The Sixth Sense

Not every gift is a blessing.

Release Date 1999-08-06
Runtime 107 minutes
Status Released
Watch

Overview

Following an unexpected tragedy, child psychologist Malcolm Crowe meets a nine year old boy named Cole Sear, who is hiding a dark secret.

Budget $40,000,000
Revenue $672,800,000
Vote Average 7.95/10
Vote Count 12182
Popularity 8.5449
Original Language en

Backdrop

Available Languages

English US
Title:
"Not every gift is a blessing."
Español ES
Title: El sexto sentido
"En ocasiones veo muertos"
Deutsch DE
Title:
"Nicht jede Gabe ist ein Segen."
Italiano IT
Title: The Sixth Sense - Il sesto senso
"Un inquietante mistero... Una terribile verità."
Türkçe TR
Title: Altıncı His
"Her hediye bir nimet değildir."
Pусский RU
Title: Шестое чувство
"Иногда дар – это проклятие"

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Cast

Crew

Reviews

John Chard
10.0/10
The Sixth Sense phenomenon. Child psychiatrist Malcolm Crowe takes on the case of a deeply troubled boy named Cole Sear. At first Cole is reluctant to be helped, but as Malcolm gets closer to the boy, Malcolm learns the root of Cole's fears, he claims he sees ghosts. The Sixth Sense was a monster hit back in 1999, a deftly crafted ghost story with a kicker that was talked about by all and sundry, the box office bulged and the critics did rave. Nowadays you will find hundreds of people proclaiming that the film is boringly formulaic, that they worked out the film's premise easily in the first quarter of the film, or that the film is a mere cliché, funny how I don't remember it like that back in 1999! The box office bulged because many went to see the film more than once, they went (myself included) back to see just how director M. Night Shyamalan (Academy Award Nominated Best Director) managed to bluff us and pull the rug from under our feet. I remember vividly both times I saw it in the cinema, the crucial turning point of the piece bringing a collective audible gasp from the viewers sunken in their respective seats, that's the sort of impact that carries a film's reputation far and wide, and that's the reason why I will never rate the film lower than 10/10. Repeat viewings of The Sixth Sense obviously dim its star appeal because we know the tricks of the directors trade, but the film still ranks to me as one of the best of its type for so many other reasons rarely mentioned. The writing from Shyamalan (Academy Award Nominated Best Screenplay) is surprisingly complex, the piece masquerading as a horror picture is emotionally charged, linking children with the paranormal through loss and a need for understanding, the need for closure of unresolved differences, but chiefly and crucial to the film's heart is the message of connection before it's too late. The performances are incredible, Bruce Willis as Malcolm Crowe is perfectly understated, all the pointers for the denouement are there for us to see, but such is the actors performance, and we now know he is cutely having to play his cards close to his chest, are hidden from us until the revisit of the picture reveals it all. Hayley Joel Osment (Academy Award Nominated Best Supporting Actor) is wonderful, for a child performance in a film of this type to not be over sentimental, is quite an achievement. Sympathetic Cole may be, but Osment never lets it become less than the accepted level of child vulnerability. Rounding out the great trio of leads is Toni Collette (Academy Award Nominated Best Supporting Actress) as Cole's mother, Lynn, fabulous in portraying the love and confusion in Cole's troubled world, this story arc between the two is expertly realised. The direction from Shyamalan is very restrained, forgoing out and out shock value for periods of disquiet, he uses sounds to make the audience sense the unease unfolding in this creepy tale, while his camera work, full of draw ins and pull outs-and subtle side shifts, is adroitly in tone with the narrative. The score from James Newton Howard flits beautifully between the uneasy periods and the sustained moments of query, while Tak Fujimoto's cinematography puts a gorgeous funereal texture over this part of Philadelphia. If you haven't seen it then don't believe the naysayers, because The Sixth Sense deserved every penny/cent it made, its a wonderful, creepy, and yes, at times, a beautiful picture. A film that still ranks as one of the best ghost stories ever crafted. 10/10
