virginia - was she a large girl?

CLARICE: Yes.

DR. LECTER: Big through the hips. Roomy.

CLARICE: They all were.

DR. LECTER: Mmm. And what else...?

CLARICE: She had an insect deliberately inserted in her throat. That hasn't been made public yet. We don't know what is means.

DR. LECTER: Was it a butterfly?

CLARICE: A moth... How did you predict that?

DR. LECTER: I'm waiting for your offer, Clarice. Enchant me.

DR. LECTER: Punishment, you see. For Miggs. Just like that gospel program. When you leave, they'll turn the volume way up. Chilton does enjoy his petty torments.

CLARICE: Who killed Raspail, Doctor...? You know, don't you?

DR. LECTER: I've been in this room for eight years, Clarice. I know they will never, ever let me out while I'm alive. What I want is a view. I want a window where I can see a tree, or even water. I want to be in a federal institution, away from Chilton - and I want a view. I'll give good value for it. Crawford could do that for me, but he won't. You persuade him.

CLARICE: Who killed your patient?

DR. LECTER: Oh, a very naughty boy. Someone you and Jack Crawford are most anxious to meet.

CLARICE: Buffalo Bill...? Bill killed him, all those years ago...? That's impossible.

DR. LECTER: Your bleeding has stopped.

CLARICE: How did - It's nothing. A scratch.

DR. LECTER: Why don't you ask me about Buffalo Bill?

CLARICE: Why? Do you know something about him?

DR. LECTER: I might if I saw the case file. You could get that for me.

CLARICE: Why don't you tell me about "Miss Mofet?" You wanted me to find him. Or do I have to wait for the lab?

DR. LECTER: His real name is Benjamin Raspail. A former patient of mine, whose romantic attachments ran to, shall we say, the exotic...? I didn't kill him, merely tucked him away. Very much as I found him, in that ridiculous car, in his own garage, after he's missed three appointments. You'd have him under "Missing Person" - which, in poor Raspail's case, could hardly be more true.

CLARICE: If you didn't kill him, then who did?

DR. LECTER: Who can say...? Best thing for him, really. His therapy was going nowhere.

CLARICE: Wouldn't it have been easier to just leave him for the police to find?

DR. LECTER: And have them clomping about in my life? Oh dear, no... At that time I still had certain private amusements of my own. How did you feel when you saw him, Clarice? May I call you Clarice?

CLARICE: Scared, at first. Then - exhilarated.

DR. LECTER: Ahhh... Why?

CLARICE: Because you weren't wasting my time.

DR. LECTER: Do you have something you use, when you need to get up your courage? Memories, tableaux... scenes from your early life?

CLARICE: I don't know. Next time I'll have to check.

DR. LECTER: Jack Crawford is helping your career, isn't he? Apparently he likes you. And you like him, too.

CLARICE: I never thought about it.

DR. LECTER: Your first lie to me, Clarice. How sad. Tell me - do you think Crawford wants you, sexually? True, he's much older, but - do you think he visualizes... scenarios, exchanges...? Fucking you?

CLARICE: That doesn't interest me, Doctor. And it's the sort of thing Miggs would ask.

DR. LECTER: Not anymore. Surely the odd confluence of events hasn't escaped you, Clarice. Crawford dangles you before me. Then I give you a bit of help. Do you think it's because I like to look at you, and imagine how good you would taste...?

CLARICE: I don't know. Is it?

DR. LECTER: Or doesn't this all begin to suggest to you a kind of... negotiation? There's something Crawford can give me, and I want to trade for it. I even wrote to him, offering my help. But he hates me, so he won't deal directly.

DR. LECTER: I would not have had that happen to you. Discourtesy is - unspeakably ugly to me.

CLARICE: Then please - do this test for me.

DR. LECTER: No. But I will make you happy... I'll give you a chance for what you love most, Clarice Starling.

CLARICE: What's that, Dr. Lecter?

DR. LECTER: Advancement, of course. Go to Split City. See Miss Mofet, an old patient of mine. M-O-F-E-T... Now go. Go. I don't think Miggs could manage again so soon, even if he is crazy - do you?

