The Sixth Sense
Not every gift is a blessing.
Overview
Following an unexpected tragedy, child psychologist Malcolm Crowe meets a nine year old boy named Cole Sear, who is hiding a dark secret.
Backdrop
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Where to Watch
Cast
Crew
Reviews
Famous Quotes
"I see dead people."
Famous Conversations
ANNA: Goodnight, Malcolm.
MALCOLM: Goodnight, sweetheart.
MALCOLM: I just needed to do a couple of things. And I needed to tell you something.
ANNA: Tell me.
ANNA: Why did you leave me?
MALCOLM: I didn't leave you.
ANNA: Why, Malcolm?
MALCOLM: What, Anna? What did I do? What's made you so sad?
MALCOLM: Are you calling me?
ANNA: What? You don't see enough of me at the store?
ANNA: --My God.
MALCOLM: --Do I know you?
ANNA: Wow. They called you their son.
MALCOLM: We can keep it in the bathroom.
ANNA: Mahogany. I'd say that cost at least a couple hundred. Maybe three.
MALCOLM: Three? We should hock it. Buy a C.D. rack for the bedroom.
ANNA: Do you know how important this is? This is big time. I'm going to read it for you, doctor.
MALCOLM: Do I really sound like Dr. Seuss?
ANNA: You know that's probably not the best idea. I'll just wait to see them in the store.
MAN'S VOICE: Okay. Fine. Understood. I'm off then.
ANNA: Don't step in the horse manure.
MAN'S VOICE: Thanks.
ANNA: That's very sweet. I'm okay.
MAN'S VOICE: Do you think I should stop by on my way back? Show you what I got? It's not a problem.
MAN'S VOICE: On my way to the flea market in Amish country. Thought maybe you want to come. Show me how to buy at these things.
ANNA: I trust you... Besides, I don't know if I'm up for the Amish today. You can't curse or spit or anything around them.
MALCOLM: You were great in the play, Cole.
COLE: Really?
MALCOLM: And you know what else?
COLE: What?
MALCOLM: Tommy Tammisimo sucked big time.
MALCOLM: I think we said everything we needed to say. Maybe it's time to say things to someone else? Someone close to you?
COLE: Maybe.
COLE: Don't go home, okay?
MALCOLM: I definitely won't.
COLE: I wish I were somewhere else.
MALCOLM: Where will you go, where no one has died?
COLE: She came a long way to visit me, didn't she?
MALCOLM: I guess she did.
COLE: What if they don't want help? What if they're just angry and they want to hurt somebody?
MALCOLM: I don't think that's the way it works, Cole.
MALCOLM: I believe both of you now. And I think I might know how to make them go away.
COLE: You do?
COLE: Just help.
MALCOLM: Yes! I think that's right!... I think they all want that. Even the scary ones...
COLE: You believe now?
MALCOLM: It's Spanish. It means... 'I don't want to die.' Not all the ghosts are scary, are they? Like Mrs. Marschal?
COLE: No.
MALCOLM: What do those ghosts want when they talk to you? Think real careful now, Cole...
COLE: You really look better.
MALCOLM: Maybe they wake up that morning thinking they have a thousand things to do and a thousand days left to do them in... And then all of a sudden, it's all taken away. No one asked them. It's just gone...
COLE: You have nice red in your cheeks now.
MALCOLM: Do you know what 'Yo no quiero morir' is?
COLE: Something happened, didn't it?
MALCOLM: Yes, it did.
COLE: Are you wigging out?
MALCOLM: Yes, I am.
COLE: We're not gonna start crying again, are we?
MALCOLM: No, we're not.
COLE: What happened?
COLE: Dr. Crowe?
MALCOLM: Yes.
COLE: You believe me, right?
COLE: Don't cry.
MALCOLM: It means I wasn't what everyone thought I was... I was a fake.
COLE: You weren't a paper champion.
MALCOLM: Someone else can help you. Someone else can make you happy.
MALCOLM: --What?
COLE: Don't give up. You're the only one who can help me. I know it.
MALCOLM: I'm going to transfer you. I know two psychologists that are exceptional--
COLE: Don't fail me.
MALCOLM: I have to.
COLE: When?
MALCOLM: Soon. One week.
COLE: Can I ask you then?
MALCOLM: Yes.
COLE: What do you want more than anything?
MALCOLM: I don't know.
COLE: I told you what I want.
MALCOLM: I don't know, Cole.
COLE: Why don't you think about it for a while?
COLE: When they get mad, it gets cold.
MALCOLM: Them?
MALCOLM: Yes?