Wuchak
7.0/10
_**Bruce Willis stars in Shyamalan’s supernatural drama/mystery**_ A child psychologist (Bruce Willis) tries to help a boy (Haley Joel Osment) who has a unique problem (or gift) and is called a “freak” by his peers. Olivia Williams plays the wife of the therapist and Toni Collette the mother of the boy. Written & directed by M. Night Shyamalan, "The Sixth Sense" (1999) was his breakout film. It’s a slow-burn drama with paranormal elements. When my wife & I first saw it we didn’t know anything about the story except everyone was raving about it; and the ending really does elicit a ‘Wow’ response. Seeing it again, I was wondering if the movie works if you know the big reveal and it does. While the drama’s a little tedious, it’s refreshing compared to modern blockbusters with their idiotic explosions every five minutes. Furthermore, the film is aesthetically pleasing, which is helped by the unique locations (Philadelphia & areas nearby). Lastly, it is interesting to view the flick to see how Shyamalan was able to successfully hide the twist. The movie runs 1 hour, 47 minutes. GRADE: B
AstroNoud
9.0/10
It is the final and greatest plottwist that puts a smile on your face, as all the puzzle pieces fit at last. 9/10
CinemaSerf
7.0/10
There are three really potent performances in this mystery and none better than a super debut from eleven year old Haley Joel Osment who is the troubled young "Cole". He can see dead people, he can talk to dead people, he can learn from dead people. His problem is, not unreasonably, that nobody believes him - and his mother "Lynn" (Toni Collette) is at her wit's end. Enter onto the scene child psychologist "Crowe" (Bruce Willis) who has some experience in this field as one of his other patients "Vincent" (Donnie Wahlberg) suffered with the same problem - only with tragic consequences. Of course the scepticism abounds, but as the plot develops we all begin to wonder just what is a figment of the youngster's imagination and what is actual fact. M. Night Shyamalan lets the actors do the heavy lifting here, accompanied well by some intimate photography and an effective score from James Newton Howard. Collette is really convincing as the distraught mother and Osment just oozes a confidence well beyond his years as his character comes to terms with a trauma that would test the most robust of temperaments. Finally, Willis reminds us just why he was ever a star in the first place - his performance is delicate and assured. The dialogue is well constructed with little extraneous verbiage to clutter up what is a really compelling foray into a scary yet enthralling dimension that I really enjoyed watching. It is better still on a big screen, if you can.
r96sk
9.0/10
That ending... Never has the word "speechless" been so apt. 'The Sixth Sense' is a very good movie from beginning to end, but it is during that conclusion that the film becomes truly remarkable. The only word that crossed my mind when the credits rolled was "wow". Such a fantastic way to wrap up events, the best twists are the ones that give you all the clues but without making it obvious what's occurred - and that's exactly the case here. Up until that moment, I was simply 'only' enjoying the flick. Like, it was really, really good but I was waiting for things to move up a gear. It is quite slowly paced for the majority, which actually helps in appreciating what eventually happens to be honest. The plot is supremely well executed when all is said and done. Haley Joel Osment puts in a top quality performance, such an impressive showing. Bruce Willis is excellent as well, kinda crazy that I had seen 26 features with him in and yet somehow missed this one. Toni Collette, a barely recognisable Toni Collette, is ace too, I love Lynn and Cole's mother/son dynamic; despite all the pressing issues. Logged, at last! I had heard of this flick for almost as long as I can remember. Thankfully, despite that, I completely avoided any spoilers. Outstanding movie!