CLARICE: You see a lot, Dr. Lecter. But are you strong enough to point that high- powered perception at yourself? How about it...? Look at yourself and write down the truth. Or maybe you're afraid to.

DR. LECTER: You're a tough one, aren't you?

CLARICE: Reasonably so. Yes.

DR. LECTER: And you'd hate to think you were common. My, wouldn't that sting! Well you're far from common, Officer Starling. All you have is the fear of it. Now please excuse me. Good day.

CLARICE: And the questionnaire...?

DR. LECTER: A census taker once tried to test me. I ate his liver with some fava beans and a nice chianti... Fly back to school, little Starling.

DR. LECTER: Oh, Officer Starling... do you think you can dissect me with this blunt little tool?

CLARICE: No. I only hoped that your knowledge -

CLARICE: Dr. Lecter, if you'd please consider -

DR. LECTER: No, no, no. You were doing fine, you'd been courteous and receptive to courtesy, you'd established trust with the embarrassing truth about Miggs, and now this ham-handed segue into your questionnaire. It won't do. It's stupid and boring.

CLARICE: I'm only asking you to look at this, Doctor. Either you will or you won't.

DR. LECTER: Jack Crawford must be very busy indeed if he's recruiting help from the student body. Busy hunting that new one, Buffalo Bill... Such a naughty boy! Did Crawford send you to ask for my advice on him?

CLARICE: No, I came because we need -

DR. LECTER: How many women has he used, our Bill?

CLARICE: Five... so far.

DR. LECTER: All flayed...?

CLARICE: Partially, yes. But Doctor, that's an active case, I'm not involved. If -

DR. LECTER: Do you know why he's called Buffalo Bill? Tell me. The newspapers won't say.

CLARICE: I'll tell you if you'll look at this form. It started as a bad joke in Kansas City Homicide. They said... this one likes to skin his humps.

DR. LECTER: Witless and misleading. Why do you think he takes their skins, Officer Starling? Thrill me with your wisdom.

CLARICE: It excites him. Most serial killers keep some sort of trophies.

DR. LECTER: I didn't.

CLARICE: No. You ate yours.

DR. LECTER: Now then. What did Miggs say to you? "Multiple Miggs," in the next cell. He hissed at you. What did he say?

CLARICE: He said - "I can smell your cunt."

DR. LECTER: I see. I myself cannot. You use Evyan skin cream, and sometimes you wear L'Air du Temps, but not today. You brought your best bag, though, didn't you?

CLARICE: Yes.

DR. LECTER: It's much better than your shoes.

CLARICE: Maybe they'll catch up.

DR. LECTER: I have no doubt of it.

CLARICE: Did you do those drawings, Doctor?

DR. LECTER: Yes. That's the Duomo, seen from the Belvedere. Do you know Florence?

CLARICE: All that detail, just from memory...?

DR. LECTER: Memory, Officer Starling, is what I have instead of view.

DR. LECTER: That expires in one week. You're not real FBI, are you?

CLARICE: I'm - still in training at the Academy.

DR. LECTER: Jack Crawford sent a trainee to me?

CLARICE: We're talking about psychology, Doctor, not the Bureau. Can you decide for yourself whether or not I'm qualified?

DR. LECTER: Mmmmm... That's rather slippery of you, Officer Starling. Sit. Please.

CLARICE: Doctor, we have a hard problem in psychological profiling. I want to ask for your help with a questionnaire.

DR. LECTER: "We" being the Behavioral Science Unit, at Quantico. You're one of Jack Crawford's, I expect.

CLARICE: I am, yes.

DR. LECTER: May I see your credentials?

CRAWFORD: Look... search your own records, if you prefer. You can do it a lot faster than us, anyway. If we find Buffalo Bill through your information, I'll suppress it. Nobody has to know this hospital cooperated.

DR. DANIELSON: I doubt very much that the FBI or any other government agency can keep a secret, Mr. Crawford. Truth will out... And then what? Will you give Johns Hopkins a new identity? Put a big pair of sunglasses on this building, and a funny nose?