COLE: And the tiny hairs on your arm. Are they all standing up?
COLE: Did you think the play sucked big time?
MALCOLM: What?
COLE: Tommy Tammisimo acted in a cough syrup commercial. He thought everybody was self-conscious and unrealistic. He said the play sucked big time.
MALCOLM: I know every child is special in their own way, but Tommy sounds like a punk. I thought the play was excellent. Better than Cats.
COLE: Cats?
MALCOLM: Never mind.
MALCOLM: ...No.
COLE: Will you stay here till I fall asleep?
MALCOLM: How often do you see them?
COLE: All the time. They're everywhere. You won't tell anyone my secret, right?
MALCOLM: Dead people, like in graves and coffins?
COLE: No, walking around, like regular people... They can't see each other. Some of them don't know they're dead.
MALCOLM: They don't know they're dead?
MALCOLM: I don't know how the story ends. I hope it's a happy ending.
COLE: Me too.
MALCOLM: What makes you think that?
COLE: Your eyes told me.
MALCOLM: Once upon a time there was a prince, who was being driven around... He drove around for a long, long time... Driving and driving... It was a long trip... He fell asleep... When he woke up, they were still driving... The long drive went on--
COLE: Dr. Crowe.
MALCOLM: Yes.
COLE: You haven't told bedtime stories before?
MALCOLM: No.
COLE: You have to add some twists and stuff. Maybe they run out of gas.
MALCOLM: No gas... Hey, that's good.
MALCOLM: Your father ever tell you bedtime stories?
COLE: Yes.
COLE: I didn't know you were funny.
MALCOLM: I forgot myself.
COLE: That isn't magic.
MALCOLM: What?
COLE: You just kept the penny in that hand the whole time...
MALCOLM: Who me?
MALCOLM: Think about what you want from our time together. What our goal should be?
COLE: Something I want?
MALCOLM: If we could change something in your life, anything at all, what would you like that to be?
MALCOLM: What'd you write?
COLE: Words.
MALCOLM: What kind of words?
COLE: Upset words.
MALCOLM: ...So your dad lives in Pittsburgh with a lady who works in a toll booth.
COLE: What if she has to pee when she's working? You think she just holds it?
MALCOLM: I don't know. I was just thinking the same thing.
COLE: Mr. Marschal gets real lonely.
MALCOLM: What about Mrs. Marschal?
COLE: She died a long time ago.
COLE: You said the "s" word.
MALCOLM: Yeah. Sorry.
MALCOLM: You ever tell her about how it is with Tommy?
COLE: I don't tell her a thing.
MALCOLM: Why?
COLE: Cause she doesn't look at me like everybody and I don't want her to. I don't want her to know.
MALCOLM: Know what?
COLE: That I'm a freak.
COLE: He hates me.
MALCOLM: You hate him?
COLE: I walk this way to school with Tommy Tammisimo.
MALCOLM: He your best buddy?
MALCOLM: Where should I look then, Cole?
COLE: Look over there.
COLE: Private Kinney's wife is really sick -- she has something called a brain anism.
MALCOLM: You mean aneurysm.
COLE: Yeah, Private Kinney needed to get back safe to take care of her.
COLE: You want to ask me a question?
MALCOLM: See, this is why I lose at poker. Yes, I do have a question.
COLE: Everybody got upset. They had a meeting. Momma started crying. I don't draw like that anymore.
MALCOLM: How do you draw now?
COLE: I draw people with smiles, dogs running, and rainbows. They don't have meetings about rainbows.
MALCOLM: I guess they don't.
COLE: We were supposed to draw a picture. Anything we wanted... I drew a man. He got hurt in the neck by another man with a screwdriver.
MALCOLM: You saw that on T.V., Cole?
MALCOLM: And Cole, next time I won't be late for you.
COLE: Next time I won't be scared of you.
COLE: I'm going to see you again, right?
MALCOLM: If it's okay with you?
MALCOLM: I got an award once. From the Mayor.
COLE: Congratulations.
MALCOLM: Thank you. It was a long time ago. I've kind of been retired for a while. You're my very first client back.
COLE: You use needles?
MALCOLM: No.
COLE: Not even little ones that aren't supposed to hurt?
MALCOLM: No.
COLE: That's good.
COLE: I forgot your name.
MALCOLM: Dr. Crowe.
COLE: You're a doctor. What kind?
MALCOLM: I work with young people who might be sad or upset or just want to talk. I try to help them figure things out.
COLE: What were they hiding from?
MALCOLM: Oh, lots of things, I suppose. Bad people for one. People who wanted to imprison them. Hurt them.