Famous Quotes

"I see dead people."

Famous Conversations

ANNA: Goodnight, Malcolm.

MALCOLM: Goodnight, sweetheart.

MALCOLM: I just needed to do a couple of things. And I needed to tell you something.

ANNA: Tell me.

ANNA: Why did you leave me?

MALCOLM: I didn't leave you.

ANNA: Why, Malcolm?

MALCOLM: What, Anna? What did I do? What's made you so sad?

MALCOLM: Are you calling me?

ANNA: What? You don't see enough of me at the store?

ANNA: --My God.

MALCOLM: --Do I know you?

ANNA: Wow. They called you their son.

MALCOLM: We can keep it in the bathroom.

ANNA: Mahogany. I'd say that cost at least a couple hundred. Maybe three.

MALCOLM: Three? We should hock it. Buy a C.D. rack for the bedroom.

ANNA: Do you know how important this is? This is big time. I'm going to read it for you, doctor.

MALCOLM: Do I really sound like Dr. Seuss?

ANNA: You know that's probably not the best idea. I'll just wait to see them in the store.

MAN'S VOICE: Okay. Fine. Understood. I'm off then.

ANNA: Don't step in the horse manure.

MAN'S VOICE: Thanks.

ANNA: That's very sweet. I'm okay.

MAN'S VOICE: Do you think I should stop by on my way back? Show you what I got? It's not a problem.

MAN'S VOICE: On my way to the flea market in Amish country. Thought maybe you want to come. Show me how to buy at these things.

ANNA: I trust you... Besides, I don't know if I'm up for the Amish today. You can't curse or spit or anything around them.

MALCOLM: You were great in the play, Cole.

COLE: Really?

MALCOLM: And you know what else?

COLE: What?

MALCOLM: Tommy Tammisimo sucked big time.

MALCOLM: I think we said everything we needed to say. Maybe it's time to say things to someone else? Someone close to you?

COLE: Maybe.

COLE: Don't go home, okay?

MALCOLM: I definitely won't.

COLE: I wish I were somewhere else.

MALCOLM: Where will you go, where no one has died?

COLE: She came a long way to visit me, didn't she?

MALCOLM: I guess she did.

COLE: What if they don't want help? What if they're just angry and they want to hurt somebody?

MALCOLM: I don't think that's the way it works, Cole.

MALCOLM: I believe both of you now. And I think I might know how to make them go away.

COLE: You do?

COLE: Just help.

MALCOLM: Yes! I think that's right!... I think they all want that. Even the scary ones...

COLE: You believe now?

MALCOLM: It's Spanish. It means... 'I don't want to die.' Not all the ghosts are scary, are they? Like Mrs. Marschal?

COLE: No.

MALCOLM: What do those ghosts want when they talk to you? Think real careful now, Cole...

COLE: You really look better.

MALCOLM: Maybe they wake up that morning thinking they have a thousand things to do and a thousand days left to do them in... And then all of a sudden, it's all taken away. No one asked them. It's just gone...

COLE: You have nice red in your cheeks now.

MALCOLM: Do you know what 'Yo no quiero morir' is?

COLE: Something happened, didn't it?

MALCOLM: Yes, it did.

COLE: Are you wigging out?

MALCOLM: Yes, I am.

COLE: We're not gonna start crying again, are we?

MALCOLM: No, we're not.

COLE: What happened?

COLE: Dr. Crowe?

MALCOLM: Yes.

COLE: You believe me, right?

COLE: Don't cry.

MALCOLM: It means I wasn't what everyone thought I was... I was a fake.

COLE: You weren't a paper champion.

MALCOLM: Someone else can help you. Someone else can make you happy.

MALCOLM: --What?

COLE: Don't give up. You're the only one who can help me. I know it.

MALCOLM: I'm going to transfer you. I know two psychologists that are exceptional--

COLE: Don't fail me.

MALCOLM: I have to.

COLE: When?

MALCOLM: Soon. One week.

COLE: Can I ask you then?

MALCOLM: Yes.

COLE: What do you want more than anything?

MALCOLM: I don't know.

COLE: I told you what I want.

MALCOLM: I don't know, Cole.

COLE: Why don't you think about it for a while?

COLE: When they get mad, it gets cold.

MALCOLM: Them?

MALCOLM: Yes?

COLE: And the tiny hairs on your arm. Are they all standing up?

COLE: Did you think the play sucked big time?

MALCOLM: What?

COLE: Tommy Tammisimo acted in a cough syrup commercial. He thought everybody was self-conscious and unrealistic. He said the play sucked big time.

MALCOLM: I know every child is special in their own way, but Tommy sounds like a punk. I thought the play was excellent. Better than Cats.

COLE: Cats?

MALCOLM: Never mind.

MALCOLM: ...No.

COLE: Will you stay here till I fall asleep?

MALCOLM: How often do you see them?

COLE: All the time. They're everywhere. You won't tell anyone my secret, right?

MALCOLM: Dead people, like in graves and coffins?

COLE: No, walking around, like regular people... They can't see each other. Some of them don't know they're dead.

MALCOLM: They don't know they're dead?

MALCOLM: I don't know how the story ends. I hope it's a happy ending.

COLE: Me too.

MALCOLM: What makes you think that?

COLE: Your eyes told me.

MALCOLM: Once upon a time there was a prince, who was being driven around... He drove around for a long, long time... Driving and driving... It was a long trip... He fell asleep... When he woke up, they were still driving... The long drive went on--

COLE: Dr. Crowe.

MALCOLM: Yes.