CRAWFORD: Oh, that's clever, Dr. Danielson. Very humorous. You like the truth? Try this. He kidnaps young women and kills them and rips their skin off. We don't want him to do that anymore. If you don't help me, just as fast as you can, then the Justice Department is going to ask publicly for a court order, We'll ask twice a day, just in time for the morning and evening news. And each one of our press conferences will focus on Dr. Danielson, over at Johns Hopkins, and how we're still hoping for his cooperation. And every time there's any news on the case - when Catherine Martin floats, when the next one floats, and the next one - why, we'll just issue another press release about good ol' Dr. Danielson, over at Johns Hopkins - complete with all his humorous fucking remarks.

DR. DANIELSON: It may be that - I could confer with my colleagues on this. And get back to you.

CRAWFORD: Would you, Doctor? That would be so kind.

CRAWFORD: Her name is Kimberly Jane Emberg, she was just ID'd. I met her on a slab in West Virginia. And sometime tomorrow, or tomorrow night, he's going to do the same thing to Catherine Martin.

DR. DANIELSON: That's a childish, bullying stunt, Mr. Crawford. I was a battlefield surgeon, so you can put away your picture.

DR. DANIELSON: Examination and interview materials are confidential. We've never violated an applicant's trust, and we never will.

CRAWFORD: You want to see a violation? This is a violation...

DR. DANIELSON: I'm not having a witch hunt here, Mr. Crawford! Our patients are decent, non-violent people with a real problem.

CRAWFORD: Dr. Danielson, the man we want was never your patient. It would be someone you refused because he tries to conceal a record of criminal violence. Please, Doctor - time is eating us up. Just show me the ones you've turned away.

DR. LECTER: Senator Martin...! You can't trust Jack Crawford or Clarice Starling. It's such a game with these people. They're determined to get the arrest for themselves. The "collar," I think they say.

SEN. MARTIN: Thank you, Doctor. I'll keep it in mind.

DR. LECTER: Oh, and Senator...? Love you suit.

SEN. MARTIN: Yes... I did.

DR. LECTER: Toughened your nipples, didn't it...? Six foot one, strongly built, about 190 pounds. Hair brown, eyes pale blue. He'd be about 35 now. He said he lived in Philadelphia, but may have lied. That's really all I can remember, Senator - but if I think of any more, I'll let you know.

SEN. MARTIN: Let's go with it.

SEN. MARTIN: What...?

DR. LECTER: Did you breast-feed her?

DR. LECTER: I won't waste your time and Catherine's time bargaining for petty privileges. Clarice Starling and that awful Jack Crawford have wasted far too much already. I only pray they haven't doomed the poor girl... Let me help you now, and I'll trust you when it's all over.

SEN. MARTIN: You have my word. Paul?

RODEN: Better known to his friends as the Death's-head Moth...

PILCHER: The Latin name comes from two rivers in Hell. Your man - he drops these girls into rivers, every time. Didn't I read that?

PILCHER: Your West Virginia specimen gave us quite a bit of trouble, but I finally managed to narrow his species through chaetaxy - studying the skin.

RODEN: I'm the one who found his perforating proboscis! Are you wearing a gun, right now? Ooh, cool! Can I see it? Can I?

PILCHER: Just ignore him. He's not a Ph.D.

RODEN: Of course it counts. How do you play?

PILCHER: Officer Starling. Welcome back.

RODEN: Time, Pilch! My move.

PILCHER: No fair! You lured him with produce.

Oscar Awards

Wins

ACTOR IN A LEADING ROLE - 1991 Anthony Hopkins
ACTRESS IN A LEADING ROLE - 1991 Jodie Foster
DIRECTING - 1991 Jonathan Demme
BEST PICTURE - 1991 Edward Saxon, Kenneth Utt, Ron Bozman
WRITING (Screenplay Based on Material Previously Produced or Published) - 1991 Ted Tally

Nominations

FILM EDITING - 1991 Craig McKay
SOUND - 1991 Tom Fleischman, Christopher Newman

Media

Featurette
Arrow Unboxing
Trailer
Official Sizzle
Clip
The Screaming Lambs