COLE: Nothing bad can happen in a church, right?
MALCOLM: All your soldiers speak Latin?
COLE: No, just one.
MALCOLM: What was that you were saying before with your soldiers? Day pro fun.
COLE: ...De profundis clamo ad te domine.
MALCOLM: Your eye frames. They don't seem to have any lenses in them.
COLE: They're my dad's. The lenses hurt my eyes.
MALCOLM: I knew there was a sound explanation.
COLE: She wanted me to tell you--
LYNN: Cole, please stop.
COLE: She wanted me to tell you, she saw you dance.
LYNN: Cole, that's very wrong. Grandma's gone. You know that.
COLE: I know.
COLE: She says she's sorry for taking the bumble bee pendant. She just likes it a lot.
LYNN: What?
COLE: Grandma comes to visit me sometimes.
LYNN: I would never think that about you... ever... Got it?
COLE: Got it.
COLE: What are you thinking, Momma?
LYNN: ...I don't know.
COLE: You think I'm a freak?
LYNN: You see ghosts, Cole?
COLE: They want me to do things for them.
LYNN: They talk to you?
LYNN: Cole, you're scaring me.
COLE: They scare me too sometimes.
LYNN: They?
COLE: Dead people.
LYNN: Dead people?
COLE: Ghosts.
LYNN: Where is she?
COLE: Standing next to my window.
LYNN: You can see her?
COLE: Yes.
COLE: You know that accident up there?
LYNN: Yeah.
COLE: Someone got hurt.
LYNN: They did?
COLE: A lady. She died.
LYNN: Oh my God.
LYNN: Communicate?
COLE: Tell you my secrets.
LYNN: I'd give anything to have been there.
COLE: I'm ready to communicate with you now.
LYNN: There's only two of us. Maybe someone came in our house -- took the bumble bee pendant out of my closet, and then laid it nicely in your drawer? Is that what happened?
COLE: Maybe.
LYNN: You didn't take it before. You didn't take it the time after that. And now, you didn't take it again?
COLE: Don't get mad.
LYNN: So who moved it?
LYNN: It was Grandma's. It's not for playing. What if it broke? You know how sad I'd be.
COLE: You'd cry. Cause you miss grandma so much.
LYNN: That's right. So why do you take it, sweetheart?
COLE: Sometimes people think they lose things and they didn't really lose them. It just gets moved.
LYNN: Did you move the bumble bee pendant?
COLE: What are you thinking, Momma?
LYNN: Lots of things.
COLE: Anything bad about me?
LYNN: They're right here.
COLE: Oh.
COLE: Stuttering Stanley!
MR. CUNNINGHAM: S-ssstop that!
COLE: Stuttering Stanley! Stuttering Stanley!
MR. CUNNINGHAM: S-ssssstop it!
COLE: Stuttering--
MR. CUNNINGHAM: --Shhhhhhut upppp you fffffffreak!
COLE: Stuttering Stanley! Stuttering Stanley!
MR. CUNNINGHAM: Who!
MR. CUNNINGHAM: How did you--?
COLE: Stop looking at me.
MR. CUNNINGHAM: What--
COLE: You shouldn't laugh at people. It makes them feel bad.
MR. CUNNINGHAM: Excuse me?
COLE: You talked funny when you went to school here. You talked funny all the way to high school!
MR. CUNNINGHAM: I don't know how else to look--
COLE: You're a stuttering Stanley!
COLE: I don't like people looking at me like that.
MR. CUNNINGHAM: Like what?
COLE: Stop it!
MR. CUNNINGHAM: Cole, this was a legal courthouse. Laws were passed here. Some of the first laws of this country. This building was full of lawyers. Lawmakers.
COLE: They were the ones who hanged everybody.
MR. CUNNINGHAM: That's not correct. Where'd you hear that?
COLE: They'd pull the people in crying and kissing their families bye... People watching would spit at them.
MR. CUNNINGHAM: Yes, Cole?
COLE: They used to hang people here.
DARREN'S MOM: Good for you.
LYNN: I wish I could be like my momma though. She always knew what was wrong. Knew just what to say.
LYNN: I work at an insurance place and at Penny's, so Cole can go to that good school.
DARREN'S MOM: J. C. Penny's?
LYNN: ...He doesn't get invited places.
DARREN'S MOM: It's our pleasure.
LYNN: The last time was a Chuck E. Cheese party a year ago. He hid in one of those purple plastic tunnels and didn't come out.
DARREN'S MOM: Chuck E. who?
LYNN: Cheese. It's a kid's place.