COLE: You haven't told bedtime stories before?

MALCOLM: No.

COLE: You have to add some twists and stuff. Maybe they run out of gas.

MALCOLM: No gas... Hey, that's good.

MALCOLM: Your father ever tell you bedtime stories?

COLE: Yes.

COLE: I didn't know you were funny.

MALCOLM: I forgot myself.

COLE: That isn't magic.

MALCOLM: What?

COLE: You just kept the penny in that hand the whole time...

MALCOLM: Who me?

MALCOLM: Think about what you want from our time together. What our goal should be?

COLE: Something I want?

MALCOLM: If we could change something in your life, anything at all, what would you like that to be?

MALCOLM: What'd you write?

COLE: Words.

MALCOLM: What kind of words?

COLE: Upset words.

MALCOLM: ...So your dad lives in Pittsburgh with a lady who works in a toll booth.

COLE: What if she has to pee when she's working? You think she just holds it?

MALCOLM: I don't know. I was just thinking the same thing.

COLE: Mr. Marschal gets real lonely.

MALCOLM: What about Mrs. Marschal?

COLE: She died a long time ago.

COLE: You said the "s" word.

MALCOLM: Yeah. Sorry.

MALCOLM: You ever tell her about how it is with Tommy?

COLE: I don't tell her a thing.

MALCOLM: Why?

COLE: Cause she doesn't look at me like everybody and I don't want her to. I don't want her to know.

MALCOLM: Know what?

COLE: That I'm a freak.

COLE: He hates me.

MALCOLM: You hate him?

COLE: I walk this way to school with Tommy Tammisimo.

MALCOLM: He your best buddy?

MALCOLM: Where should I look then, Cole?

COLE: Look over there.

COLE: Private Kinney's wife is really sick -- she has something called a brain anism.

MALCOLM: You mean aneurysm.

COLE: Yeah, Private Kinney needed to get back safe to take care of her.

COLE: You want to ask me a question?

MALCOLM: See, this is why I lose at poker. Yes, I do have a question.

COLE: Everybody got upset. They had a meeting. Momma started crying. I don't draw like that anymore.

MALCOLM: How do you draw now?

COLE: I draw people with smiles, dogs running, and rainbows. They don't have meetings about rainbows.

MALCOLM: I guess they don't.

COLE: We were supposed to draw a picture. Anything we wanted... I drew a man. He got hurt in the neck by another man with a screwdriver.

MALCOLM: You saw that on T.V., Cole?

MALCOLM: And Cole, next time I won't be late for you.

COLE: Next time I won't be scared of you.

COLE: I'm going to see you again, right?

MALCOLM: If it's okay with you?

MALCOLM: I got an award once. From the Mayor.

COLE: Congratulations.

MALCOLM: Thank you. It was a long time ago. I've kind of been retired for a while. You're my very first client back.

COLE: You use needles?

MALCOLM: No.

COLE: Not even little ones that aren't supposed to hurt?

MALCOLM: No.

COLE: That's good.

COLE: I forgot your name.

MALCOLM: Dr. Crowe.

COLE: You're a doctor. What kind?

MALCOLM: I work with young people who might be sad or upset or just want to talk. I try to help them figure things out.

COLE: What were they hiding from?

MALCOLM: Oh, lots of things, I suppose. Bad people for one. People who wanted to imprison them. Hurt them.

COLE: Nothing bad can happen in a church, right?

MALCOLM: All your soldiers speak Latin?

COLE: No, just one.

MALCOLM: What was that you were saying before with your soldiers? Day pro fun.

COLE: ...De profundis clamo ad te domine.

MALCOLM: Your eye frames. They don't seem to have any lenses in them.

COLE: They're my dad's. The lenses hurt my eyes.

MALCOLM: I knew there was a sound explanation.

COLE: She wanted me to tell you--

LYNN: Cole, please stop.

COLE: She wanted me to tell you, she saw you dance.

LYNN: Cole, that's very wrong. Grandma's gone. You know that.

COLE: I know.

COLE: She says she's sorry for taking the bumble bee pendant. She just likes it a lot.

LYNN: What?

COLE: Grandma comes to visit me sometimes.

LYNN: I would never think that about you... ever... Got it?

COLE: Got it.

COLE: What are you thinking, Momma?

LYNN: ...I don't know.

COLE: You think I'm a freak?

LYNN: You see ghosts, Cole?

COLE: They want me to do things for them.

LYNN: They talk to you?

LYNN: Cole, you're scaring me.

COLE: They scare me too sometimes.

LYNN: They?

COLE: Dead people.

LYNN: Dead people?

COLE: Ghosts.

LYNN: Where is she?

COLE: Standing next to my window.

LYNN: You can see her?

COLE: Yes.

COLE: You know that accident up there?

LYNN: Yeah.

COLE: Someone got hurt.

LYNN: They did?

COLE: A lady. She died.

LYNN: Oh my God.

LYNN: Communicate?

COLE: Tell you my secrets.

LYNN: I'd give anything to have been there.

COLE: I'm ready to communicate with you now.

LYNN: There's only two of us. Maybe someone came in our house -- took the bumble bee pendant out of my closet, and then laid it nicely in your drawer? Is that what happened?

COLE: Maybe.

LYNN: You didn't take it before. You didn't take it the time after that. And now, you didn't take it again?

COLE: Don't get mad.

LYNN: So who moved it?

LYNN: It was Grandma's. It's not for playing. What if it broke? You know how sad I'd be.

COLE: You'd cry. Cause you miss grandma so much.

LYNN: That's right. So why do you take it, sweetheart?

COLE: Sometimes people think they lose things and they didn't really lose them. It just gets moved.

LYNN: Did you move the bumble bee pendant?

COLE: What are you thinking, Momma?

LYNN: Lots of things.

COLE: Anything bad about me?

LYNN: They're right here.

COLE: Oh.

COLE: Stuttering Stanley!

MR. CUNNINGHAM: S-ssstop that!

COLE: Stuttering Stanley! Stuttering Stanley!

MR. CUNNINGHAM: S-ssssstop it!

COLE: Stuttering--

MR. CUNNINGHAM: --Shhhhhhut upppp you fffffffreak!

COLE: Stuttering Stanley! Stuttering Stanley!

MR. CUNNINGHAM: Who!

MR. CUNNINGHAM: How did you--?

COLE: Stop looking at me.

MR. CUNNINGHAM: What--

COLE: You shouldn't laugh at people. It makes them feel bad.

MR. CUNNINGHAM: Excuse me?

COLE: You talked funny when you went to school here. You talked funny all the way to high school!

MR. CUNNINGHAM: I don't know how else to look--

COLE: You're a stuttering Stanley!

COLE: I don't like people looking at me like that.

MR. CUNNINGHAM: Like what?

COLE: Stop it!

MR. CUNNINGHAM: Cole, this was a legal courthouse. Laws were passed here. Some of the first laws of this country. This building was full of lawyers. Lawmakers.

COLE: They were the ones who hanged everybody.

MR. CUNNINGHAM: That's not correct. Where'd you hear that?

COLE: They'd pull the people in crying and kissing their families bye... People watching would spit at them.

MR. CUNNINGHAM: Yes, Cole?

COLE: They used to hang people here.

DARREN'S MOM: Good for you.

LYNN: I wish I could be like my momma though. She always knew what was wrong. Knew just what to say.

LYNN: I work at an insurance place and at Penny's, so Cole can go to that good school.

DARREN'S MOM: J. C. Penny's?

LYNN: ...He doesn't get invited places.

DARREN'S MOM: It's our pleasure.

LYNN: The last time was a Chuck E. Cheese party a year ago. He hid in one of those purple plastic tunnels and didn't come out.

DARREN'S MOM: Chuck E. who?

LYNN: Cheese. It's a kid's place.

Oscar Awards

Wins

Haven't Won A Oscar

Nominations

ACTOR IN A SUPPORTING ROLE - 1999 Haley Joel Osment
ACTRESS IN A SUPPORTING ROLE - 1999 Toni Collette
DIRECTING - 1999 M. Night Shyamalan
FILM EDITING - 1999 Andrew Mondshein
BEST PICTURE - 1999 Frank Marshall, Kathleen Kennedy, Barry Mendel
WRITING (Screenplay Written Directly for the Screen) - 1999 M. Night Shyamalan

Media

Trailer
The Sixth Sense (1999) Original Trailer [HD]
Featurette
M. Night Shyamalan Returns to “The Sixth Sense” Landmarks | On Location w/ Josh Horowitz
Trailer
The Sixth Sense (1999) Trailer #1 | Movieclips Classic Trailers